-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% DO NOT EDIT this file manually; it is automatically
+%% generated from LSR http://lsr.di.unimi.it
+%% Make any changes in LSR itself, or in Documentation/snippets/new/ ,
+%% and then run scripts/auxiliar/makelsr.py
+%%
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.18.0"
\header {
- lsrtags = "repeats, breaks"
+ lsrtags = "breaks, repeats, symbols-and-glyphs, workaround"
texidoc = "
-If you want to place an exiting segno sign and add text like \"D.S. al
-Coda\" next to it where usually the staff lines are you can use this
+If you want to place an exiting segno sign and add text like @qq{D.S.
+al Coda} next to it where usually the staff lines are you can use this
snippet. The coda will resume in a new line. There is a variation
documented in this snippet, where the coda will remain on the same
line.
doctitle = "Positioning segno and coda (with line break)"
} % begin verbatim
-{
+{
\clef treble
\key g \major
\time 4/4
\relative c'' {
- \repeat unfold 2 {
- | c4 c c c
+ \repeat unfold 4 {
+ c4 c c c
}
-
+
% Set segno sign as rehearsal mark and adjust size if needed
- % \once \override Score.RehearsalMark #'font-size = #3
+ % \once \override Score.RehearsalMark.font-size = #3
\mark \markup { \musicglyph #"scripts.segno" }
\repeat unfold 2 {
- | c4 c c c
+ c4 c c c
}
-
+
% Set coda sign as rehearsal mark and adjust size if needed
- \once \override Score.RehearsalMark #'font-size = #4
+ \once \override Score.RehearsalMark.font-size = #4
\mark \markup { \musicglyph #"scripts.coda" }
\repeat unfold 2 {
- | c4 c c c
+ c4 c c c
}
-
+
% Should Coda be on anew line?
% Coda NOT on new line: use \nobreak
% Coda on new line: DON'T use \nobreak
% \noBreak
-
+
\bar "||"
-
+
% Set segno sign as rehearsal mark and adjust size if needed
- \once \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
- % \once \override Score.RehearsalMark #'font-size = #3
+ \once \override Score.RehearsalMark.break-visibility =
+ #begin-of-line-invisible
+ % \once \override Score.RehearsalMark.font-size = #3
\mark \markup { \musicglyph #"scripts.segno" }
-
- % Here begins the trickery!
- % \cadenzaOn will suppress the bar count and \stopStaff removes the staff lines.
- \cadenzaOn
- \stopStaff
- % Some examples of possible text-displays
-
+
+ % Here begins the trickery!
+ % \cadenzaOn will suppress the bar count
+ % and \stopStaff removes the staff lines.
+ \cadenzaOn
+ \stopStaff
+ % Some examples of possible text-displays
+
% text line-aligned
% ==================
% Move text to the desired position
- % \once \override TextScript #'extra-offset = #'( 2 . -3.5 )
- % | s1*0^\markup { D.S. al Coda } }
-
+ % \once \override TextScript.extra-offset = #'( 2 . -3.5 )
+ % | <>^\markup { D.S. al Coda } }
+
% text center-aligned
% ====================
% Move text to the desired position
- % \once \override TextScript #'extra-offset = #'( 6 . -5.0 )
- % | s1*0^\markup { \center-column { D.S. "al Coda" } }
-
+ % \once \override TextScript.extra-offset = #'( 6 . -5.0 )
+ % | <>^\markup { \center-column { D.S. "al Coda" } }
+
% text and symbols center-aligned
% ===============================
- % Move text to the desired position and tweak spacing for optimum text alignment
- %\once \override TextScript #'extra-offset = #'( 8 . -5.5 )
- \once \override TextScript #'word-space = #1.5
- \once \override TextScript #'X-offset = #8
- \once \override TextScript #'Y-offset = #1.5
- | s1*0^\markup { \center-column { "D.S. al Coda" \line { \musicglyph #"scripts.coda" \musicglyph #"scripts.tenuto" \musicglyph #"scripts.coda"} } }
-
+ % Move text to the desired position
+ % and tweak spacing for optimum text alignment
+ \repeat unfold 1 {
+ s1
+ \bar ""
+ }
+ \once \override TextScript.extra-offset = #'( 0 . -3.0 )
+ \once \override TextScript.word-space = #1.5
+ <>^\markup { \center-column { "D.S. al Coda"
+ \line {
+ \musicglyph #"scripts.coda"
+ \musicglyph #"scripts.tenuto"
+ \musicglyph #"scripts.coda"} } }
+
% Increasing the unfold counter will expand the staff-free space
- \repeat unfold 4 {
- s4 s4 s4 s4
+ \repeat unfold 3 {
+ s1
\bar ""
}
% Resume bar count and show staff lines again
- \startStaff
- \cadenzaOff
-
- % Should Coda be on new line?
- % Coda NOT on new line: DON'T use \break
- % Coda on new line: use \break
- \break
-
- % Show up, you clef and key!
- \once \override Staff.KeySignature #'break-visibility = #end-of-line-invisible
- \once \override Staff.Clef #'break-visibility = #end-of-line-invisible
-
- % Set coda sign as rehearsal mark and adjust size and position
-
- % Put the coda sign ontop of the (treble-)clef dependend on coda's line-position
-
- % Coda NOT on new line, use this:
- % \once \override Score.RehearsalMark #'extra-offset = #'( -2 . 1.75 )
-
- % Coda on new line, use this:
- \once \override Score.RehearsalMark #'extra-offset = #'( -8.42 . 1.75 )
-
- \once \override Score.RehearsalMark #'font-size = #5
- \mark \markup { \musicglyph #"scripts.coda" }
-
- % The coda
- \repeat unfold 5 {
- | c4 c c c
+ \startStaff
+ \cadenzaOff
+
+ % Should Coda be on new line?
+ % Coda NOT on new line: DON'T use \break
+ % Coda on new line: use \break
+ \break
+
+ % Show up, you clef and key!
+ \once \override Staff.KeySignature.break-visibility = #end-of-line-invisible
+ \once \override Staff.Clef.break-visibility = #end-of-line-invisible
+
+ % Set coda sign as rehearsal mark and adjust size and position
+
+ % Put the coda sign on top of the (treble-)clef
+ % depending on coda's line-position
+
+ % Coda NOT on new line, use this:
+ % \once \override Score.RehearsalMark.extra-offset = #'( -2 . 1.75 )
+
+ % Coda on new line, use this:
+ \once \override Score.RehearsalMark.extra-offset = #'( -5 . .5 )
+
+ \once \override Score.RehearsalMark.font-size = #5
+ \mark \markup { \musicglyph #"scripts.coda" }
+
+ % The coda
+ \repeat unfold 6 {
+ c4 c c c
}
\bar"|."
}
}
-