-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
-%% This file is in the public domain.
-\version "2.13.1"
+% DO NOT EDIT this file manually; it is automatically
+% generated from Documentation/snippets/new
+% Make any changes in Documentation/snippets/new/
+% and then run scripts/auxiliar/makelsr.py
+%
+% This file is in the public domain.
+%% Note: this file works from version 2.15.14
+\version "2.15.14"
\header {
- lsrtags = "rhythms, tweaks-and-overrides"
-
-%% Translation of GIT committish: a634a20e0ab2a874ff8bf423e5651139df8733fc
+%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
doctitlees = "Posicionar los silencios multicompás"
texidoces = "
A diferencia de los silencios normales, no existe una instrucción
-predefinida para modificar la posición predefinida de un símbolo
-multicompás sobre el pentagrama, adjuntándolo a una nota,
-independientemente de cuál sea su forma. Sin embargo, en la música
-polifónica los silencios multicompás de las voces de numeración par e
-impar están separados verticalmente. La colocación de los silencios
-multicompás se puede controlar como se ve a continuación:
+predefinida para modificar la posición predeterminada de un
+símbolo de silencio multicompás sobre el pentagrama, adjuntándolo
+a una nota, independientemente de cuál sea su forma. Sin embargo,
+en la música polifónica los silencios multicompás de las voces de
+numeración par e impar están separados verticalmente. La
+colocación de los silencios multicompás se puede controlar como se
+ve a continuación:
"
-%% Translation of GIT committish: b4f6b5ad66d016c312cddc8d4026ad852f9a7c36
+%% Translation of GIT committish: 0a868be38a775ecb1ef935b079000cebbc64de40
texidocde = "
Anders als bei normalen Pausen gibt es keinen direkten Befehl, um die
vertikale Position von Ganztaktpausen zu beeinflussen, indem man sie an
doctitlede = "Positionierung von Ganztaktpausen"
-%% Translation of GIT committish: e71f19ad847d3e94ac89750f34de8b6bb28611df
+
+%% Translation of GIT committish: 3b125956b08d27ef39cd48bfa3a2f1e1bb2ae8b4
texidocfr = "
Si l'on peut positionner verticalement un silence simple en le
-rattachant à une note, il n'en va pas de même pur un silence
-multi-mesure. Néanmoins, et uniquement dans le cadre de musique
-polyphonique, les silences multi-mesures sont positionnées différemment
+rattachant à une note, il n'en va pas de même pour un silence
+multi-mesures. Néanmoins, et uniquement dans le cadre de musique
+polyphonique, les silences multi-mesures sont positionnés différemment
selon qu'ils appartiennent à une voix au numéro pair ou impair. Le
-positionnement des silences multi-mesures peut se contrôler ainsi :
+positionnement des silences multi-mesures peut se contrôler ainsi@tie{}:
+
"
doctitlefr = "Positionnement des silences multi-mesures"
+ lsrtags = "rhythms, tweaks-and-overrides"
+
texidoc = "
Unlike ordinary rests, there is no predefined command to change the
staff position of a multi-measure rest symbol of either form by
attaching it to a note. However, in polyphonic music multi-measure
rests in odd-numbered and even-numbered voices are vertically
separated. The positioning of multi-measure rests can be controlled as
-follows:
+follows:
"
doctitle = "Positioning multi-measure rests"
} % begin verbatim
+
\relative c'' {
- % Multi-measure rests by default are set under the second line
+ % Multi-measure rests by default are set under the fourth line
R1
- % They can be moved with an override
+ % They can be moved using an override
\override MultiMeasureRest #'staff-position = #-2
R1
- % A value of 0 is the default position;
- % the following trick moves the rest to the center line
- \override MultiMeasureRest #'staff-position = #-0.01
+ \override MultiMeasureRest #'staff-position = #0
R1
- % Multi-measure rests in odd-numbered voices are under the top line
+ \override MultiMeasureRest #'staff-position = #2
+ R1
+ \override MultiMeasureRest #'staff-position = #3
+ R1
+ \override MultiMeasureRest #'staff-position = #6
+ R1
+ \revert MultiMeasureRest #'staff-position
+ \break
+
+ % In two Voices, odd-numbered voices are under the top line
<< { R1 } \\ { a1 } >>
- % Multi-measure rests in even-numbered voices are under the bottom line
- << { c1 } \\ { R1 } >>
- % They remain separated even in empty measures
+ % Even-numbered voices are under the bottom line
+ << { a1 } \\ { R1 } >>
+ % Multi-measure rests in both voices remain separate
<< { R1 } \\ { R1 } >>
- % This brings them together even though there are two voices
+
+ % Separating multi-measure rests in more than two voices
+ % requires an override
+ << { R1 } \\ { R1 } \\
+ \once \override MultiMeasureRest #'staff-position = #0
+ { R1 }
+ >>
+
+ % Using compressed bars in multiple voices requires another override
+ % in all voices to avoid multiple instances being printed
\compressFullBarRests
<<
- \revert MultiMeasureRest #'staff-position
+ \revert MultiMeasureRest #'staff-position
{ R1*3 }
\\
- \revert MultiMeasureRest #'staff-position
+ \revert MultiMeasureRest #'staff-position
{ R1*3 }
>>
}