Run scripts/auxiliar/update-with-convert-ly.sh

[lilypond.git] / Documentation / snippets / flamenco-notation.ly

diff --git a/Documentation/snippets/flamenco-notation.ly b/Documentation/snippets/flamenco-notation.ly
index 258acfd55ac200d71775349a6257d0e63dff5499..eeede2855cd59bfb3a48f6944d722a275eb76142 100644 (file)
--- a/Documentation/snippets/flamenco-notation.ly
+++ b/Documentation/snippets/flamenco-notation.ly
@@ -1,54 +1,47 @@
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% DO NOT EDIT this file manually; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
+%% Make any changes in LSR itself, or in Documentation/snippets/new/ ,
+%% and then run scripts/auxiliar/makelsr.py
+%%
 %% This file is in the public domain.
-\version "2.13.1"
+\version "2.16.0"
 
 \header {
-  lsrtags = "fretted-strings"
+  lsrtags = "fretted-strings, specific-notation, stylesheet, version-specific"
 
   texidoc = "
 For flamenco guitar, special notation is used:
 
 
 * a golpe symbol to indicate a slap on the guitar body with the nail of
-the ring finger
-
-
-* an arrow to indicate (the direction of) strokes
-
-
-* different letters for fingering (\"p\": thumb, \"i\": index finger,
-\"m\": middle finger, \"a\": ring finger and \"x\": little finger)
-
-
-* 3- and 4-finger rasgueados; stroke upwards with all fingers, ending
-with an up- and down using the index finger
-
-
-* abanicos: strokes (in tuples) with thumb (down), little and index
-finger (both up). There's also an abanico 2 where middle and ring
-finger are used instead of the little finger.
-
-
-* alza pua: fast playing with the thumb
+the ring finger * an arrow to indicate (the direction of) strokes *
+different letters for fingering (@qq{p}: thumb, @qq{i}: index finger,
+@qq{m}: middle finger, @qq{a}: ring finger and @qq{x}: little finger) *
+3- and 4-finger rasgueados; stroke upwards with all fingers, ending
+with an up- and down using the index finger * abanicos: strokes (in
+tuples) with thumb (down), little and index finger (both up). There's
+also an abanico 2 where middle and ring finger are used instead of the
+little finger. * alza pua: fast playing with the thumb
 
 
 Most figures use arrows in combination with fingering; with abanicos
 and rasgueados, noteheads are printed only for the first chord.
 
 This snippet contains some header-like code that can be copied as
-@samp{flamenco.ly} and included in source files. 
+@samp{flamenco.ly} and included in source files.
 
 "
   doctitle = "Flamenco notation"
 } % begin verbatim
 
+
 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-%%%%%%%  Cut here ----- Start 'flamenco.ly' 
+%%%%%%%  Cut here ----- Start 'flamenco.ly'
 
 % Text indicators
-abanico   = \markup { \italic Abanico }
+abanico = \markup { \italic Abanico }
 rasgueaso = \markup { \italic Ras. }
-alzapua   = \markup { \italic Alzapua }
+alzapua = \markup { \italic Alzapua }
 
 % Finger stroke symbols
 strokeUp = \markup { \postscript #"
@@ -84,22 +77,22 @@ golpe = \markup { \postscript #"
   -0.6  1.0 lineto
   0.5  1.0 lineto
   stroke
-"}  
+"}
 
-strokeUpGolpe = \markup { \column { \golpe \line { \strokeUp }}}
-iUpGolpe = \markup { \column { \golpe \line { \small i } \line { \strokeUp }}}
+strokeUpGolpe = \markup { \column { \golpe \line { \strokeUp } } }
+iUpGolpe = \markup { \column { \golpe \line { \small i } \line { \strokeUp } } }
 
 % Strokes for all fingers
-pUp   = \markup { \column { \small p \line { \strokeUp }}}
-pDown = \markup { \column { \small p \line { \strokeDown }}}
-iUp   = \markup { \column { \small i \line { \strokeUp }}}
-iDown = \markup { \column { \small i \line { \strokeDown }}}
-mUp   = \markup { \column { \small m \line { \strokeUp }}}
-mDown = \markup { \column { \small m \line { \strokeDown }}}
-aUp   = \markup { \column { \small a \line { \strokeUp }}}
-aDown = \markup { \column { \small a \line { \strokeDown }}}
-xUp   = \markup { \column { \small x \line { \strokeUp }}}
-xDown = \markup { \column { \small x \line { \strokeDown }}}
+pUp   = \markup { \column { \small p \line { \strokeUp } } }
+pDown = \markup { \column { \small p \line { \strokeDown } } }
+iUp   = \markup { \column { \small i \line { \strokeUp } } }
+iDown = \markup { \column { \small i \line { \strokeDown } } }
+mUp   = \markup { \column { \small m \line { \strokeUp } } }
+mDown = \markup { \column { \small m \line { \strokeDown } } }
+aUp   = \markup { \column { \small a \line { \strokeUp } } }
+aDown = \markup { \column { \small a \line { \strokeDown } } }
+xUp   = \markup { \column { \small x \line { \strokeUp } } }
+xDown = \markup { \column { \small x \line { \strokeDown } } }
 
 
 % Just handy :)
@@ -130,7 +123,7 @@ headsOn = {
   \override NoteHead #'no-ledgers = ##f
 }
 
-%%%%%%%  Cut here ----- End 'flamenco.ly' 
+%%%%%%%  Cut here ----- End 'flamenco.ly'
 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
 
 part = \relative c' {
@@ -138,15 +131,15 @@ part = \relative c' {
   <a e' a cis e>8^\iDown
   r4
   r2^\golpe
-    
+
   <a e' a cis e>8^\iUp
   <a e' a cis e>8^\iDown
   <a e' a cis e>8^\iUpGolpe
   <a e' a cis e>8^\iDown
   r2
-      
+
   <a e' a cis e>16^\aUp
-  \headsOff 
+  \headsOff
   <a e' a cis e>^\mUp
   <a e' a cis e>^\iUp
   <a e' a cis e>^\iDown~
@@ -166,7 +159,7 @@ part = \relative c' {
   }
   <a e' a cis e>2
   r4
-    
+
   \tupletsOff
   \times 2/3 {
     <a e' a cis e>8^\pDown
@@ -175,7 +168,7 @@ part = \relative c' {
     <a e' a cis e>^\iUp
     \headsOn
   }
-  
+
   \times 2/3 {
     <a e' a cis e>8^\pDown
     \headsOff
@@ -183,7 +176,7 @@ part = \relative c' {
     <a e' a cis e>^\iUp
     \headsOn
   }
-    
+
   \times 2/3 {
     <a e' a cis e>8^\pDown
     \headsOff
@@ -198,7 +191,7 @@ part = \relative c' {
     <a e' a cis e>^\iUp
     \headsOn
   }
-  
+
   \tupletsOff
   \override Beam #'positions = #'(2 . 2)
   \times 2/3 {
@@ -222,7 +215,7 @@ part = \relative c' {
     <e a>^\strokeDown
   }
   \tupletsOn
-    
+
   \once \override TextScript #'extra-offset = #'(0 . -1)
   <g, b f'>1_\golpe^\mUp
   \bar "|."
@@ -245,5 +238,3 @@ part = \relative c' {
     ragged-right = ##t
   }
 }
-
-