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[lilypond.git] / Documentation / snippets / dodecaphonic-style-accidentals-for-each-note-including-naturals.ly

diff --git a/Documentation/snippets/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly b/Documentation/snippets/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly
index c7e390b303e37b10295c7c639debbcff0ec67052..fcf0083879ed63ad5daab4040eb552010781ed41 100644 (file)
--- a/Documentation/snippets/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly
+++ b/Documentation/snippets/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly
@@ -1,13 +1,12 @@
-%% Do not edit this file; it is automatically
-%% generated from LSR http://lsr.dsi.unimi.it
-%% This file is in the public domain.
+% Do not edit this file; it is automatically
+% generated from Documentation/snippets/new
+% This file is in the public domain.
+%% Note: this file works from version 2.13.4
 \version "2.13.4"
 
 \header {
-  lsrtags = "pitches"
-
 %% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
-  doctitlees = "Alteraciones de estilo dodecafónico para todas las notas, incluidas las naturales"
+  doctitlees = "Alteraciones de estilo dodecafónico para todas las notas incluidas las naturales"
   texidoces = "
 En las obras de principios del s.XX, empezando por Schoenberg, Berg y
 Webern (la \"Segunda\" escuela de Viena), cada nota de la escala de
@@ -35,9 +34,25 @@ notación.
  "
   doctitlede = "Versetzungszeichen für jede Note im Stil der Zwölftonmusik"
 
+%% Translation of GIT committish: 59968a089729d7400f8ece38d5bc98dbb3656a2b
+  texidocfr = "
+Au début du XXème siècle, Schoenberg, Berg et Webern -- la « Seconde »
+école de Vienne -- imaginèrent de donner une importance comparable aux
+douze notes de la gamme chromatique, et éviter ainsi toute tonalité.
+Pour ce faire, ces compositions font apparaître une altération à chaque
+note, y compris un bécarre, pour mettre en exergue cette nouvelle
+approche de la théorie et du langage musicaux.
+
+Voici comment obtenir une telle notation.
+
+"
+  doctitlefr = "Le dodécaphonisme : toute note est altérée"
+
+
+  lsrtags = "pitches"
   texidoc = "
 In early 20th century works, starting with Schoenberg, Berg and Webern
-(the \"Second\" Viennese school), every pitch in the twelve-tone scale
+(the @qq{Second} Viennese school), every pitch in the twelve-tone scale
 has to be regarded as equal, without any hierarchy such as the
 classical (tonal) degrees. Therefore, these composers print one
 accidental for each note, even at natural pitches, to emphasize their
@@ -49,18 +64,9 @@ This snippet shows how to achieve such notation rules.
   doctitle = "Dodecaphonic-style accidentals for each note including naturals"
 } % begin verbatim
 
-\score {
-  \new Staff {
-    #(set-accidental-style 'dodecaphonic)
-    c'4 dis' cis' cis'
-    c'4 dis' cis' cis'
-    c'4 c' dis' des'
-  }
-  \layout {
-    \context {
-      \Staff
-      \remove "Key_engraver"
-    }
-  }
+
+\markup {
+  This snippet is deprecated as of version 2.12 and
+  will be removed from the documentation in 2.14.
 }