Merge branch 'lilypond/translation' of ssh://jomand@git.sv.gnu.org/srv/git/lilypond

[lilypond.git] / Documentation / snippets / dodecaphonic-style-accidentals-for-each-note-including-naturals.ly

diff --git a/Documentation/snippets/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly b/Documentation/snippets/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly
index c7e390b303e37b10295c7c639debbcff0ec67052..c05feefe967d14e1802fcecbe1131fbc5e2f50bb 100644 (file)
--- a/Documentation/snippets/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly
+++ b/Documentation/snippets/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly
@@ -21,7 +21,6 @@ notación.
 
 "
 
-
 %% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
   texidocde = "
  In Werken des fürhen 20. Jahrhundert, angefangen mit Schönberg, Berg
@@ -34,10 +33,24 @@ notación.
  Dieser Schnipsel zeigt, wie derartige Notationsregeln zu erstellen sind.
  "
   doctitlede = "Versetzungszeichen für jede Note im Stil der Zwölftonmusik"
+%% Translation of GIT committish: 59968a089729d7400f8ece38d5bc98dbb3656a2b
+  texidocfr = "
+Au début du XXème siècle, Schoenberg, Berg et Webern -- la « Seconde »
+école de Vienne -- imaginèrent de donner une importance comparable aux
+douze notes de la gamme chromatique, et éviter ainsi toute tonalité.
+Pour ce faire, ces compositions font apparaître une altération à chaque
+note, y compris un bécarre, pour mettre en exergue cette nouvelle
+approche de la théorie et du langage musicaux.
+
+Voici comment obtenir une telle notation.
+
+"
+  doctitlefr = "Le dodécaphonisme : toute note est altérée"
+
 
   texidoc = "
 In early 20th century works, starting with Schoenberg, Berg and Webern
-(the \"Second\" Viennese school), every pitch in the twelve-tone scale
+(the @qq{Second} Viennese school), every pitch in the twelve-tone scale
 has to be regarded as equal, without any hierarchy such as the
 classical (tonal) degrees. Therefore, these composers print one
 accidental for each note, even at natural pitches, to emphasize their