-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "pitches, editorial-annotations"
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
doctitlede = "Notenkopfstile basierend auf der Tonleiterstufe erstellen"
texidocde = "
This example shows different ways to obtain shape note heads, and
demonstrates the ability to transpose a melody without losing the
-correspondence between harmonic functions and note head styles.
+correspondence between harmonic functions and note head styles.
"
doctitle = "Applying note head styles depending on the step of the scale"
b2 c
}
-\score {
- \new Staff {
- \transpose c d
- \relative c' {
- \set shapeNoteStyles = #'#(do re mi fa
- #f la ti)
- \fragment
- }
-
- \break
-
- \relative c' {
- \set shapeNoteStyles = #'#(cross triangle fa #f
- mensural xcircle diamond)
- \fragment
- }
+\new Staff {
+ \transpose c d
+ \relative c' {
+ \set shapeNoteStyles = #'#(do re mi fa
+ #f la ti)
+ \fragment
+ }
+
+ \break
+
+ \relative c' {
+ \set shapeNoteStyles = #'#(cross triangle fa #f
+ mensural xcircle diamond)
+ \fragment
}
- \layout { ragged-right = ##t }
}