%% and then run scripts/auxiliar/makelsr.py
%%
%% This file is in the public domain.
-\version "2.14.2"
+\version "2.17.6"
\header {
- lsrtags = "ancient-notation, real-music, template, really-cool"
-
-%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
- texidoces = "
-Al transcribir música mensural, es útil un «incipit» al compienzo
-de la pieza para indicar la tonalidad y el tempo
-originales. Aunque los músicos actuales están acostumbrados a las
-barras de compás para reconocer con más facilidad los patrones
-rítmicos, durante el período de la música mensural aún no se
-habíen inventado las líneas divisorias; de hecho, la medida solía
-cambiar a cada pocas notas. Como compromiso, a menudo las líneas
-divisorias se imprimen entre los pentagramas en vez de hacerlo
-encima de ellos.
-
-"
- doctitlees = "Plantilla de notación de música antigua (transcripción moderna de música mensural)"
-
-
-%% Translation of GIT committish: 6ae36b6f8a7cf2df5f4e46c3c06820fccd9f35e1
- texidocit = "
-Quando si trascrive musica mensurale, può essere utile inserire all'inizio del
-pezzo un incipit che indichi l'intonazione e il tempo originali. Le stanghette
-di battuta, a cui i musicisti di oggi sono abituati e che aiutano a riconoscere
-più velocemente gli schemi ritmici, durante l'epoca della musica mensurale non
-erano ancora state introdotte; infatti il metro cambiava spesso ogni poche
-note. Come compromesso, le stanghette vengono spesso inserite tra i righi
-invece che al loro interno.
-
-"
- doctitleit = "Modello per notazione antica -- trascrizione moderna di musica mensurale"
-
-%% Translation of GIT committish: 0a868be38a775ecb1ef935b079000cebbc64de40
- texidocde = "
-Bei der Transkription von Mensuralmusik ist es oft erwünscht, ein
-Incipit an den Anfang des Stückes zu stellen, damit klar ist, wie
-Tempo und Schlüssel in der Originalnotation gesetzt waren. Während
-heutzutage Musiker an Taktlinien gewöhnt sind, um Rhythmen schneller
-zu erkennen, wurden diese in der Mensuralmusik nicht verwendet.
-Tatsächlich ändern sich die Rhythmen auch oft alle paar Noten. Als
-ein Kompromiss werden die Notenlinien nicht auf dem System, sondern
-zwischen den Systemen geschrieben.
-"
-
-doctitlede = "Vorlage für Alte Notation -- moderne Transkription von Mensuralmusik"
-
-
-%% Translation of GIT committish: 3b125956b08d27ef39cd48bfa3a2f1e1bb2ae8b4
- texidocfr = "
-Lorsque l'on transcrit de la musique mensurale, un @emph{incipit} permet
-d'indiquer la tonalité et le tempo d'origine. Si les musiciens sont de
-nos jours habitués aux barres de mesure qui présentent la structure
-rythmique d'une œuvre, elles n'étaient pas en vigueur à l'époque où ces
-pièces ont été composées, d'autant plus que la @qq{métrique} pouvait
-changer au fil des notes. Un compromis consiste à imprimer des barres
-entre les portées plutôt que sur chacune d'elles.
-
-"
- doctitlefr = "Exemples de notation ancienne -- transcription moderne de musique mensurale"
+ lsrtags = "ancient-notation, real-music, really-cool, template"
texidoc = "
When transcribing mensural music, an incipit at the beginning of the
\set Score.skipBars = ##t
% incipit
- \once \override Score.SystemStartBracket #'transparent = ##t
+ \once \override Score.SystemStartBracket.transparent = ##t
% Set tight spacing
- \override Score.SpacingSpanner #'spacing-increment = #1.0
+ \override Score.SpacingSpanner.spacing-increment = #1.0
\key f \major
\time 2/2
- \once \override Staff.TimeSignature #'style = #'neomensural
- \override Voice.NoteHead #'style = #'neomensural
- \override Voice.Rest #'style = #'neomensural
+ \once \override Staff.TimeSignature.style = #'neomensural
+ \override Voice.NoteHead.style = #'neomensural
+ \override Voice.Rest.style = #'neomensural
\set Staff.printKeyCancellation = ##f
\cadenzaOn % turn off bar lines
\skip 1*10
- \once \override Staff.BarLine #'transparent = ##f
+ \once \override Staff.BarLine.transparent = ##f
\bar "||"
\skip 1*1 % need this extra \skip such that clef change comes
% after bar line
% main
\cadenzaOff % turn bar lines on again
- \once \override Staff.Clef #'full-size-change = ##t
+ \once \override Staff.Clef.full-size-change = ##t
\set Staff.forceClef = ##t
\key g \major
\time 4/4
- \override Voice.NoteHead #'style = #'default
- \override Voice.Rest #'style = #'default
+ \override Voice.NoteHead.style = #'default
+ \override Voice.Rest.style = #'default
% Setting printKeyCancellation back to #t must not
% occur in the first bar after the incipit. Dto. for forceClef.
\skip 1*7 % the actual music
% let finis bar go through all staves
- \override Staff.BarLine #'transparent = ##f
+ \override Staff.BarLine.transparent = ##f
% finis bar
\bar "|."
c'4 e'4.( d'8 c' b |
a4) b a2 |
b4.( c'8 d'4) c'4 |
- \once \override NoteHead #'transparent = ##t c'1 |
+ \once \override NoteHead.transparent = ##t c'1 |
b\breve |
}
}
a2 g4 e |
fis g4.( fis16 e fis4) |
g1 |
- \once \override NoteHead #'transparent = ##t g1 |
+ \once \override NoteHead.transparent = ##t g1 |
g\breve |
}
}
R1 |
R1 |
r2 d'2. d'4 b e' | % two bars
- \once \override NoteHead #'transparent = ##t e'1 |
+ \once \override NoteHead.transparent = ##t e'1 |
d'\breve |
}
}
R1 |
R1 |
g2. e4 |
- \once \override NoteHead #'transparent = ##t e1 |
+ \once \override NoteHead.transparent = ##t e1 |
g\breve |
}
}
\Score
% no bars in staves
- \override BarLine #'transparent = ##t
+ \override BarLine.transparent = ##t
% incipit should not start with a start delimiter
\remove "System_start_delimiter_engraver"
\Voice
% no slurs
- \override Slur #'transparent = ##t
+ \override Slur.transparent = ##t
% The command below can be commented out in
% short scores, but especially for large scores you
projects / lilypond.git / blobdiff