-%% Do not edit this file; it is automatically
-%% generated from LSR http://lsr.dsi.unimi.it
+%% DO NOT EDIT this file manually; it is automatically
+%% generated from LSR http://lsr.di.unimi.it
+%% Make any changes in LSR itself, or in Documentation/snippets/new/ ,
+%% and then run scripts/auxiliar/makelsr.py
+%%
%% This file is in the public domain.
-\version "2.13.29"
+\version "2.18.0"
\header {
- lsrtags = "ancient-notation, template"
-
-%% Translation of GIT committish: 0b55335aeca1de539bf1125b717e0c21bb6fa31b
- texidoces = "
-Al transcribir música mensural, es útil un «incipit» al compienzo
-de la pieza para indicar la tonalidad y el tempo
-originales. Aunque los músicos actuales están acostumbrados a las
-barras de compás para reconocer con más facilidad los patrones
-rítmicos, durante el período de la música mensural aún no se
-habíen inventado las líneas divisorias; de hecho, la medida solía
-cambiar a cada pocas notas. Como compromiso, a menudo las líneas
-divisorias se imprimen entre los pentagramas en vez de hacerlo
-encima de ellos.
-
-"
- doctitlees = "Plantilla de notación de música antigua (transcripción moderna de música mensural)"
-
-%% Translation of GIT committish: 0a868be38a775ecb1ef935b079000cebbc64de40
- texidocde = "
-Bei der Transkription von Mensuralmusik ist es oft erwünscht, ein
-Incipit an den Anfang des Stückes zu stellen, damit klar ist, wie
-Tempo und Schlüssel in der Originalnotation gesetzt waren. Während
-heutzutage Musiker an Taktlinien gewöhnt sind, um Rhythmen schneller
-zu erkennen, wurden diese in der Mensuralmusik nicht verwendet.
-Tatsächlich ändern sich die Rhythmen auch oft alle paar Noten. Als
-ein Kompromiss werden die Notenlinien nicht auf dem System, sondern
-zwischen den Systemen geschrieben.
-"
-
-doctitlede = "Vorlage für Alte Notation -- moderne Transkription von Mensuralmusik"
-
-%% Translation of GIT committish: bdfe3dc8175a2d7e9ea0800b5b04cfb68fe58a7a
- texidocfr = "
-Lorsque l'on transcrit de la musique mensurale, un @emph{incipit} permet
-d'indiquer la tonalité et le tempo d'origine. Si les musiciens sont de
-nos jours habitués aux barres de mesures qui présentent la structure
-rythmique d'une œuvre, elles n'étaient pas en vigueur à l'époque où ces
-pièces ont été composées, d'autant plus que la @qq{métrique} pouvait
-changer au fil des notes. Un compromis consiste à imprimer des barres
-entre les portées plutôt que sur chacune d'elles.
-
-"
- doctitlefr = "Exemples de notation ancienne -- transcription moderne de musique mensurale"
+ lsrtags = "ancient-notation, real-music, really-cool, template"
texidoc = "
When transcribing mensural music, an incipit at the beginning of the
\set Score.skipBars = ##t
% incipit
- \once \override Score.SystemStartBracket #'transparent = ##t
- \override Score.SpacingSpanner #'spacing-increment = #1.0 % tight spacing
+ \once \hide Score.SystemStartBracket
+ % Set tight spacing
+ \override Score.SpacingSpanner.spacing-increment = #1.0
\key f \major
\time 2/2
- \once \override Staff.TimeSignature #'style = #'neomensural
- \override Voice.NoteHead #'style = #'neomensural
- \override Voice.Rest #'style = #'neomensural
+ \once \override Staff.TimeSignature.style = #'neomensural
+ \override Voice.NoteHead.style = #'neomensural
+ \override Voice.Rest.style = #'neomensural
\set Staff.printKeyCancellation = ##f
\cadenzaOn % turn off bar lines
\skip 1*10
- \once \override Staff.BarLine #'transparent = ##f
+ \once \override Staff.BarLine.transparent = ##f
\bar "||"
\skip 1*1 % need this extra \skip such that clef change comes
% after bar line
\bar ""
% main
- \revert Score.SpacingSpanner #'spacing-increment % CHECK: no effect?
\cadenzaOff % turn bar lines on again
- \once \override Staff.Clef #'full-size-change = ##t
+ \once \override Staff.Clef.full-size-change = ##t
\set Staff.forceClef = ##t
\key g \major
\time 4/4
- \override Voice.NoteHead #'style = #'default
- \override Voice.Rest #'style = #'default
+ \override Voice.NoteHead.style = #'default
+ \override Voice.Rest.style = #'default
- % FIXME: setting printKeyCancellation back to #t must not
+ % Setting printKeyCancellation back to #t must not
% occur in the first bar after the incipit. Dto. for forceClef.
% Therefore, we need an extra \skip.
\skip 1*1
\skip 1*7 % the actual music
% let finis bar go through all staves
- \override Staff.BarLine #'transparent = ##f
+ \override Staff.BarLine.transparent = ##f
% finis bar
\bar "|."
c'4 e'4.( d'8 c' b |
a4) b a2 |
b4.( c'8 d'4) c'4 |
- \once \override NoteHead #'transparent = ##t c'1 |
+ \once \hide NoteHead c'1 |
b\breve |
}
}
a2 g4 e |
fis g4.( fis16 e fis4) |
g1 |
- \once \override NoteHead #'transparent = ##t g1 |
+ \once \hide NoteHead g1 |
g\breve |
}
}
R1 |
R1 |
r2 d'2. d'4 b e' | % two bars
- \once \override NoteHead #'transparent = ##t e'1 |
+ \once \hide NoteHead e'1 |
d'\breve |
}
}
R1 |
R1 |
g2. e4 |
- \once \override NoteHead #'transparent = ##t e1 |
+ \once \hide NoteHead e1 |
g\breve |
}
}
\Score
% no bars in staves
- \override BarLine #'transparent = ##t
+ \hide BarLine
% incipit should not start with a start delimiter
\remove "System_start_delimiter_engraver"
\Voice
% no slurs
- \override Slur #'transparent = ##t
-
- % Comment in the below "\remove" command to allow line
- % breaking also at those barlines where a note overlaps
- % into the next bar. The command is commented out in this
- % short example score, but especially for large scores, you
- % will typically yield better line breaking and thus improve
- % overall spacing if you comment in the following command.
- %\remove "Forbid_line_break_engraver"
+ \hide Slur
+
+ % The command below can be commented out in
+ % short scores, but especially for large scores you
+ % will typically yield better line breaking and improve
+ % overall spacing if you do not comment the command out.
+
+ \remove "Forbid_line_break_engraver"
}
}
}
-
-
-
-