-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% DO NOT EDIT this file manually; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
+%% Make any changes in LSR itself, or in Documentation/snippets/new/ ,
+%% and then run scripts/auxiliar/makelsr.py
+%%
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.14.0"
\header {
lsrtags = "ancient-notation, template"
-%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
+%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
texidoces = "
Al transcribir música mensural, es útil un «incipit» al compienzo
de la pieza para indicar la tonalidad y el tempo
"
doctitlees = "Plantilla de notación de música antigua (transcripción moderna de música mensural)"
-
-%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
+
+
+%% Translation of GIT committish: c3b519f0dd5ff0f8ccfc9a39ed1fe8df8b43741c
+ texidocit = "
+Quando si trascrive musica mensurale, può essere utile inserire all'inizio del
+pezzo un incipit che indichi l'intonazione e il tempo originali. Le stanghette
+di battuta, a cui i musicisti di oggi sono abituati e che aiutano a riconoscere
+più velocemente gli schemi ritmici, durante l'epoca della musica mensurale non
+erano ancora state introdotte; infatti il metro cambiava spesso ogni poche
+note. Come compromesso, le stanghette vengono spesso inserite tra i righi
+invece che al loro interno.
+
+"
+ doctitleit = "Modello per notazione antica -- trascrizione moderna di musica mensurale"
+
+%% Translation of GIT committish: 0a868be38a775ecb1ef935b079000cebbc64de40
texidocde = "
-Bei der Transkription von Mensuralmusik ist es oft erwünscht, ein
-Incipit an den Anfang des Stückes zu stellen, damit klar ist, wie
-Tempo und Schlüssel in der Originalnotation gesetzt waren. Während
-heutzutage Musiker an Taktlinien gewöhnt sind, um Rhythmen schneller
-zu erkennen, wurden diese in der Mensuralmusik nicht verwendet.
-Tatsächlich ändern sich die Rhythmen auch oft alle paar Noten. Als
-ein Kompromiss werden die Notenlinien nicht auf dem System, sondern
+Bei der Transkription von Mensuralmusik ist es oft erwünscht, ein
+Incipit an den Anfang des Stückes zu stellen, damit klar ist, wie
+Tempo und Schlüssel in der Originalnotation gesetzt waren. Während
+heutzutage Musiker an Taktlinien gewöhnt sind, um Rhythmen schneller
+zu erkennen, wurden diese in der Mensuralmusik nicht verwendet.
+Tatsächlich ändern sich die Rhythmen auch oft alle paar Noten. Als
+ein Kompromiss werden die Notenlinien nicht auf dem System, sondern
zwischen den Systemen geschrieben.
"
doctitlede = "Vorlage für Alte Notation -- moderne Transkription von Mensuralmusik"
-%% Translation of GIT committish: 892286cbfdbe89420b8181975032ea975e79d2f5
+
+%% Translation of GIT committish: 3b125956b08d27ef39cd48bfa3a2f1e1bb2ae8b4
texidocfr = "
Lorsque l'on transcrit de la musique mensurale, un @emph{incipit} permet
d'indiquer la tonalité et le tempo d'origine. Si les musiciens sont de
-nos jours habitués aux barres de mesures qui présentent la structure
+nos jours habitués aux barres de mesure qui présentent la structure
rythmique d'une œuvre, elles n'étaient pas en vigueur à l'époque où ces
pièces ont été composées, d'autant plus que la @qq{métrique} pouvait
changer au fil des notes. Un compromis consiste à imprimer des barres
"
doctitlefr = "Exemples de notation ancienne -- transcription moderne de musique mensurale"
- doctitle = "Exemples de notation ancienne -- transcription moderne de musique mensurale"
-
texidoc = "
When transcribing mensural music, an incipit at the beginning of the
piece is useful to indicate the original key and tempo. While today
patterns, bar lines were not yet invented during the period of mensural
music; in fact, the meter often changed after every few notes. As a
compromise, bar lines are often printed between the staves rather than
-on the staves.
+on the staves.
"
doctitle = "Ancient notation template -- modern transcription of mensural music"
% incipit
\once \override Score.SystemStartBracket #'transparent = ##t
- \override Score.SpacingSpanner #'spacing-increment = #1.0 % tight spacing
+ % Set tight spacing
+ \override Score.SpacingSpanner #'spacing-increment = #1.0
\key f \major
\time 2/2
\once \override Staff.TimeSignature #'style = #'neomensural
\bar ""
% main
- \revert Score.SpacingSpanner #'spacing-increment % CHECK: no effect?
\cadenzaOff % turn bar lines on again
\once \override Staff.Clef #'full-size-change = ##t
\set Staff.forceClef = ##t
\override Voice.NoteHead #'style = #'default
\override Voice.Rest #'style = #'default
- % FIXME: setting printKeyCancellation back to #t must not
+ % Setting printKeyCancellation back to #t must not
% occur in the first bar after the incipit. Dto. for forceClef.
% Therefore, we need an extra \skip.
\skip 1*1
% no slurs
\override Slur #'transparent = ##t
- % Comment in the below "\remove" command to allow line
- % breaking also at those barlines where a note overlaps
- % into the next bar. The command is commented out in this
- % short example score, but especially for large scores, you
- % will typically yield better line breaking and thus improve
- % overall spacing if you comment in the following command.
- %\remove "Forbid_line_break_engraver"
+ % The command below can be commented out in
+ % short scores, but especially for large scores you
+ % will typically yield better line breaking and improve
+ % overall spacing if you do not comment the command out.
+
+ \remove "Forbid_line_break_engraver"
}
}
}
-
-
-
-
projects / lilypond.git / blobdiff