Update snippets from today's LSR with changed makelsr.py

[lilypond.git] / Documentation / snippets / ancient-notation-template----modern-transcription-of-mensural-music.ly

diff --git a/Documentation/snippets/ancient-notation-template----modern-transcription-of-mensural-music.ly b/Documentation/snippets/ancient-notation-template----modern-transcription-of-mensural-music.ly
index 76739fecbc547657dd4548234c41e8e164d43a1e..006253f91f0bb06c8ab766ce8b819299add5bba6 100644 (file)
--- a/Documentation/snippets/ancient-notation-template----modern-transcription-of-mensural-music.ly
+++ b/Documentation/snippets/ancient-notation-template----modern-transcription-of-mensural-music.ly
@@ -1,52 +1,13 @@
-%% Do not edit this file; it is automatically
+%% DO NOT EDIT this file manually; it is automatically
 %% generated from LSR http://lsr.dsi.unimi.it
+%% Make any changes in LSR itself, or in Documentation/snippets/new/ ,
+%% and then run scripts/auxiliar/makelsr.py
+%%
 %% This file is in the public domain.
-\version "2.13.10"
+\version "2.14.2"
 
 \header {
-  lsrtags = "ancient-notation, template"
-
-%% Translation of GIT committish: 45fc8488655f9ea122d1ec6e3328892618bd6971
-  texidoces = "
-Al transcribir música mensural, es útil un «incipit» al compienzo
-de la pieza para indicar la tonalidad y el tempo
-originales. Aunque los músicos actuales están acostumbrados a las
-barras de compás para reconocer con más facilidad los patrones
-rítmicos, durante el período de la música mensural aún no se
-habíen inventado las líneas divisorias; de hecho, la medida solía
-cambiar a cada pocas notas. Como compromiso, a menudo las líneas
-divisorias se imprimen entre los pentagramas en vez de hacerlo
-encima de ellos.
-
-"
-  doctitlees = "Plantilla de notación de música antigua (transcripción moderna de música mensural)"
-
-%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
-  texidocde = "
-Bei der Transkription von Mensuralmusik ist es oft erwünscht, ein
-Incipit an den Anfang des Stückes zu stellen, damit klar ist, wie
-Tempo und Schlüssel in der Originalnotation gesetzt waren. Während
-heutzutage Musiker an Taktlinien gewöhnt sind, um Rhythmen schneller
-zu erkennen, wurden diese in der Mensuralmusik nicht verwendet.
-Tatsächlich ändern sich die Rhythmen auch oft alle paar Noten. Als
-ein Kompromiss werden die Notenlinien nicht auf dem System, sondern
-zwischen den Systemen geschrieben.
-"
-
-doctitlede = "Vorlage für Alte Notation -- moderne Transkription von Mensuralmusik"
-
-%% Translation of GIT committish: 892286cbfdbe89420b8181975032ea975e79d2f5
-  texidocfr = "
-Lorsque l'on transcrit de la musique mensurale, un @emph{incipit} permet
-d'indiquer la tonalité et le tempo d'origine.  Si les musiciens sont de
-nos jours habitués aux barres de mesures qui présentent la structure
-rythmique d'une œuvre, elles n'étaient pas en vigueur à l'époque où ces
-pièces ont été composées, d'autant plus que la @qq{métrique} pouvait
-changer au fil des notes.  Un compromis consiste à imprimer des barres
-entre les portées plutôt que sur chacune d'elles.
-
-"
-  doctitlefr = "Exemples de notation ancienne -- transcription moderne de musique mensurale"
+  lsrtags = "really-cool, real-music, ancient-notation, template"
 
   texidoc = "
 When transcribing mensural music, an incipit at the beginning of the
@@ -61,12 +22,14 @@ on the staves.
   doctitle = "Ancient notation template -- modern transcription of mensural music"
 } % begin verbatim
 
+
 global = {
   \set Score.skipBars = ##t
 
   % incipit
   \once \override Score.SystemStartBracket #'transparent = ##t
-  \override Score.SpacingSpanner #'spacing-increment = #1.0 % tight spacing
+   % Set tight spacing
+  \override Score.SpacingSpanner #'spacing-increment = #1.0
   \key f \major
   \time 2/2
   \once \override Staff.TimeSignature #'style = #'neomensural
@@ -82,7 +45,6 @@ global = {
   \bar ""
 
   % main
-  \revert Score.SpacingSpanner #'spacing-increment % CHECK: no effect?
   \cadenzaOff % turn bar lines on again
   \once \override Staff.Clef #'full-size-change = ##t
   \set Staff.forceClef = ##t
@@ -91,7 +53,7 @@ global = {
   \override Voice.NoteHead #'style = #'default
   \override Voice.Rest #'style = #'default
 
-  % FIXME: setting printKeyCancellation back to #t must not
+  % Setting printKeyCancellation back to #t must not
   % occur in the first bar after the incipit.  Dto. for forceClef.
   % Therefore, we need an extra \skip.
   \skip 1*1
@@ -278,17 +240,12 @@ bassusLyrics = \lyricmode {
       % no slurs
       \override Slur #'transparent = ##t
 
-      % Comment in the below "\remove" command to allow line
-      % breaking also at those barlines where a note overlaps
-      % into the next bar.  The command is commented out in this
-      % short example score, but especially for large scores, you
-      % will typically yield better line breaking and thus improve
-      % overall spacing if you comment in the following command.
-      %\remove "Forbid_line_break_engraver"
+      % The command below can be commented out in
+      % short scores, but especially for large scores you
+      % will typically yield better line breaking and improve
+      % overall spacing if you do not comment the command out.
+
+      \remove "Forbid_line_break_engraver"
     }
   }
 }
-
-
-
-