-% Do not edit this file; it is automatically
-% generated from Documentation/snippets/new
-% This file is in the public domain.
-%% Note: this file works from version 2.13.34
-\version "2.13.36"
+%% DO NOT EDIT this file manually; it is automatically
+%% generated from LSR http://lsr.di.unimi.it
+%% Make any changes in LSR itself, or in Documentation/snippets/new/ ,
+%% and then run scripts/auxiliar/makelsr.py
+%%
+%% This file is in the public domain.
+\version "2.18.0"
\header {
-%% Translation of GIT committish: 5a7301fc350ffc3ab5bd3a2084c91666c9e9a549
+ lsrtags = "staff-notation, vocal-music"
- texidoces = "
- Este ejemplo muestra una forma de simplificar la adición de muchas
-notas guía orquestales a la reducción de piano en una partitura vocal.
-La función musical @code{\\cueWhile} toma cuatro argumentos: la música
-de la que se toma la cita, como viene definida por @code{\\addQuote},
-el nombre que insertar antes de las notas guía, y después @code{#UP} o
-@code{#DOWN} para especificar @code{\\voiceOne} con el nombre encima
-del pentagrama o bien @code{\\voiceTwo} con el nombre debajo del
-pentagrama, y finalmente la música de piano con la que las notas guía
-deben aparecer en paralelo. El nombre del instrumento citado se
-posiciona a la izquierda de las notas guía. Se pueden citar muchos
-pasajes como guía, pero no se pueden superponer en el tiempo entre
-ellos.
+ texidoc = "
+This shows one approach to simplify adding many orchestral cues to the
+piano reduction in a vocal score. The music function @code{\\cueWhile}
+takes four arguments: the music from which the cue is to be taken, as
+defined by @code{\\addQuote}, the name to be inserted before the cue
+notes, then either @code{#UP} or @code{#DOWN} to specify either
+@code{\\voiceOne} with the name above the staff or @code{\\voiceTwo}
+with the name below the staff, and finally the piano music in parallel
+with which the cue notes are to appear. The name of the cued
+instrument is positioned to the left of the cued notes. Many passages
+can be cued, but they cannot overlap each other in time.
-"
-
- doctitlees = "Añadir notas guía orquestales a una partitura vocal"
-
-
-
-
- lsrtags="vocal-music, staff-notation"
- texidoc="
- This shows one approach to simplify adding many orchestral cues to
-the piano reduction in a vocal score. The music function
-@code{\\cueWhile} takes four arguments: the music from which the cue
-is to be taken, as defined by @code{\\addQuote}, the name to be
-inserted before the cue notes, then either @code{#UP} or @code{#DOWN}
-to specify either @code{\\voiceOne} with the name above the staff or
-@code{\\voiceTwo} with the name below the staff, and finally the piano
-music in parallel with which the cue notes are to appear. The name
-of the quoted instrument is positioned to the left of the cue notes.
-Many passages can be cued, but they cannot overlap each other in time.
"
doctitle = "Adding orchestral cues to a vocal score"
} % begin verbatim
-
cueWhile =
- #(define-music-function
- (parser location instrument name dir music)
- (string? string? ly:dir? ly:music?)
- #{
- \cueDuring $instrument #$dir {
- \once \override TextScript #'self-alignment-X = #RIGHT
- \once \override TextScript #'direction = $dir
- s1*0-\markup { \tiny $name }
- $music
- }
- #}
- )
+#(define-music-function
+ (parser location instrument name dir music)
+ (string? string? ly:dir? ly:music?)
+ #{
+ \cueDuring $instrument #dir {
+ \once \override TextScript.self-alignment-X = #RIGHT
+ \once \override TextScript.direction = $dir
+ <>-\markup { \tiny #name }
+ $music
+ }
+ #})
flute = \relative c'' {
\transposition c'
}
>>
>>
-}
\ No newline at end of file
+}