Rerun scripts/auxiliar/update-with-convert-ly.sh

[lilypond.git] / Documentation / snippets / adding-orchestral-cues-to-a-vocal-score.ly

diff --git a/Documentation/snippets/adding-orchestral-cues-to-a-vocal-score.ly b/Documentation/snippets/adding-orchestral-cues-to-a-vocal-score.ly
index f94113afdffce24c015ea7376b7edf4603af2afd..99a66a375ba34630e28323e2e7446ccfba1d95cf 100644 (file)
--- a/Documentation/snippets/adding-orchestral-cues-to-a-vocal-score.ly
+++ b/Documentation/snippets/adding-orchestral-cues-to-a-vocal-score.ly
@@ -1,40 +1,44 @@
-% Do not edit this file; it is automatically
+% DO NOT EDIT this file manually; it is automatically
 % generated from Documentation/snippets/new
+% Make any changes in Documentation/snippets/new/
+% and then run scripts/auxiliar/makelsr.py
+%
 % This file is in the public domain.
-%% Note: this file works from version 2.13.34
-\version "2.13.36"
+%% Note: this file works from version 2.16.0
+\version "2.17.6"
 
 \header {
-  lsrtags="vocal-music, staff-notation"
-  texidoc="
-  This shows one approach to simplify adding many orchestral cues to
-the piano reduction in a vocal score.  The music function
-@code{\\cueWhile} takes four arguments: the music from which the cue
-is to be taken, as defined by @code{\\addQuote}, the name to be
-inserted before the cue notes, then either @code{#UP} or @code{#DOWN}
-to specify either @code{\\voiceOne} with the name above the staff or
-@code{\\voiceTwo} with the name below the staff, and finally the piano
-music in parallel with which the cue notes are to appear.  The name
-of the cued instrument is positioned to the left of the cued notes.
-Many passages can be cued, but they cannot overlap each other in time.
+  lsrtags = "staff-notation, vocal-music"
+
+  texidoc = "
+This shows one approach to simplify adding many orchestral cues to the
+piano reduction in a vocal score.  The music function @code{\\cueWhile}
+takes four arguments: the music from which the cue is to be taken, as
+defined by @code{\\addQuote}, the name to be inserted before the cue
+notes, then either @code{#UP} or @code{#DOWN} to specify either
+@code{\\voiceOne} with the name above the staff or @code{\\voiceTwo}
+with the name below the staff, and finally the piano music in parallel
+with which the cue notes are to appear.  The name of the cued
+instrument is positioned to the left of the cued notes. Many passages
+can be cued, but they cannot overlap each other in time.
+
 "
   doctitle = "Adding orchestral cues to a vocal score"
 } % begin verbatim
 
 
 cueWhile =
-  #(define-music-function
-    (parser location instrument name dir music)
-    (string? string? ly:dir? ly:music?)
-    #{
-      \cueDuring $instrument #$dir {
-        \once \override CueVoice.InstrumentSwitch #'self-alignment-X = #RIGHT
-        \once \override CueVoice.InstrumentSwitch #'direction = $dir
-        \set CueVoice.instrumentCueName = $name
-        { $music }
-      }
-    #}
-  )
+#(define-music-function
+   (parser location instrument name dir music)
+   (string? string? ly:dir? ly:music?)
+   #{
+     \cueDuring $instrument #dir {
+       \once \override TextScript.self-alignment-X = #RIGHT
+       \once \override TextScript.direction = $dir
+       <>-\markup { \tiny #name }
+       $music
+     }
+   #})
 
 flute = \relative c'' {
   \transposition c'