Formatting.

[lilypond.git] / Documentation / notation / world.itely

diff --git a/Documentation/notation/world.itely b/Documentation/notation/world.itely
index 8550f4b291b70aaa2b783b69362a31a7dcb4556a..0d7d5a501397898770135fb138c04342c6dca7cc 100644 (file)
--- a/Documentation/notation/world.itely
+++ b/Documentation/notation/world.itely
@@ -164,6 +164,7 @@ For example to indicate the key signature of a maqam muhayer piece:
 \key re \bayati
 @end example
 
+@noindent
 Here @var{re} is the default pitch of the muhayer maqam, and
 @var{bayati} is the name of the base maqam in the group.
 
@@ -335,7 +336,7 @@ intervals and unusual modes that are discussed in this section.
 
 @seealso
 Snippets:
-@rlsr{World music}
+@rlsr{World music}.
 
 
 @node Further reading
@@ -344,7 +345,7 @@ Snippets:
 @enumerate
 
 @item
-The music of the Arabs by Habib Hassan Touma [Amadeus Press, 1996],
+@emph{The music of the Arabs} by Habib Hassan Touma [Amadeus Press, 1996],
 contains a discussion of maqams and their method of groupings.
 
 There are also various web sites that explain maqams and some
@@ -368,8 +369,8 @@ specified. It is common, however, to use a key signature per
 group, rather than a different key signature for each different
 maqam.
 
-Oud methods by the following authors, contain examples of
-mainly Turkish and Arabic compositions.
+Method books by the following authors for the @dfn{Oud}, the Arabic lute,
+contain examples of mainly Turkish and Arabic compositions.
 
 @itemize @bullet
 @item
@@ -380,5 +381,3 @@ George Farah
 Ibrahim Ali Darwish Al-masri
 @end itemize
 @end enumerate
-
-