non-English languages, or special characters (such as the heart
symbol or slanted quotes), may simply be inserted directly
into the input file, providing it is saved with UTF-8 encoding.
-For more information, see @ref{Text encoding}.
+For more information, see @ref{Special characters}.
@lilypond[quote,verbatim]
\relative c'' { d8 c16 a bes8 f e' d c4 }
@snippets
-@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
+@lilypondfile[verbatim,quote,ragged-right,texidoc,doctitle]
{formatting-lyrics-syllables.ly}
@ref{Formatting text},
@ref{Input modes},
@ref{Manual syllable durations},
-@ref{Text encoding}.
+@ref{Special characters}.
Internals Reference:
@rinternals{LyricText}.
{
\relative c'' { \autoBeamOff
r8 b c fis, fis c' b e, }
- \addlyrics { Che_in ques -- ta_è_in quel -- l'al -- tr'on -- da }
- \addlyrics { "Che in" ques -- "ta è in" quel -- l'al -- tr'on -- da }
- \addlyrics { Che~in ques -- ta~è~in quel -- l'al -- tr'on -- da }
+ \addlyrics { Che_in ques -- ta_e_in quel -- l'al -- tr'on -- da }
+ \addlyrics { "Che in" ques -- "ta e in" quel -- l'al -- tr'on -- da }
+ \addlyrics { Che~in ques -- ta~e~in quel -- l'al -- tr'on -- da }
}
@end lilypond
@rlearning{Vocal ensembles} templates in the Learning Manual.
@snippets
-@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
+@lilypondfile[verbatim,quote,texidoc,doctitle]
{lyrics-old-spacing-settings.ly}
@seealso
@rlearning{Vocal ensembles}.
Notation Reference:
-@ref{Aligning contexts},
+@ref{Context layout order},
@ref{Creating contexts}.
@node Placing syllables horizontally
@end lilypond
@snippets
-@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
+@lilypondfile[verbatim,quote,ragged-right,texidoc,doctitle]
{lyrics-alignment.ly}
@c TODO: move to LSR -vv
@q{chord mode}; this syntax is explained in @ref{Chord notation}.
@snippets
-@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
+@lilypondfile[verbatim,quote,ragged-right,texidoc,doctitle]
{simple-lead-sheet.ly}
@seealso
@cindex voices, divided
-@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
+@lilypondfile[verbatim,quote,ragged-right,texidoc,doctitle]
{using-arpeggiobracket-to-make-divisi-more-visible.ly}
@seealso
@ref{Page layout}.
@item
-Dialogue cues and stage directions can be inserted with markup.
-See @ref{Text}. Extensive stage directions can be inserted with
-a section of stand-alone markup between two @code{\score} blocks.
-See @ref{Separate text}.
+Dialogue cues, stage directions and footnotes can be inserted, see
+@ref{Creating footnotes} and @ref{Text}. Extensive stage directions
+can also be added with a section of stand-alone markups between two
+@code{\score} blocks, see @ref{Separate text}.
@end itemize
@rglos{transposing instrument}.
Notation Reference:
+@ref{Creating footnotes},
@ref{Grouping staves},
@ref{Hiding staves},
@ref{Instrument transpositions},
and to make the piano notes clearer.
@snippets
-@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
+@lilypondfile[verbatim,quote,ragged-right,texidoc,doctitle]
{adding-orchestral-cues-to-a-vocal-score.ly}
@seealso
@snippets
-@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
+@lilypondfile[verbatim,quote,ragged-right,texidoc,doctitle]
{chant-or-psalms-notation.ly}
Canticles and other liturgical texts may be set more freely, and
are spaced in accordance with the syllables rather than the notes'
durations.
-@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
+@lilypondfile[verbatim,quote,ragged-right,texidoc,doctitle]
{ancient-notation-template----modern-transcription-of-gregorian-music.ly}
@seealso
the start of the music and @code{\bar "|"} or @code{\bar "||"}
commands at the end of each line.
-@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
+@lilypondfile[verbatim,quote,ragged-right,texidoc,doctitle]
{hymn-template.ly}