@cindex tablature
@funindex \drummode
-@funindex drummode
@funindex DrumStaff
@funindex RhythmicStaff
@funindex TabStaff
details, see @ref{Instrument names}.
@lilypond[verbatim,quote]
-\new PianoStaff <<
- \set PianoStaff.instrumentName = #"Piano"
+\new PianoStaff \with { instrumentName = #"Piano" }
+<<
\new Staff \relative { c''1 c }
\new Staff \relative { \clef bass c1 c }
>>
@cindex ledger lines, modifying
@funindex \startStaff
-@funindex startStaff
@funindex \stopStaff
-@funindex stopStaff
The @code{\stopStaff} and @code{\startStaff} commands can be used to
stop or (re)start the staff lines respectively, from being printed at
@cindex resizing of staves
@funindex \startStaff
-@funindex startStaff
@funindex \stopStaff
-@funindex stopStaff
@notation{Ossia} staves can be set by creating a new simultaneous
staff in the appropriate location:
@end lilypond
-Using the @code{\Staff \RemoveEmptyStaves} command to create ossia
+Using the @code{\RemoveAllEmptyStaves} command to create ossia
staves may be used as an alternative. This method is most
convenient when ossia staves occur immediately following a line
break. For more information about
-@code{\Staff \RemoveEmptyStaves}, see @ref{Hiding staves}.
+@code{\RemoveAllEmptyStaves}, see @ref{Hiding staves}.
@lilypond[verbatim,quote,ragged-right]
<<
\remove "Time_signature_engraver"
\hide Clef
\magnifyStaff #2/3
+ \RemoveAllEmptyStaves
} \relative {
R1*3
c''4 e8 d c2
e4 d c2
}
>>
-
-\layout {
- \context {
- \Staff \RemoveEmptyStaves
- \override VerticalAxisGroup.remove-first = ##t
- }
-}
@end lilypond
@cindex Frenched staff
@cindex staff, hiding
@cindex staff, empty
-@cindex hiding of staves
+@cindex hiding staves
+@cindex hiding ancient staves
+@cindex hiding rhythmic staves
+@cindex hiding vaticana staves
@cindex empty staves
@funindex \RemoveEmptyStaves
+@funindex \RemoveAllEmptyStaves
@funindex Staff_symbol_engraver
@funindex \stopStaff
-@funindex stopStaff
Staff lines can be hidden by removing the
@end lilypond
-Empty staves can be hidden by setting the
-@code{\Staff \RemoveEmptyStaves} command in the @code{\layout}
-block. In orchestral scores, this style is known as @q{Frenched
-Score}. By default, this command hides and removes all empty
-staves in a score except for those in the first system.
+Empty staves can be hidden (for a so-called @q{Frenched Score})
+by applying the @code{\RemoveEmptyStaves} command on a context, which
+can be done globally (in a @code{\layout} block) as well as for
+specific staves only (in a @code{\with} block). This command removes
+all empty staves in a score except for those in the first system. If
+you want those in the first system to be hidden also, use
+@code{\RemoveAllEmptyStaves}. Supported contexts are @code{Staff},
+@code{RhythmicStaff} and @code{VaticanaStaff}.
@warning{A staff is considered empty when it contains only
multi-measure rests, rests, skips, spacer rests, or a combination of these
@lilypond[verbatim,quote,ragged-right]
\layout {
\context {
- \Staff \RemoveEmptyStaves
+ \Staff
+ \RemoveEmptyStaves
}
}
@cindex ossia
@noindent
-@code{\Staff \RemoveEmptyStaves} can also be used to create ossia
+@code{\RemoveAllEmptyStaves} can also be used to create ossia
sections for a staff. For details, see @ref{Ossia staves}.
-@cindex hiding ancient staves
-@cindex hiding rhythmic staves
-
-@funindex \RemoveEmptyStaves
-
-The @code{\VaticanaStaff \RemoveEmptyStaves} command may be used to
-hide empty staves in ancient music contexts. Similarly,
-@code{\RhythmicStaff \RemoveEmptyStaves} may be used to hide empty
-@code{RhythmicStaff} contexts.
-
@predefined
-@code{\Staff \RemoveEmptyStaves},
-@code{\VaticanaStaff \RemoveEmptyStaves},
-@code{\RhythmicStaff \RemoveEmptyStaves}.
+@code{\RemoveEmptyStaves},
+@code{\RemoveAllEmptyStaves}.
@endpredefined
-
-@snippets
-
-@lilypondfile[verbatim,quote,texidoc,doctitle]
-{removing-the-first-empty-line.ly}
-
@seealso
Music Glossary:
@rglos{Frenched staff}.
@lilypond[verbatim,quote,ragged-right]
prepPiccolo = <>^\markup \italic { muta in Piccolo }
+prepFlute = <>^\markup \italic { muta in Flauto }
+
setPiccolo = {
- \set Staff.instrumentName = #"Piccolo"
- \set Staff.shortInstrumentName = #"Picc."
- \set Staff.midiInstrument = #"piccolo"
<>^\markup \bold { Piccolo }
\transposition c''
}
-prepFlute = <>^\markup \italic { muta in Flauto }
-
setFlute = {
- \set Staff.instrumentName = #"Flute"
- \set Staff.shortInstrumentName = #"Flt."
- \set Staff.midiInstrument = #"flute"
<>^\markup \bold { Flute }
\transposition c'
}
\new Staff \with {
instrumentName = #"Flute"
shortInstrumentName = #"Flt."
- midiInstrument = #"flute"
}
\relative {
g'1 g g g \break
g1 g \prepPiccolo R R \break
+ \set Staff.instrumentName = #"Piccolo"
+ \set Staff.shortInstrumentName = #"Picc."
\setPiccolo
g1 g g g \break
g1 g \prepFlute R R \break
+ \set Staff.instrumentName = #"Flute"
+ \set Staff.shortInstrumentName = #"Flt."
\setFlute
g1 g g g
}
@cindex cue notes
@funindex \addQuote
-@funindex addQuote
@funindex \quoteDuring
-@funindex quoteDuring
@funindex \transposition
-@funindex transposition
It is very common for one voice to use the same notes as those from
another voice. For example, first and second violins playing the same
}
@end lilypond
+If an @code{\unfoldRepeats} command in a music expression is required to
+be printed when using @code{\quoteDuring}, then it too must also contain
+its own @code{\unfoldRepeats} command;
+
+@lilypond[verbatim,quote]
+fluteNotes = \relative {
+ \repeat volta 2 { a'4 gis g gis }
+}
+
+oboeNotesDW = \relative {
+ \repeat volta 2 \quoteDuring #"incorrect" { s1 }
+}
+
+oboeNotesW = \relative {
+ \repeat volta 2 \quoteDuring #"correct" { s1 }
+}
+
+
+\addQuote "incorrect" { \fluteNotes }
+
+\addQuote "correct" { \unfoldRepeats \fluteNotes }
+
+\score {
+ \unfoldRepeats
+ <<
+ \new Staff \with { instrumentName = "Flute" }
+ \fluteNotes
+ \new Staff \with { instrumentName = "Oboe (incorrect)" }
+ \oboeNotesDW
+ \new Staff \with { instrumentName = "Oboe (correct)" }
+ \oboeNotesW
+ >>
+}
+@end lilypond
+
The @code{\quoteDuring} command uses the @code{\transposition} settings
of both quoted and quoting parts to produce notes for the quoting part
that have the same sounding pitch as those in the quoted part.
@funindex \cueDuring
-@funindex cueDuring
@funindex \cueClef
-@funindex cueClef
@funindex \cueDuringWithClef
-@funindex cueDuringWithClef
@funindex \quoteDuring
-@funindex quoteDuring
@cindex notes, smaller
@cindex smaller notes
property. Its default value is @code{'(note-event rest-event
tie-event beam-event tuplet-span-event)}, which means that only
notes, rests, ties, beams and tuplets are quoted, but not
-articulations, dynamic marks, markup etc.
+articulations, dynamic marks, markup, etc.
@warning{When a @code{Voice} starts with @code{\cueDuring}, as in the
following example, the @code{Voice} context must be explicitly declared,
@end lilypond
@funindex \transposedCueDuring
-@funindex transposedCueDuring
Like @code{\quoteDuring}, @code{\cueDuring} takes instrument
transpositions into account. Cue notes are produced at the
@cindex cue notes, removing
@funindex \killCues
-@funindex killCues
The @code{\killCues} command removes cue notes from a music
expression, so the same music expression can be used to produce
projects / lilypond.git / blobdiff