Guide, node Updating translation committishes..
@end ignore
-@c \version "2.13.36"
+@c \version "2.14.0"
@node Staff notation
@section Staff notation
}
@end lilypond
+@cindex note-event
+@cindex articulation-event
+@cindex dynamic-event
+@cindex rest-event
+@cindex slur-event
+@cindex crescendo-event
+
+@funindex quotedEventTypes
+@funindex quotedCueEventTypes
+
By default quoted music will include all articulations, dynamics,
markups, etc., in the quoted expression. It is possible to choose which
of these objects from the quoted music are displayed by using the
Quotes can also be tagged, see @ref{Using tags}.
-@snippets
-
-@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
-{quoting-another-voice-with-transposition.ly}
-
-@cindex note-event
-@cindex articulation-event
-@cindex dynamic-event
-@cindex rest-event
-
-@funindex quotedEventTypes
-@funindex quotedCueEventTypes
-
-@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
-{quoting-another-voice.ly}
-
-
@seealso
Notation Reference:
@ref{Instrument transpositions},
@knownissues
-
Only the contents of the first @code{Voice} occurring in an
-@code{\addQuote} command will be considered for quotation, so
-@code{@var{music}} cannot contain @code{\new} and
-@code{\context Voice} statements that would switch to a different
-Voice.
-
-Quoting grace notes is broken and can even cause LilyPond to
-crash.
-
-Quoting nested triplets may result in poor notation.
-
-In earlier versions of LilyPond (pre 2.11), @code{addQuote} was
-written entirely in lower-case letters: @code{\addquote}.
+@code{\addQuote} command will be considered for quotation, so if the music
+expression contains @code{\new} or @code{\context Voice}
+statements, their contents will not be quoted. Quoting grace notes
+is unsupported and may cause LilyPond to crash whereas quoting nested
+triplets may result in poor notation.
@node Formatting cue notes
@unnumberedsubsubsec Formatting cue notes
-@cindex cues
@cindex cue notes
-@cindex cue notes, formatting
@cindex fragments
-@cindex quoting other voices
-@cindex cues, formatting
+@cindex cue notes, formatting
+@cindex formatting, cue notes
+@cindex voices, quoting
+
@funindex \cueDuring
@funindex cueDuring
+@funindex \cueClef
+@funindex cueClef
+@funindex \cueDuringWithClef
+@funindex cueDuringWithClef
@funindex \quoteDuring
@funindex quoteDuring
-The previous section explains how to create quotations. The
-@code{\cueDuring} command is a more specialized form of
-@code{\quoteDuring}, being particularly useful for inserting cue
-notes into a part. The syntax is as follows:
+@cindex notes, smaller
+@cindex smaller notes
+@cindex CueVoice
+
+The simplest way to format cue notes is to explicitly create a
+@code{CueVoice} context within the part.
+
+@lilypond[verbatim,relative=1]
+R1
+<<
+ { e2\rest r4. e8 }
+ \new CueVoice {
+ \stemUp d'8^"flute" c d e fis2
+ }
+>>
+d,4 r a r
+@end lilypond
+
+The @code{\cueClef} command can also be used with an explict
+@code{CueVoice} context if a change of clef is required and will print
+an appropriately sized clef for the cue notes. The @code{\cueClefUnset}
+command can then be used to switch back to the original clef, again with
+an appropriately sized clef.
+
+@lilypond[verbatim,noragged-right,relative=1]
+\clef "bass"
+R1
+<<
+ { e2\rest r4. \cueClefUnset e,8 }
+ \new CueVoice {
+ \cueClef "treble" \stemUp d''8^"flute" c d e fis2
+ }
+>>
+d,,4 r a r
+@end lilypond
+
+The @code{\cueClef} and @code{\cueClefUnset} command can also be used
+without a @code{CueVoice} if required.
+
+@lilypond[verbatim,noragged-right,relative=1]
+\clef "bass"
+R1
+\cueClef "treble"
+d'8^"flute" c d e fis2
+\cueClefUnset
+d,,4 r a r
+@end lilypond
+
+For more complex cue note placement, e.g including transposition, or
+inserting cue notes from multiple music sources the @code{\cueDuring} or
+@code{\cueDuringWithClef} commands can be used. These are more
+specialized form of @code{\quoteDuring}, see @ref{Quoting other voices}
+in the previous section.
+
+The syntax is:
@example
-\cueDuring #@var{partname} #@var{voice} @var{music}
+\cueDuring #@var{quotename} #@var{direction} #@var{music}
@end example
-This command copies only the notes and rests from the
-corresponding measures from @code{@var{partname}} into a
-@code{CueVoice} context. The @code{CueVoice} is created
-implicitly, and occurs simultaneously with @code{@var{music}},
-which creates a polyphonic situation. The @code{@var{voice}}
-argument determines whether the cue notes should be notated as a
-first or second voice; @code{UP} corresponds to the first voice,
-and @code{DOWN} corresponds to the second.
+and
+
+@example
+\cueDuringWithClef #@var{quotename} #@var{direction} #@var{clef} #@var{music}
+@end example
+
+The music from the corresponding measures of the @code{@var{quote name}}
+is added as a @code{CueVoice} context and occurs simultaneously with the
+@code{@var{music}}, which then creates a polyphonic situation. The
+@code{@var{direction}} takes the argument @code{UP} or @code{DOWN}, and
+corresponds to the first and second voices respectively, determining how
+the cue notes are printed in relation to the other voice.
@lilypond[verbatim,quote]
-oboe = \relative c'' {
- r2 r8 d16(\f f e g f a)
- g8 g16 g g2.
+fluteNotes = \relative c'' {
+ r2. c4 | d8 c d e fis2 | g2 d |
}
-\addQuote "oboe" { \oboe }
-\new Voice \relative c'' {
- \cueDuring #"oboe" #UP { R1 }
+oboeNotes = \relative c'' {
+ R1
+ s1*0^\markup { \tiny "flute" }
+ \cueDuring #"flute" #UP { R1 }
g2 c,
}
+
+\addQuote "flute" { \fluteNotes }
+
+\new Staff {
+ \oboeNotes
+}
@end lilypond
@noindent
-In the above example, the @code{Voice} context had to be
-explicitly declared, or else the entire music expression would
-belong to the @code{CueVoice} context.
+
It is possible to adjust which aspects of the music are quoted with
@code{\cueDuring} by setting the @code{quotedCueEventTypes}
notes, rests, ties, beams and tuplets are quoted, but not
articulations, dynamic marks, markup etc.
+In this example, the @code{Voice} context must be
+explicitly declared, or else the entire music expression would
+belong to the @code{CueVoice} context.
+
@lilypond[verbatim,quote]
-oboe = \relative c'' {
+oboeNotes = \relative c'' {
r2 r8 d16(\f f e g f a)
g8 g16 g g2.
}
-\addQuote "oboe" { \oboe }
+\addQuote "oboe" { \oboeNotes }
\new Voice \relative c'' {
\set Score.quotedCueEventTypes = #'(note-event rest-event tie-event
@end lilypond
Markup can be used to show the name of the quoted instrument. Also,
-if the cue notes require a change in clef, the original clef should
-be restored at the end of the cue notes.
+if the cue notes require a change in clef, this can be done manually but
+the original clef should also be restored manually at the end of the cue
+notes.
@lilypond[verbatim,quote]
-flute = \relative c'' {
+fluteNotes = \relative c'' {
r2. c4 d8 c d e fis2 g2 d2
}
-bassoon = \relative c {
+
+bassoonNotes = \relative c {
\clef bass
R1
\clef treble
\clef bass
g4. b8 d2
}
-\addQuote "flute" { \flute }
+
+\addQuote "flute" { \fluteNotes }
+
\new Staff {
- \bassoon
+ \bassoonNotes
}
@end lilypond
-@cindex removing cues
-@cindex removing cue notes
-@cindex cue notes, removing
-
-@funindex \killCues
-@funindex killCues
-
-The @code{\killCues} command removes cue notes from a music
-expression, so the same music expression can be used to produce
-the instrument part with cues and the score. The @code{\killCues}
-command removes only the notes and events that were quoted by
-@code{\cueDuring}. Other markup associated with cues, such as clef
-changes and a label identifying the source instrument, can be
-tagged for selective inclusion in the score; see @ref{Using tags}.
+Alternatively, the @code{\cueDuringWithClef} function can be used
+instead. This command takes an extra argument to specify the change of
+clef that needs to be printed for the cue notes but will automatically
+print the original clef once the cue notes have finished.
@lilypond[verbatim,quote]
-flute = \relative c'' {
+fluteNotes = \relative c'' {
r2. c4 d8 c d e fis2 g2 d2
}
-bassoon = \relative c {
+
+bassoonNotes = \relative c {
\clef bass
R1
- \tag #'part {
- \clef treble
- s1*0^\markup { \tiny "flute" }
- }
- \cueDuring #"flute" #UP { R1 }
- \tag #'part \clef bass
+ s1*0^\markup { \tiny "flute" }
+ \cueDuringWithClef #"flute" #UP #"treble" { R1 }
g4. b8 d2
}
-\addQuote "flute" { \flute }
+
+\addQuote "flute" { \fluteNotes }
\new Staff {
- \bassoon
+ \bassoonNotes
}
-\new StaffGroup <<
- \new Staff {
- \flute
- }
- \new Staff {
- \removeWithTag #'part { \killCues { \bassoon } }
- }
->>
@end lilypond
-Alternatively, Clef changes and instrument labels can be
-collected into an instrument definition for repeated use, using
-@code{\addInstrumentDefinition} described in
-@ref{Instrument names}.
-
@funindex \transposedCueDuring
@funindex transposedCueDuring
taking cues from an instrument in a completely different register.
@lilypond[verbatim,quote]
-piccolo = \relative c''' {
+piccoloNotes = \relative c''' {
\clef "treble^8"
R1
c8 c c e g2
c4 g g2
}
-bassClarinet = \relative c' {
+
+bassClarinetNotes = \relative c' {
\key d \major
\transposition bes,
d4 r a r
d4 r a r
}
-\addQuote "piccolo" { \piccolo }
+\addQuote "piccolo" { \piccoloNotes }
<<
- \new Staff \piccolo
- \new Staff \bassClarinet
+ \new Staff \piccoloNotes
+ \new Staff \bassClarinetNotes
>>
@end lilypond
-@cindex notes, smaller
-@cindex smaller notes
+@cindex removing cue notes
+@cindex cue notes, removing
+
+@funindex \killCues
+@funindex killCues
+@funindex \addInstrumentDefinition
+@funindex addInstrumentDefinition
+
+The @code{\killCues} command removes cue notes from a music
+expression, so the same music expression can be used to produce
+the instrument part with cues and the score. The @code{\killCues}
+command removes only the notes and events that were quoted by
+@code{\cueDuring}. Other markup associated with cues, such as clef
+changes and a label identifying the source instrument, can be
+tagged for selective inclusion in the score; see @ref{Using tags}.
-A @code{CueVoice} context may be created explicitly if notes of a
-smaller size are required, for example to set an alternative
-sequence of notes more suitable for a higher or lower voice.
+@lilypond[verbatim,quote]
+fluteNotes = \relative c'' {
+ r2. c4 d8 c d e fis2 g2 d2
+}
-@lilypond[verbatim,relative=2]
-\time 12/8
-\key ees \major
-g4 ees8 f4 g8
-\stemDown
-<<
- { d4. bes4 c8 }
- \new CueVoice
- { g'4. f4 ees8 }
+bassoonNotes = \relative c {
+ \clef bass
+ R1
+ \tag #'part {
+ \clef treble
+ s1*0^\markup { \tiny "flute" }
+ }
+ \cueDuring #"flute" #UP { R1 }
+ \tag #'part \clef bass
+ g4. b8 d2
+}
+
+\addQuote "flute" { \fluteNotes }
+
+\new Staff {
+ \bassoonNotes
+}
+
+\new StaffGroup <<
+ \new Staff {
+ \fluteNotes
+ }
+ \new Staff {
+ \removeWithTag #'part { \killCues { \bassoonNotes } }
+ }
>>
-\stemUp
-d2. d2.
@end lilypond
+Alternatively, Clef changes and instrument labels can be
+collected into an instrument definition for repeated use, using
+@code{\addInstrumentDefinition} described in @ref{Instrument names}.
+
@seealso
Notation Reference:
+@ref{Quoting other voices},
@ref{Instrument transpositions},
@ref{Instrument names},
+@ref{Clef},
@ref{Musical cues},
@ref{Using tags}.
@knownissues
Collisions can occur with rests, when using @code{\cueDuring},
-between @code{Voice} and @code{CueVoice} contexts.
+between @code{Voice} and @code{CueVoice} contexts. When using
+@code{\cueDuringWithClef} or @code{\transposedCueDuring} the extra
+argument required for each case must come after the quote and the
+direction.
projects / lilypond.git / blobdiff