@item ragged-bottom
@funindex ragged-bottom
-If set to true, systems will not spread vertically down the page.
-This does not affect the last page. This should be set to true
-for pieces that have only two or three systems per page, for
-example orchestral scores.
+If this is set to true,
+systems will be set at their natural spacing, neither compressed
+nor stretched vertically to fit the page.
@item ragged-last-bottom
@funindex ragged-last-bottom
-If set to false, systems will spread vertically down the last
-page. Pieces that amply fill two pages or more should have this
-set to false. It also affects the last page of book parts, i.e.
-parts of a book created with @code{\bookpart} blocks.
+If this is set to false, then the last page,
+and the last page in each section created with a @code{\bookpart} block,
+will be vertically justified in the same way as the earlier pages.
@end table
inserted at top-level, between scores and top-level markups.
There are also analogous settings to @code{ragged-right} and
-@code{ragged-last} which have the same effect on vertical spacing:
-@code{ragged-bottom} and @code{ragged-last-bottom}. If set to
-@code{#t} the systems on all pages or just the last page
-respectively will not be justified vertically. See
+@code{ragged-last} which have the same effect on vertical spacing.
+If @code{ragged-bottom} is set to @code{#t} the systems will not
+be justified vertically. When @code{ragged-last-bottom} is set
+to @code{#t}, as it is by default, empty space is allowed at the
+bottom of the final page (or the final page in each
+@code{\bookpart}). See
@ref{Fixed vertical spacing paper variables,,Fixed vertical spacing @code{@bs{}paper} variables}.
Page breaks are computed by the @code{page-breaking} function. LilyPond
alignToZero = \with {
\override VerticalAxisGroup.nonstaff-relatedstaff-spacing = #zero-space
\override VerticalAxisGroup.nonstaff-nonstaff-spacing = #zero-space
+ \override VerticalAxisGroup.staff-affinity = #DOWN
+ \remove Text_engraver % avoid having two
+ \consists Text_engraver
}
lowerCaseChords = \with {
chordNameLowercaseMinor = ##t
}
-staffAffinityDown = \with {
- \override VerticalAxisGroup.staff-affinity = #DOWN
-}
labelContext =
#(define-music-function
(parser location context)
(string?)
- #{ s1*0^\markup { \typewriter #context } #})
+ #{ s1*0^\markup { \upright {\typewriter #context } } #})
\layout {
\context { \Dynamics \alignToZero }
\context { \FiguredBass \alignToZero }
\context { \Lyrics \alignToZero }
- \context { \NoteNames \alignToZero \staffAffinityDown }
- \context { \ChordNames \alignToZero
- \staffAffinityDown
- \lowerCaseChords }
- \context { \FretBoards \alignToZero \staffAffinityDown }
+ \context { \NoteNames \alignToZero }
+ \context { \ChordNames \alignToZero \lowerCaseChords }
+ \context { \FretBoards \alignToZero }
\context { \Score
\omit BarLine
\override DynamicText.self-alignment-X = #-1
\override FretBoard.X-offset = #1.75
- \override InstrumentName.minimum-Y-extent = #'(-2 . 2)
- \override InstrumentName.extra-offset = #'(0 . -0.5)
- \override TextScript.minimum-Y-extent = #'(-2 . 3)
+ \override InstrumentName.minimum-Y-extent = #'(-1 . 2)
+ \textLengthOn
\omit TimeSignature
}
}
%% These contexts have reference points at the baseline:
%% ChordNames, NoteNames, and Lyrics
<<
- \new ChordNames { \chords { g1:m } }
- \new NoteNames { s1 | g1 | }
- \new RhythmicStaff {
- \set RhythmicStaff.instrumentName = #"baseline "
- \textLengthOn
- \labelContext "ChordNames " s1 |
- \labelContext "NoteNames " s1 |
- \labelContext "Lyrics" s1 |
- }
- \new Lyrics { \lyrics { \skip 1*2 | ghijk1 | } }
+ \new ChordNames { \chords { \labelContext "ChordNames" g1:m } }
+ \new NoteNames { s1 |\labelContext "NoteNames" g1 | }
+ \new Lyrics { \lyrics { \skip 1*2 | \labelContext "Lyrics" ghijk1 | } }
+ \new RhythmicStaff \with { instrumentName = #"baseline " } s1*3
>>
%% The reference point for Dynamics is the midline of 'm' in the font
<<
- \new RhythmicStaff {
- \set RhythmicStaff.instrumentName = #"mid-height "
- \labelContext "Dynamics" s1*3
- }
- \new Dynamics { s1\mp s\fp }
+ \new Dynamics { \labelContext "Dynamics" s1\mp s\fp }
+ \new RhythmicStaff \with { instrumentName = #"mid-height " } s1*3
>>
%% The reference point for FiguredBass is its highest point
<<
- \new RhythmicStaff {
- \set RhythmicStaff.instrumentName = #"highest point "
- \labelContext "FiguredBass" s1
- }
- \new FiguredBass { \figuremode { <6 5>1 } }
+ \new FiguredBass { \labelContext "FiguredBass" \figuremode { <6 5>1 } }
+ \new RhythmicStaff \with { instrumentName = #"highest point " } s1
>>
%% The reference point for FretBoards is the top line
\include "predefined-guitar-fretboards.ly"
<<
- \new FretBoards { \chordmode { e1 } }
- \new RhythmicStaff {
- \set RhythmicStaff.instrumentName = #"top line "
- \labelContext "FretBoards " s1
- }
+ \new FretBoards { \labelContext "FretBoards" \chordmode { e1 } }
+ \new RhythmicStaff \with { instrumentName = #"top line " } s1
>>
@end lilypond
fixed amount of space (which is controlled by
@code{shortest-duration-space} in the @rinternals{SpacingSpanner}
object). The longer the duration, the more space it gets: doubling a
-duration adds a fixed amount (this amount is controlled by
-@code{spacing-increment}) of space to the note.
+duration adds @code{spacing-increment} of space to the note.
For example, the following piece contains lots of half, quarter, and
8th notes; the eighth note is followed by 1 note head width (NHW).
projects / lilypond.git / blobdiff