Include `freetype.hh' where appropriate.

[lilypond.git] / Documentation / notation / rhythms.itely

diff --git a/Documentation/notation/rhythms.itely b/Documentation/notation/rhythms.itely
index d4f8964825a0ff785a49602240b3535b7185309e..f6842824a83783ce7c6b880d74fb37411ab6d973 100644 (file)
--- a/Documentation/notation/rhythms.itely
+++ b/Documentation/notation/rhythms.itely
@@ -7,7 +7,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.25"
+@c \version "2.17.30"
 
 @node Rhythms
 @section Rhythms
@@ -646,7 +646,7 @@ commands:
 \new Staff {
   % These two lines are just to prettify this example
   \time 16/1
-  \override Staff.TimeSignature.stencil = ##f
+  \omit Staff.TimeSignature
   % Print a maxima rest, equal to four breves
   r\maxima
   % Print a longa rest, equal to two breves
@@ -1141,37 +1141,6 @@ for the time signature that go beyond ending at every beat, as
 described in @ref{Setting automatic beam behavior}.
 @end enumerate
 
-The context containing @code{\overrideTimeSignatureSettings} must
-be instantiated before the @code{\overrideTimeSignatureSettings}
-call is executed.  That means it must either be explicitly
-instantiated or there must be music in the context before the
-@code{\overrideTimeSignatureSettings} call:
-
-@lilypond[quote,verbatim]
-\score {
-  \relative c' {
-    % This call will fail because the context isn't yet instantiated
-    \overrideTimeSignatureSettings
-      4/4        % timeSignatureFraction
-      1/4        % baseMomentFraction
-      #'(3 1)    % beatStructure
-      #'()       % beamExceptions
-    \time 4/4
-    c8^\markup {"Beamed (2 2)"}
-    \repeat unfold 7 { c8 } |
-    % This call will succeed
-    \overrideTimeSignatureSettings
-      4/4        % timeSignatureFraction
-      1/4        % baseMomentFraction
-      #'(3 1)    % beatStructure
-      #'()       % beamExceptions
-    \time 4/4
-    c8^\markup {"Beamed (3 1)"}
-    \repeat unfold 7 { c8 } |
-  }
-}
-@end lilypond
-
 
 @cindex time signature properties, restoring default values
 @cindex restoring default properties for time signatures
@@ -1606,20 +1575,6 @@ stretches of unmetered music to permit breaking:
 \bar ""
 @end example
 
-Explicitly create a @code{Voice} context when starting a piece with
-@code{\cadenzaOn}, else unexpected errors may occur.
-
-@example
-\new Voice @{
-  \relative c' @{
-    \cadenzaOn
-    c16[^"Solo Free Time" d e f] g2.
-    \bar "||"
-    \cadenzaOff
-  @}
-@}
-@end example
-
 
 @node Polymetric notation
 @unnumberedsubsubsec Polymetric notation
@@ -2488,7 +2443,7 @@ Unbeamed grace notes are not put into normal note beams.
 
 @lilypond[quote,verbatim,relative=2]
 c4 d8[
-\grace { e32[ d c d] }
+\grace { e32 d c d }
 e8] e[ e
 \grace { f16 }
 e8 e]
@@ -3340,7 +3295,7 @@ up no additional logical time in a measure.
 
 @lilypond[quote,relative=2,verbatim]
 c4 \grace b16 a4(
-\grace { b16[ c16] } a2)
+\grace { b16 c16 } a2)
 @end lilypond
 
 There are three other types of grace notes possible; the
@@ -3355,7 +3310,7 @@ between notes that are slurred themselves, using the
 @lilypond[quote,relative=2,verbatim]
 \acciaccatura d8 c4
 \appoggiatura e8 d4
-\acciaccatura { g16[ f] } e2
+\acciaccatura { g16 f } e2
 \slashedGrace a,8 g4
 \slashedGrace b16 a4(
 \slashedGrace b8 a2)
@@ -3367,8 +3322,8 @@ eighth grace note
 
 @lilypond[quote,relative=2,verbatim]
 <<
-  \new Staff { e2 \grace { c16[ d e f] } e2 }
-  \new Staff { c2 \grace { g8[ b] } c2 }
+  \new Staff { e2 \grace { c16 d e f } e2 }
+  \new Staff { c2 \grace { g8 b } c2 }
 >>
 @end lilypond
 
@@ -3415,7 +3370,7 @@ note after a space lasting 7/8 of the main note.
 \new Voice {
   <<
     { d1^\trill_( }
-    { s2 s4. \grace { c16[ d] } }
+    { s2 s4. \grace { c16 d } }
   >>
   c1)
 }
@@ -3481,6 +3436,7 @@ Snippets:
 Internals Reference:
 @rinternals{GraceMusic},
 @rinternals{Grace_beam_engraver},
+@rinternals{Grace_auto_beam_engraver},
 @rinternals{Grace_engraver},
 @rinternals{Grace_spacing_engraver}.