Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.11"
+@c \version "2.17.30"
@node Rhythms
@section Rhythms
@snippets
@lilypondfile[verbatim,quote,ragged-right,texidoc,doctitle]
-{alternative-breve-note.ly}
+{alternative-breve-notes.ly}
@lilypondfile[verbatim,quote,ragged-right,texidoc,doctitle]
{changing-the-number-of-augmentation-dots-per-note.ly}
\new Staff {
% These two lines are just to prettify this example
\time 16/1
- \override Staff.TimeSignature.stencil = ##f
+ \omit Staff.TimeSignature
% Print a maxima rest, equal to four breves
r\maxima
% Print a longa rest, equal to two breves
Metronome marks may also be printed as a range of two numbers:
@lilypond[verbatim,quote,relative=1]
-\tempo 4 = 40 ~ 46
+\tempo 4 = 40 - 46
c4. e8 a4 g
b,2 d4 r
@end lilypond
restores the default behavior of ignoring tempo marks
for horizontal spacing.
-@lilypond[quote,relative=0]
+@lilypond[verbatim,quote,relative=0]
\compressFullBarRests
\markLengthOn
\tempo "Molto vivace"
R1*12
\tempo "Meno mosso"
R1*16
+\markLengthOff
+\tempo "Tranquillo"
+R1*20
@end lilypond
@snippets
\bar ""
@end example
-Explicitly create a @code{Voice} context when starting a piece with
-@code{\cadenzaOn}, else unexpected errors may occur.
-
-@example
-\new Voice @{
- \relative c' @{
- \cadenzaOn
- c16[^"Solo Free Time" d e f] g2.
- \bar "||"
- \cadenzaOff
- @}
-@}
-@end example
-
@node Polymetric notation
@unnumberedsubsubsec Polymetric notation
@lilypond[quote,verbatim,relative=2]
c4 d8[
-\grace { e32[ d c d] }
+\grace { e32 d c d }
e8] e[ e
\grace { f16 }
e8 e]
Additionally, a bar line can be printed as a simple tick:
@lilypond[quote,relative=1,verbatim]
-f1 \bar "'"
+f1 \bar "'" g1
@end lilypond
However, as such ticks are typically used in Gregorian chant, it is
preferable to use @code{\divisioMinima} there instead, described in
@funindex |
-@funindex pipeSymbol
+@funindex "|"
It is also possible to redefine the action taken when a bar check
or pipe symbol, @code{|}, is encountered in the input, so that
it does something other than a bar check. This is done by
-assigning a music expression to @code{pipeSymbol}.
+assigning a music expression to @code{"|"}.
In the following example @code{|} is set to insert a double bar
line wherever it appears in the input, rather than checking
for end of bar.
@lilypond[quote,verbatim]
-pipeSymbol = \bar "||"
+"|" = \bar "||"
{
c'2 c' |
c'2 c'
@lilypond[quote,relative=2,verbatim]
c4 \grace b16 a4(
-\grace { b16[ c16] } a2)
+\grace { b16 c16 } a2)
@end lilypond
There are three other types of grace notes possible; the
@lilypond[quote,relative=2,verbatim]
\acciaccatura d8 c4
\appoggiatura e8 d4
-\acciaccatura { g16[ f] } e2
+\acciaccatura { g16 f } e2
\slashedGrace a,8 g4
\slashedGrace b16 a4(
\slashedGrace b8 a2)
@lilypond[quote,relative=2,verbatim]
<<
- \new Staff { e2 \grace { c16[ d e f] } e2 }
- \new Staff { c2 \grace { g8[ b] } c2 }
+ \new Staff { e2 \grace { c16 d e f } e2 }
+ \new Staff { c2 \grace { g8 b } c2 }
>>
@end lilypond
\new Voice {
<<
{ d1^\trill_( }
- { s2 s4. \grace { c16[ d] } }
+ { s2 s4. \grace { c16 d } }
>>
c1)
}
Internals Reference:
@rinternals{GraceMusic},
@rinternals{Grace_beam_engraver},
+@rinternals{Grace_auto_beam_engraver},
@rinternals{Grace_engraver},
@rinternals{Grace_spacing_engraver}.