@lilypond[verbatim,quote]
\relative {
- r8 c'~ 2 r4 |
+ r8 c'4.~ 4 r4 |
r8^"not" c2~ 8 r4
}
@end lilypond
>>
@end lilypond
+Music containing chords can also be used as input to @code{RhythmicStaff}
+and for use with the @code{Pitch_squash_engraver} if the chords are first
+reduced to single notes with the @code{\reduceChords} music function:
+
+@lilypond[quote,verbatim]
+\new RhythmicStaff {
+ \time 4/4
+ \reduceChords {
+ <c>2
+ <e>2
+ <c e g>2
+ <c e g>4
+ <c e g>4
+ }
+}
+@end lilypond
@predefined
@code{\improvisationOn},
preferable to use @code{\divisioMinima} there instead, described in
the section @ref{Divisiones} in Gregorian chant.
-Lilypond supports kievan notation and provides a special kievan
+LilyPond supports kievan notation and provides a special kievan
bar line:
@lilypond[quote,fragment,verbatim]
f'1 \bar "k"
\relative { c''1 \afterGrace d1 { c16[ d] } c1 }
@end lilypond
-This will put the grace notes after a space lasting 3/4 of the
-length of the main note. The default fraction 3/4 can be changed by
-setting @code{afterGraceFraction}. The following example shows
-the results from setting the space at the default, at 15/16, and
-finally at 1/2 of the main note.
+This will place the grace notes @emph{after} the start of the main
+note. The point of time where the grace notes are placed is a
+given fraction of the main note's duration. The default setting
+of
+
+@example
+afterGraceFraction = 3/4
+@end example
+
+@noindent
+may be redefined at top level. Individual @code{\afterGrace}
+commands may have the fraction specified right after the command
+itself instead.
+
+The following example shows the results from setting with the
+default space, setting it at @code{15/16}, and finally at
+@code{1/2} of the main note.
@lilypond[quote,verbatim]
<<
c''1 \afterGrace d1 { c16[ d] } c1
}
\new Staff \relative {
- #(define afterGraceFraction (cons 15 16))
- c''1 \afterGrace d1 { c16[ d] } c1
+ c''1 \afterGrace 15/16 d1 { c16[ d] } c1
}
\new Staff \relative {
- #(define afterGraceFraction (cons 1 2))
- c''1 \afterGrace d1 { c16[ d] } c1
+ c''1 \afterGrace 1/2 d1 { c16[ d] } c1
}
>>
@end lilypond
-The space between the main note and the grace note may also be
-specified using spacers. The following example places the grace
-note after a space lasting 7/8 of the main note.
+The effect of @code{\afterGrace} can also be achieved using
+spacers. The following example places the grace note after a
+space lasting 7/8 of the main note.
@lilypond[quote,verbatim]
\new Voice \relative {