Doc: convert-ly on English docs.

[lilypond.git] / Documentation / notation / repeats.itely

diff --git a/Documentation/notation/repeats.itely b/Documentation/notation/repeats.itely
index 924843848e94331c234faf5fb4d1ce91bc95b32a..efae065ebf50dc6891eddb28f1492258357978c8 100644 (file)
--- a/Documentation/notation/repeats.itely
+++ b/Documentation/notation/repeats.itely
@@ -7,7 +7,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.12.0"
+@c \version "2.13.36"
 
 @node Repeats
 @section Repeats
@@ -29,7 +29,7 @@ notation for repeats with alternatives.
 
 @item unfold
 The repeated music is fully written out, as many times as
-specified by @var{repeatcount}.  This is useful when
+specified by @code{@var{repeatcount}}.  This is useful when
 entering repetitious music.
 
 @item percent
@@ -84,7 +84,7 @@ The syntax for a normal repeat is
 @end example
 
 @noindent
-where @var{musicexpr} is a music expression.
+where @code{@var{musicexpr}} is a music expression.
 
 A single repeat without an alternate ending:
 
@@ -105,7 +105,7 @@ group of alternatives must be themselves, enclosed in a set of braces.
 @end example
 
 @noindent
-where @var{musicexpr} is a music expression.
+where @code{@var{musicexpr}} is a music expression.
 
 If there are more repeats than there are alternate endings, the earliest
 repeats are given the first alternative.
@@ -458,8 +458,9 @@ the writing out of repetitious music.  The syntax is
 @end example
 
 @noindent
-where @var{musicexpr} is a music expression and @var{repeatcount} is
-the number of times @var{musicexpr} is repeated.
+where @code{@var{musicexpr}} is a music expression and
+@code{@var{repeatcount}} is the number of times
+@code{@var{musicexpr}} is repeated.
 
 @lilypond[verbatim,quote,relative=2]
 \repeat unfold 2 { c4 d e f }
@@ -540,7 +541,7 @@ Internals Reference:
 
 This section discusses how to input short repeats.  Short repeats can
 take two forms: slashes or percent signs to represent repeats of a
-single note, a single measure or two measures, and tremelos otherwise.
+single note, a single measure or two measures, and tremolos otherwise.
 
 @menu
 * Percent repeats::
@@ -564,11 +565,11 @@ is replaced with a special sign.
 The syntax is
 
 @example
-@code{\repeat percent @var{number} @var{musicexpr}}
+\repeat percent @var{number} @var{musicexpr}
 @end example
 
 @noindent
-where @var{musicexpr} is a music expression.
+where @code{@var{musicexpr}} is a music expression.
 
 Patterns that are shorter than one measure are replaced by slashes.
 
@@ -640,7 +641,7 @@ durations, are supported.
 @funindex tremolo
 
 Tremolos can take two forms: alternation between two chords or two
-notes, and rapid repetition of a single note or chord. Tremolos
+notes, and rapid repetition of a single note or chord.  Tremolos
 consisting of an alternation are indicated by adding beams between the
 notes or chords being alternated, while tremolos consisting of the
 rapid repetition of a single note are indicated by adding beams or
@@ -678,12 +679,11 @@ the note should not be surrounded by braces:
 @funindex tremoloFlags
 @funindex :
 
-The same output can be obtained by adding
-@q{@code{:}[@var{number}]} after the note.  The number indicates
-the duration of the subdivision, and it must be at least 8.  A
-@var{number} value of 8 gives one line across the note stem.  If
-the length is omitted, the last value (stored in
-@code{tremoloFlags}) is used:
+The same output can be obtained by adding @code{:@var{N}} after
+the note, where @code{@var{N}} indicates the duration of the
+subdivision (it must be at least 8).  If @code{@var{N}} is 8, one
+beam is added to the note's stem.  If @code{@var{N}} is omitted,
+the last value (stored in @code{tremoloFlags}) is used:
 
 @lilypond[quote,verbatim,relative=2]
 c2:8 c:32