Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.22"
@node Pitches
@lilypond[verbatim,quote]
{
\clef treble
- c'4 c'' e' g
- d''4 d' d c
+ c'4 e' g' c''
+ c'4 g b c'
\clef bass
- c,4 c,, e, g
- d,,4 d, d c
+ c,4 e, g, c
+ c,4 g,, b,, c,
}
@end lilypond
-@funindex absolute
-@funindex \absolute
-Music can be marked explicitly as being in absolute octave
-notation by preceding it with @code{\absolute}:
+@funindex fixed
+@funindex \fixed
+Common octave marks can be entered just once on a reference pitch
+after @code{\fixed} placed before the music. Pitches inside
+@code{\fixed} only need @code{'} or@tie{}@code{,} marks
+when they are above or below the octave of the reference pitch.
-@example
-\absolute @var{musicexpr}
-@end example
+@lilypond[verbatim,quote]
+{
+ \fixed c' {
+ \clef treble
+ c4 e g c'
+ c4 g, b, c
+ }
+ \clef bass
+ \fixed c, {
+ c4 e g c'
+ c4 g, b, c
+ }
+}
+@end lilypond
-will be interpreted in absolute octave entry mode regardless of
-the context it appears in.
+Pitches in the music expression following @code{\fixed} are
+unaffected by any enclosing @code{\relative}, discussed next.
@seealso
Music Glossary:
determine the absolute pitch of the first note inside.
@item no explicit starting pitch
-This (namely writing @code{\relative @{ gis''' @dots{} @}}) can be
-viewed as a compact version of the previous option: the first note
-inside is written in absolute pitch itself. This happens to be
-equivalent to choosing @code{f} as the reference pitch.
+The form @code{\relative @{ gis''' @dots{} @}}) serves
+as a compact version of the previous option: the first note
+inside is written in absolute pitch itself. (This happens to be
+equivalent to choosing @code{f} as the reference pitch.)
@end table
-The documentation will usually employ the first option.
+The documentation will usually employ the last option.
@end itemize
Here is the relative mode shown in action:
@lilypond[verbatim,quote]
-\relative c {
+\relative {
\clef bass
c d e f
g a b c
fourth:
@lilypond[verbatim,quote]
-\relative c'' {
- c g c f,
+\relative {
+ c'' g c f,
c' a, e'' c
}
@end lilypond
large intervals:
@lilypond[verbatim,quote]
-\relative c {
+\relative {
c f b e
a d g c
}
@end lilypond
When @code{\relative} blocks are nested, the innermost
-@code{\relative} block applies.
+@code{\relative} block starts with its own reference pitch
+independently of the outer @code{\relative}.
@lilypond[verbatim,quote]
-\relative c' {
- c d e f
- \relative c'' {
- c d e f
+\relative {
+ c' d e f
+ \relative {
+ c'' d e f
}
}
@end lilypond
@code{\relative} is included.
@lilypond[verbatim,quote]
-\relative c' {
- d e
+\relative {
+ d' e
\transpose f g {
d e
- \relative c' {
- d e
+ \relative {
+ d' e
}
}
}
carefully, paying attention to the @code{c} notes.
@lilypond[verbatim,quote]
-\relative c' {
- c
+\relative {
+ c'
<c e g>
<c' e g'>
<c, e, g''>
that each interval contains.
@lilypond[verbatim,quote]
-\relative c'' {
- c2 fis
+\relative {
+ c''2 fis
c2 ges
b2 eisis
b2 feses
}
@end lilypond
-One consequence of these rules is that the first note inside
-@code{@w{\relative f}} music is interpreted just the same as
-if it was written in absolute pitch mode.
@seealso
Music Glossary:
@c duplicated in Key signature and Accidentals
@warning{New users are sometimes confused about accidentals and
-key signatures. In LilyPond, note names are the raw input; key
-signatures and clefs determine how this raw input is displayed.
+key signatures. In LilyPond, note names specify pitches; key
+signatures and clefs determine how these pitches are displayed.
An unaltered note like@tie{}@code{c} means @q{C natural},
regardless of the key signature or clef. For more information,
-see @rlearning{Accidentals and key signatures}.}
+see @rlearning{Pitches and key signatures}.}
@cindex note names, Dutch
@cindex note names, default
ais1 aes aisis aeses
@end lilypond
-A natural will cancel the effect of an accidental or key
-signature. However, naturals are not encoded into the note name
-syntax with a suffix; a natural pitch is shown as a simple note
-name:
+A natural pitch is entered as a simple note name; no suffix is
+required. A natural sign will be printed when needed to cancel
+the effect of an earlier accidental or key signature.
@lilypond[verbatim,quote,relative=2]
a4 aes a2
adding an exclamation mark@tie{}@code{!} after the pitch. A
cautionary accidental (i.e., an accidental within parentheses) can
be obtained by adding the question mark@tie{}@code{?} after the
-pitch. These extra accidentals can also be used to produce
-natural signs.
+pitch.
@lilypond[verbatim,quote,relative=2]
cis cis cis! cis? c c c! c?
@rglos{quarter tone}.
Learning Manual:
-@rlearning{Accidentals and key signatures}.
+@rlearning{Pitches and key signatures}.
Notation Reference:
@ref{Automatic accidentals},
@lilypond[quote,verbatim]
\language "italiano"
-\relative do' {
- do re mi sib
+\relative {
+ do' re mi sib
}
@end lilypond
also vary depending on the language:
@quotation
-@multitable {@code{nederlands}} {-s/--sharp} {-ess/-es} {-ss/-x/--sharpsharp} {-essess/-eses}
+@multitable {@code{nederlands}} {-@code{s}/-@code{-sharp}} {-@code{ess}/-@code{es}} {-@code{ss}/-@code{x}/-@code{-sharpsharp}} {-@code{essess}/-@code{eses}}
@headitem Language
@tab sharp @tab flat @tab double sharp @tab double flat
@item @code{nederlands}
- @tab -is @tab -es @tab -isis @tab -eses
+ @tab -@code{is} @tab -@code{es} @tab -@code{isis} @tab -@code{eses}
@item @code{catalan}
- @tab -d/-s @tab -b @tab -dd/-ss @tab -bb
+ @tab -@code{d}/-@code{s} @tab -@code{b} @tab -@code{dd}/-@code{ss} @tab -@code{bb}
@item @code{deutsch}
- @tab -is @tab -es @tab -isis @tab -eses
+ @tab -@code{is} @tab -@code{es} @tab -@code{isis} @tab -@code{eses}
@item @code{english}
- @tab -s/--sharp @tab -f/--flat @tab -ss/-x/--sharpsharp
- @tab -ff/--flatflat
+ @tab -@code{s}/-@code{-sharp} @tab -@code{f}/-@code{-flat} @tab -@code{ss}/-@code{x}/-@code{-sharpsharp}
+ @tab -@code{ff}/-@code{-flatflat}
@item @code{espanol} or @code{español}
- @tab -s @tab -b @tab -ss/-x @tab -bb
+ @tab -@code{s} @tab -@code{b} @tab -@code{ss}/-@code{x} @tab -@code{bb}
@item @code{italiano} or @code{français}
- @tab -d @tab -b @tab -dd @tab -bb
+ @tab -@code{d} @tab -@code{b} @tab -@code{dd} @tab -@code{bb}
@item @code{norsk}
- @tab -iss/-is @tab -ess/-es @tab -ississ/-isis
- @tab -essess/-eses
+ @tab -@code{iss}/-@code{is} @tab -@code{ess}/-@code{es} @tab -@code{ississ}/-@code{isis}
+ @tab -@code{essess}/-@code{eses}
@item @code{portugues}
- @tab -s @tab -b @tab -ss @tab -bb
+ @tab -@code{s} @tab -@code{b} @tab -@code{ss} @tab -@code{bb}
@item @code{suomi}
- @tab -is @tab -es @tab -isis @tab -eses
+ @tab -@code{is} @tab -@code{es} @tab -@code{isis} @tab -@code{eses}
@item @code{svenska}
- @tab -iss @tab -ess @tab -ississ @tab -essess
+ @tab -@code{iss} @tab -@code{ess} @tab -@code{ississ} @tab -@code{essess}
@item @code{vlaams}
- @tab -k @tab -b @tab -kk @tab -bb
+ @tab -@code{k} @tab -@code{b} @tab -@code{kk} @tab -@code{bb}
@end multitable
@end quotation
correction.
@lilypond[verbatim,quote]
-\relative c'' {
- c2 d='4 d
+\relative {
+ c''2 d='4 d
e2 f
}
@end lilypond
relative to the @code{@var{controlpitch}}.
@lilypond[verbatim,quote]
-\relative c'' {
- c2 d
+\relative {
+ c''2 d
\octaveCheck c'
e2 f
}
checks fail, but the second one does not fail.
@lilypond[verbatim,quote]
-\relative c'' {
- c4 f g f
+\relative {
+ c''4 f g f
c4
\octaveCheck c'
@lilypond[verbatim,quote]
\transpose d e {
- \relative c' {
+ \relative {
\key d \major
- d4 fis a d
+ d'4 fis a d
}
}
@end lilypond
@lilypond[verbatim,quote]
\transpose a c' {
- \relative c' {
+ \relative {
\key c \major
- c4 d e g
+ c'4 d e g
}
}
@end lilypond
will print flats on the scale step above.
@lilypond[verbatim,quote]
-music = \relative c' { c d e f }
+music = \relative { c' d e f }
\new Staff {
\transpose c cis { \music }
\transpose c des { \music }
@code{@var{around-pitch}} is mapped to @code{@var{to-pitch}}.
@lilypond[verbatim,quote]
-music = \relative c' { c d e f }
+music = \relative { c' d e f }
\new Staff {
\music
\inversion d' d' \music
A music expression can be reversed to produce its retrograde:
@lilypond[verbatim,quote]
-music = \relative c' { c8. ees16( fis8. a16 b8.) gis16 f8. d16 }
+music = \relative { c'8. ees16( fis8. a16 b8.) gis16 f8. d16 }
\new Staff {
\music
and @var{from-pitch}:
@lilypond[verbatim,quote]
-diatonicScale = \relative c' { c d e f g a b }
-motif = \relative c' { c8 d e f g a b c }
+diatonicScale = \relative { c' d e f g a b }
+motif = \relative { c'8 d e f g a b c }
\new Staff {
\motif
specified:
@lilypond[verbatim,quote]
-pentatonicScale = \relative c' { ges aes bes des ees }
-motif = \relative c' { ees8 des ges,4 <ges' bes,> <ges bes,> }
+pentatonicScale = \relative { ges aes bes des ees }
+motif = \relative { ees'8 des ges,4 <ges' bes,> <ges bes,> }
\new Staff {
\motif
specify the names of the notes to be used:
@lilypond[verbatim,quote]
-chromaticScale = \relative c' { c cis d dis e f fis g gis a ais b }
-motif = \relative c' { c8 d e f g a b c }
+chromaticScale = \relative { c' cis d dis e f fis g gis a ais b }
+motif = \relative { c'8 d e f g a b c }
\new Staff {
\motif
@var{around-pitch} and @var{to-pitch}:
@lilypond[verbatim,quote]
-octatonicScale = \relative c' { ees f fis gis a b c d }
-motif = \relative c' { c8. ees16 fis8. a16 b8. gis16 f8. d16 }
+octatonicScale = \relative { ees' f fis gis a b c d }
+motif = \relative { c'8. ees16 fis8. a16 b8. gis16 f8. d16 }
\new Staff {
\motif
specified can be interpreted as bracketing the pivot point:
@lilypond[verbatim,quote]
-scale = \relative c' { c g' }
-motive = \relative c' { c c g' c, }
+scale = \relative { c' g' }
+motive = \relative { c' c g' c, }
\new Staff {
\motive
retrograde-inversion:
@lilypond[verbatim,quote]
-octatonicScale = \relative c' { ees f fis gis a b c d }
-motif = \relative c' { c8. ees16 fis8. a16 b8. gis16 f8. d16 }
+octatonicScale = \relative { ees' f fis gis a b c d }
+motif = \relative { c'8. ees16 fis8. a16 b8. gis16 f8. d16 }
\new Staff {
\motif
signatures and clefs determine how this raw input is displayed.
An unaltered note like@tie{}@code{c} means @q{C natural},
regardless of the key signature or clef. For more information,
-see @rlearning{Accidentals and key signatures}.}
+see @rlearning{Pitches and key signatures}.}
The key signature indicates the tonality in which a piece is
played. It is denoted by a set of alterations (flats or sharps)
freygish = #`((0 . ,NATURAL) (1 . ,FLAT) (2 . ,NATURAL)
(3 . ,NATURAL) (4 . ,NATURAL) (5 . ,FLAT) (6 . ,FLAT))
-\relative c' {
- \key c \freygish c4 des e f
+\relative {
+ \key c \freygish c'4 des e f
\bar "||" \key d \freygish d es fis g
}
@end lilypond
@rglos{scordatura}.
Learning Manual:
-@rlearning{Accidentals and key signatures}.
+@rlearning{Pitches and key signatures}.
Snippets:
@rlsr{Pitches}.
@lilypond[verbatim,quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis''8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis''8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis''8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis''8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis''8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis''8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis''8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis''8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis''8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis''8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis''8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis''8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis''8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis''8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis''8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis''8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote,staffsize=18]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis''8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis''8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis''8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
the accidental style to @code{forget}:
@lilypond[verbatim,quote]
-forget = #(define-music-function (parser location music) (ly:music?) #{
+forget = #(define-music-function (music) (ly:music?) #{
\accidentalStyle forget
#music
\accidentalStyle modern
}
}
-\relative c'' {
- aes c e2
+\relative {
+ aes' c e2
cis,1
}
@end lilypond