Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.19.2"
@node Pitches
}
@end lilypond
+@funindex absolute
+@funindex \absolute
+Music can be marked explicitly as being in absolute octave
+notation by preceding it with @code{\absolute}:
+
+@example
+\absolute @var{musicexpr}
+@end example
+
+will be interpreted in absolute octave entry mode regardless of
+the context it appears in.
+
@seealso
Music Glossary:
@rglos{Pitch names}.
@funindex relative
@funindex \relative
-When octaves are specified in absolute mode it is easy to
-accidentally put a pitch in the wrong octave. Relative octave
-mode reduces these errors since most of the time it is not
-necessary to indicate any octaves at all. Furthermore, in
-absolute mode a single mistake may be difficult to spot, while in
-relative mode a single error puts the rest of the piece off by one
-octave.
+Absolute octave entry requires specifying the octave for every
+single note. Relative octave entry, in contrast, specifies each
+octave in relation to the last note: changing one note's octave
+will affect all of the following notes.
+
+Relative note mode has to be entered explicitly using the
+@code{\relative} command:
@example
\relative @var{startpitch} @var{musicexpr}
@funindex \relative
@funindex relative
-@c DEPRECATED
-If no @code{@var{startpitch}} is specified for @code{\relative},
-then@tie{}@code{c'} is assumed. However, this is a deprecated
-option and may disappear in future versions, so its use is
-discouraged.
-
@node Accidentals
@unnumberedsubsubsec Accidentals
Accidentals on tied notes are only printed at the beginning of a
new system:
-@lilypond[verbatim,quote,relative=2]
-cis1~ cis~
+@lilypond[verbatim,quote,relative=2,ragged-right]
+cis1~ 1~
\break
cis
@end lilypond
Internals Reference:
@rinternals{Clef_engraver},
@rinternals{Clef},
-@rinternals{OctavateEight},
+@rinternals{ClefModifier},
@rinternals{clef-interface}.
@knownissues
Ottavation numbers attached to clefs are treated as separate grobs. So
any @code{\override} done to the @var{Clef} will also need to be
-applied, as a separate @code{\override}, to the @var{OctavateEight}
+applied, as a separate @code{\override}, to the @var{ClefModifier}
grob.
-@lilypond[fragment,quote,relative=1]
+@lilypond[fragment,quote,verbatim,relative=1]
\new Staff \with {
- \override OctavateEight.color = #red
\override Clef.color = #blue
+ \override ClefModifier.color = #red
}
\clef "treble_8" c4
(3 . ,NATURAL) (4 . ,NATURAL) (5 . ,FLAT) (6 . ,FLAT))
\relative c' {
- \key c\freygish c4 des e f
- \bar "||" \key d\freygish d es fis g
+ \key c \freygish c4 des e f
+ \bar "||" \key d \freygish d es fis g
}
@end lilypond
@lilypond[verbatim, quote,relative=0]
\override Staff.KeySignature.flat-positions = #'((-5 . 5))
\override Staff.KeyCancellation.flat-positions = #'((-5 . 5))
-\clef bass \key es\major es g bes d
-\clef treble \bar "||" \key es\major es g bes d
+\clef bass \key es \major es g bes d
+\clef treble \bar "||" \key es \major es g bes d
\override Staff.KeySignature.sharp-positions = #'(2)
-\bar "||" \key b\major b fis b2
+\bar "||" \key b \major b fis b2
@end lilypond
@snippets
@lilypondfile[verbatim,quote,texidoc,doctitle]
{ottava-text.ly}
+@lilypondfile[verbatim,quote,texidoc,doctitle]
+{adding-an-ottava-marking-to-a-single-voice.ly}
+
@seealso
Music Glossary:
@rglos{octavation}.
@lilypond[verbatim,quote]
flute = \relative c'' {
- \key f\major
+ \key f \major
\cueDuring #"clarinet" #DOWN {
R1 _\markup\tiny "clarinet"
c4 f e d
}
@end lilypond
+@item dodecaphonic-no-repeat
+
+@cindex dodecaphonic accidental style
+@cindex dodecaphonic style, neo-modern
+
+@funindex dodecaphonic-no-repeat
+
+Like with the dodecaphonic accidental style @emph{every} note
+gets an accidental sign by default, but accidentals are
+suppressed for pitches immediately repeated within one voice.
+
+@lilypond[quote]
+musicA = {
+ <<
+ \relative c' {
+ cis'8 fis, bes4 <a cis>8 f bis4 |
+ cis2. <c, g'>4 |
+ }
+ \\
+ \relative c' {
+ ais'2 cis, |
+ fis8 b a4 cis2 |
+ }
+ >>
+}
+
+musicB = {
+ \clef bass
+ \new Voice {
+ \voiceTwo \relative c' {
+ <fis, a cis>8[ <fis a cis>
+ \change Staff = up
+ cis' cis
+ \change Staff = down
+ <fis, a> <fis a>]
+ \showStaffSwitch
+ \change Staff = up
+ dis'4 |
+ \change Staff = down
+ <fis, a cis>4 gis <f a d>2 |
+ }
+ }
+}
+
+\new PianoStaff {
+ <<
+ \context Staff = "up" {
+ \accidentalStyle dodecaphonic-no-repeat
+ \musicA
+ }
+ \context Staff = "down" {
+ \accidentalStyle dodecaphonic-no-repeat
+ \musicB
+ }
+ >>
+}
+@end lilypond
+
@item teaching
@code{\deadNote}, @code{\deadNotesOn} and @code{\deadNotesOff} can
be used. The term @notation{dead note} is commonly used by guitarists.
-There is also a shorthand for diamond shapes which can be used
-only inside chords:
+There is also a similar shorthand for diamond shapes:
@lilypond[verbatim,quote,relative=2]
-<c f\harmonic>2 <d a'\harmonic>4 <c g'\harmonic>
+<c f\harmonic>2 <d a'\harmonic>4 <c g'\harmonic> f\harmonic
@end lilypond
@predefined
e8 e g a a16( bes) a8 g
\improvisationOn
e8 ~
- e2 ~ e8 f4 f8 ~
- f2
+ 2 ~ 8 f4 f8 ~
+ 2
\improvisationOff
a16( bes) a8 g e
}
projects / lilypond.git / blobdiff