Guide, node Updating translation committishes..
@end ignore
-@c \version "2.15.17"
+@c \version "2.16.0"
@node Notation manual tables
@appendix Notation manual tables
* Common chord modifiers::
* Predefined string tunings::
* Predefined fretboard diagrams::
+* Predefined paper sizes::
* MIDI instruments::
* List of colors::
* The Feta font::
* Note head styles::
+* Clef styles::
* Text markup commands::
* Text markup list commands::
* List of special characters::
The following chart shows two standard systems for printing chord
names, along with the pitches they represent.
-@lilypondfile{chord-names-jazz.ly}
+@c The line width is a hack to allow space for instrument names
+@lilypondfile[quote,line-width=15\cm]{chord-names-jazz.ly}
@node Common chord modifiers
@appendixsec Common chord modifiers
-The following table shows chord modifiers that can be used in
-@code{\chordmode} to generate standard chord structures.
+The following table shows chord modifiers that can be used to generate
+standard chord structures.
-@multitable @columnfractions .2 .3 .2 .2
+@multitable @columnfractions .2 .25 .2 .15 .2
@item
-@b{Chord type}
+@b{Type}
@tab
-@b{Intervals}
+@b{Interval}
@tab
-@b{Modifier(s)}
+@b{Modifier}
@tab
@b{Example}
+@tab
+@b{Output}
@item
Major
@tab
-Major third, perfect fifth
+Major third, @*perfect fifth
@tab
@code{5} or nothing
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:5
-}
+@code{c1:5}
+@tab
+@lilypond[line-width=2.1\cm,notime]
+<<
+ \chords { c1:5 }
+ \chordmode { c1:5 }
+>>
@end lilypond
@item
Minor
@tab
-Minor third, perfect fifth
+Minor third, @*perfect fifth
@tab
@code{m} or @code{m5}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:m
-}
+@code{c1:m}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:m }
+ \chordmode { c1:m }
+>>
@end lilypond
@item
Augmented
@tab
-Major third, augmented fifth
+Major third, @*augmented fifth
@tab
@code{aug}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:aug
-}
+@code{c1:aug}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:aug }
+ \chordmode { c1:aug }
+>>
@end lilypond
@item
Diminished
@tab
-Minor third, diminished fifth
+Minor third, @*diminished fifth
@tab
@code{dim}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:dim
-}
+@code{c1:dim}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:dim }
+ \chordmode { c1:dim }
+>>
@end lilypond
@item
Dominant seventh
@tab
-Major triad, minor seventh
+Major triad, @*minor seventh
@tab
@code{7}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:7
-}
+@code{c1:7}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:7 }
+ \chordmode { c1:7 }
+>>
@end lilypond
@item
Major seventh
@tab
-Major triad, major seventh
+Major triad, @*major seventh
@tab
@code{maj7} or @code{maj}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:maj7
-}
+@code{c1:maj7}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:maj7 }
+ \chordmode { c1:maj7 }
+>>
@end lilypond
@item
Minor seventh
@tab
-Minor triad, minor seventh
+Minor triad, @*minor seventh
@tab
@code{m7}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:m7
-}
+@code{c1:m7}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:m7 }
+ \chordmode { c1:m7 }
+>>
@end lilypond
@item
Diminished seventh
@tab
-Diminished triad, diminished seventh
+Diminished triad, @*diminished seventh
@tab
@code{dim7}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:dim7
-}
+@code{c1:dim7}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:dim7}
+ \chordmode { c1:dim7 }
+>>
@end lilypond
@item
Augmented seventh
@tab
-Augmented triad, minor seventh
+Augmented triad, @*minor seventh
@tab
@code{aug7}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:aug7
-}
+@code{c1:aug}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:aug7 }
+ \chordmode { c1:aug7 }
+>>
@end lilypond
@item
Half-diminished seventh
@tab
-Diminished triad, minor seventh
+Diminished triad, @*minor seventh
@tab
@code{m7.5-}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:m7.5-
-}
+@code{c1:m7.5-}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:m7.5- }
+ \chordmode { c1:m7.5- }
+>>
@end lilypond
@item
Minor-major seventh
@tab
-Minor triad, major seventh
+Minor triad, @*major seventh
@tab
@code{m7+}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:m7+
-}
+@code{m7+}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:m7+ }
+ \chordmode { c1:m7+ }
+>>
@end lilypond
@item
Major sixth
@tab
-Major triad, sixth
+Major triad, @*sixth
@tab
@code{6}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:6
-}
+@code{c1:6}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:6 }
+ \chordmode { c1:6 }
+>>
@end lilypond
@item
Minor sixth
@tab
-Minor triad, sixth
+Minor triad, @*sixth
@tab
@code{m6}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:m6
-}
+@code{c1:m6}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:m6 }
+ \chordmode { c1:m6 }
+>>
@end lilypond
@item
Dominant ninth
@tab
-Dominant seventh, major ninth
+Dominant seventh, @*major ninth
@tab
@code{9}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:9
-}
+@code{c1:9}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:9 }
+ \chordmode { c1:9 }
+>>
@end lilypond
@item
Major ninth
@tab
-Major seventh, major ninth
+Major seventh, @*major ninth
@tab
@code{maj9}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:maj9
-}
+@code{c1:maj9}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:maj9 }
+ \chordmode { c1:maj9 }
+>>
@end lilypond
@item
Minor ninth
@tab
-Minor seventh, major ninth
+Minor seventh, @*major ninth
@tab
@code{m9}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:m9
-}
+@code{c1:m9}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:m9 }
+ \chordmode { c1:m9 }
+>>
@end lilypond
@item
Dominant eleventh
@tab
-Dominant ninth, perfect eleventh
+Dominant ninth, @*perfect eleventh
@tab
@code{11}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:11
-}
+@code{c1:11}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:11 }
+ \chordmode { c1:11 }
+>>
@end lilypond
@item
Major eleventh
@tab
-Major ninth, perfect eleventh
+Major ninth, @*perfect eleventh
@tab
@code{maj11}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:maj11
-}
+@code{c1:maj11}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:maj11 }
+ \chordmode { c1:maj11 }
+>>
@end lilypond
@item
Minor eleventh
@tab
-Minor ninth, perfect eleventh
+Minor ninth, @*perfect eleventh
@tab
@code{m11}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:m11
-}
+@code{c1:m11}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:m11 }
+ \chordmode { c1:m11 }
+>>
@end lilypond
@item
Dominant thirteenth
@tab
-Dominant ninth, major thirteenth
+Dominant ninth, @*major thirteenth
@tab
@code{13}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:13
-}
+@code{c1:13}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:13 }
+ \chordmode { c1:13 }
+>>
@end lilypond
@item
Dominant thirteenth
@tab
-Dominant eleventh, major thirteenth
+Dominant eleventh, @*major thirteenth
@tab
@code{13.11}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:13.11
-}
+@code{c1:13.11}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords{ c1:13.11 }
+ \chordmode { c1:13.11 }
+>>
@end lilypond
@item
Major thirteenth
@tab
-Major eleventh, major thirteenth
+Major eleventh, @*major thirteenth
@tab
@code{maj13.11}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:maj13.11
-}
+@code{c1:maj13.11}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:maj13.11 }
+ \chordmode { c1:maj13.11 }
+>>
@end lilypond
@item
Minor thirteenth
@tab
-Minor eleventh, major thirteenth
+Minor eleventh, @*major thirteenth
@tab
@code{m13.11}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:m13.11
-}
+@code{c1:m13.11}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:m13.11 }
+ \chordmode { c1:m13.11 }
+>>
@end lilypond
@item
Suspended second
@tab
-Major second, perfect fifth
+Major second, @*perfect fifth
@tab
@code{sus2}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:sus2
-}
+@code{c1:sus2}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:sus2 }
+ \chordmode { c1:sus2 }
+>>
@end lilypond
@item
Suspended fourth
@tab
-Perfect fourth, perfect fifth
+Perfect fourth, @*perfect fifth
@tab
@code{sus4}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:sus4
-}
+@code{c1:sus4}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:sus4 }
+ \chordmode { c1:sus4 }
+>>
@end lilypond
@item
-Power chord (two-voiced)
+Power chord @*(two-voiced)
@tab
Perfect fifth
@tab
@code{1.5}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- \powerChords
- c1:1.5
-}
+@code{\powerChords c1:1.5}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+\chordmode { \powerChords c1:1.5 }
@end lilypond
@item
-Power chord (three-voiced)
+Power chord @*@w{(three-voiced)}
@tab
-Perfect fifth, octave
+Perfect fifth, @*octave
@tab
@code{1.5.8}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- \powerChords
- c1:1.5.8
-}
+@code{\powerChords c1:1.5.8}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+ \chordmode { \powerChords c1:1.5.8 }
@end lilypond
@end multitable
@node Predefined fretboard diagrams
@appendixsec Predefined fretboard diagrams
-The chart below shows the predefined fretboard diagrams for guitar.
+@menu
+* Diagrams for Guitar::
+* Diagrams for Ukulele::
+* Diagrams for Mandolin::
+@end menu
+
+@node Diagrams for Guitar
+@unnumberedsubsec Diagrams for Guitar
+
+@lilypondfile[line-width=15.5\cm]{display-predefined-fretboards.ly}
+
+@node Diagrams for Ukulele
+@unnumberedsubsec Diagrams for Ukulele
+
+@lilypondfile[line-width=15.5\cm]{display-predefined-ukulele-fretboards.ly}
+
+@node Diagrams for Mandolin
+@unnumberedsubsec Diagrams for Mandolin
+
+@lilypondfile[line-width=15.5\cm]{display-predefined-mandolin-fretboards.ly}
+
+
+@node Predefined paper sizes
+@appendixsec Predefined paper sizes
+
+Paper sizes are defined in @file{scm/paper.scm}
+
+@noindent
+@strong{The @qq{ISO 216} A Series}
+@table @code
+@item "a10"
+(26 x 37 mm)
+@item "a9"
+(37 x 52 mm)
+@item "a8"
+(52 x 74 mm)
+@item "a7"
+(74 x 105 mm)
+@item "a6"
+(105 x 148 mm)
+@item "a5"
+(148 x 210 mm)
+@item "a4"
+(210 x 297 mm)
+@item "a3"
+(297 x 420 mm)
+@item "a2"
+(420 x 594 mm)
+@item "a1"
+(594 x 841 mm)
+@item "a0"
+(841 x 1189 mm)
+@end table
+
+@noindent
+@strong{The @qq{ISO 216} B Series}
+@table @code
+@item "b10"
+(31 x 44 mm)
+@item "b9"
+(44 x 62 mm)
+@item "b8"
+(62 x 88 mm)
+@item "b7"
+(88 x 125 mm)
+@item "b6"
+(125 x 176 mm)
+@item "b5"
+(176 x 250 mm)
+@item "b4"
+(250 x 353 mm)
+@item "b3"
+(353 x 500 mm)
+@item "b2"
+(500 x 707 mm)
+@item "b1"
+(707 x 1000 mm)
+@item "b0"
+(1000 x 1414 mm)
+@end table
+
+@noindent
+@strong{Two extended sizes as defined in @qq{DIN 476}}
+@table @code
+@item "4a0"
+(1682 x 2378 mm)
+@item "2a0"
+(1189 x 1682 mm)
+@end table
+
+@noindent
+@strong{@qq{ISO 269} standard C series}
+@table @code
+@item "c10"
+(28 x 40 mm)
+@item "c9"
+(40 x 57 mm)
+@item "c8"
+(57 x 81 mm)
+@item "c7"
+(81 x 114 mm)
+@item "c6"
+(114 x 162 mm)
+@item "c5"
+(162 x 229 mm)
+@item "c4"
+(229 x 324 mm)
+@item "c3"
+(324 x 458 mm)
+@item "c2"
+(458 x 648 mm)
+@item "c1"
+(648 x 917 mm)
+@item "c0"
+(917 x 1297 mm)
+@end table
+
+@noindent
+@strong{North American paper sizes}
+@table @code
+@item "junior-legal"
+(8.0 x 5.0 in)
+@item "legal"
+(8.5 x 14.0 in)
+@item "ledger"
+(17.0 x 11.0 in)
+@item "letter"
+(8.5 x 11.0 in)
+@item "tabloid"
+(11.0 x 17.0 in)
+@item "11x17"
+(11.0 x 17.0 in)
+@item "17x11"
+(17.0 x 11.0 in)
+@end table
+
+@noindent
+@strong{Government-letter by IEEE Printer Working Group, for children's
+writing}
+@table @code
+@item "government-letter"
+(8 x 10.5 in)
+@item "government-legal"
+(8.5 x 13.0 in)
+@item "philippine-legal"
+(8.5 x 13.0 in)
+@end table
-@lilypondfile{display-predefined-fretboards.ly}
+@noindent
+@strong{ANSI sizes}
+@table @code
+@item "ansi a"
+(8.5 x 11.0 in)
+@item "ansi b"
+(17.0 x 11.0 in)
+@item "ansi c"
+(17.0 x 22.0 in)
+@item "ansi d"
+(22.0 x 34.0 in)
+@item "ansi e"
+(34.0 x 44.0 in)
+@item "engineering f"
+(28.0 x 40.0 in)
+@end table
-The chart below shows the predefined fretboard diagrams for ukulele.
+@noindent
+@strong{North American Architectural sizes}
+@table @code
+@item "arch a"
+(9.0 x 12.0 in)
+@item "arch b"
+(12.0 x 18.0 in)
+@item "arch c"
+(18.0 x 24.0 in)
+@item "arch d"
+(24.0 x 36.0 in)
+@item "arch e"
+(36.0 x 48.0 in)
+@item "arch e1"
+(30.0 x 42.0 in)
+@end table
-@lilypondfile{display-predefined-ukulele-fretboards.ly}
+@noindent
+@strong{Antique sizes still used in the United Kingdom}
+@table @code
+@item "statement"
+(5.5 x 8.5 in)
+@item "half letter"
+(5.5 x 8.5 in)
+@item "quarto"
+(8.0 x 10.0 in)
+@item "octavo"
+(6.75 x 10.5 in)
+@item "executive"
+(7.25 x 10.5 in)
+@item "monarch"
+(7.25 x 10.5 in)
+@item "foolscap"
+(8.27 x 13.0 in)
+@item "folio"
+(8.27 x 13.0 in)
+@item "super-b"
+(13.0 x 19.0 in)
+@item "post"
+(15.5 x 19.5 in)
+@item "crown"
+(15.0 x 20.0 in)
+@item "large post"
+(16.5 x 21.0 in)
+@item "demy"
+(17.5 x 22.5 in)
+@item "medium"
+(18.0 x 23.0 in)
+@item "broadsheet"
+(18.0 x 24.0 in)
+@item "royal"
+(20.0 x 25.0 in)
+@item "elephant"
+(23.0 x 28.0 in)
+@item "double demy"
+(22.5 x 35.0 in)
+@item "quad demy"
+(35.0 x 45.0 in)
+@item "atlas"
+(26.0 x 34.0 in)
+@item "imperial"
+(22.0 x 30.0 in)
+@item "antiquarian"
+(31.0 x 53.0 in)
+@end table
-The chart below shows the predefined fretboard diagrams for mandolin.
+@noindent
+@strong{PA4 based sizes}
+@table @code
+@item "pa0"
+(840 x 1120 mm)
+@item "pa1"
+(560 x 840 mm)
+@item "pa2"
+(420 x 560 mm)
+@item "pa3"
+(280 x 420 mm)
+@item "pa4"
+(210 x 280 mm)
+@item "pa5"
+(140 x 210 mm)
+@item "pa6"
+(105 x 140 mm)
+@item "pa7"
+(70 x 105 mm)
+@item "pa8"
+(52 x 70 mm)
+@item "pa9"
+(35 x 52 mm)
+@item "pa10"
+(26 x 35 mm)
+@end table
+
+@noindent
+@strong{Used in Southeast Asia and Australia}
+@table @code
+@item "f4"
+(210 x 330 mm)
+@end table
+
+@noindent
+@strong{Used for very small @code{@@lilypond} examples in the
+documentation based on a8 landscape.}
+@table @code
+@item "a8landscape"
+(74 x 52 mm)
+@end table
-@lilypondfile{display-predefined-mandolin-fretboards.ly}
@node MIDI instruments
@appendixsec MIDI instruments
\doc-chars #kievan
@end lilypond
+
@node Note head styles
@appendixsec Note head styles
@lilypondfile[noindent]{note-head-style.ly}
+@node Clef styles
+@appendixsec Clef styles
+
+The following table shows all the different clef styles possible
+(including where @emph{middle C} sits relative to the clef).
+
+@multitable @columnfractions .30 .2 .30 .2
+
+@headitem
+Example
+@tab
+Output
+@tab
+Example
+@tab
+Output
+
+
+@item
+@code{\clef G}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef G c1
+@end lilypond
+
+@tab
+@code{\clef "G2"}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef "G2"
+c1
+@end lilypond
+
+@item
+@code{\clef treble}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef treble
+c1
+@end lilypond
+
+@tab
+@code{\clef violin}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef violin
+c1
+@end lilypond
+
+@item
+@code{\clef french}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef french
+c1
+@end lilypond
+
+@tab
+@code{\clef GG}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef GG
+c1
+@end lilypond
+
+@item
+@code{\clef tenorG}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef tenorG
+c1
+@end lilypond
+
+@tab
+@code{\clef soprano}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef soprano
+c1
+@end lilypond
+
+@item
+@code{\clef mezzosoprano}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef mezzosoprano
+c1
+@end lilypond
+
+@tab
+@code{\clef C}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef C
+c1
+@end lilypond
+
+@item
+@code{\clef alto}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef alto
+c1
+@end lilypond
+
+@tab
+@code{\clef tenor}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef tenor
+c1
+@end lilypond
+
+@item
+@code{\clef baritone}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef baritone
+c1
+@end lilypond
+
+@tab
+@code{\clef varC}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef varC
+c1
+@end lilypond
+
+@item
+@code{\clef altovarC}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef altovarC
+c1
+@end lilypond
+
+@tab
+@code{\clef tenorvarC}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef tenorvarC
+c1
+@end lilypond
+
+@item
+@code{\clef baritonevarC}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef baritonevarC
+c1
+@end lilypond
+
+@tab
+@code{\clef varbaritone}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef varbaritone
+c1
+@end lilypond
+
+@item
+@code{\clef baritonevarF}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef baritonevarF
+c1
+@end lilypond
+
+@tab
+@code{\clef F}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef F
+c1
+@end lilypond
+
+@item
+@code{\clef bass}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef bass
+c1
+@end lilypond
+
+@tab
+@code{\clef subbass}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef subbass
+c1
+@end lilypond
+
+@item
+@code{\clef percussion}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef percussion
+c1
+@end lilypond
+
+@tab
+@c @example does not work as expected within multitables
+@code{
+\new TabStaff @{ @*
+@ @ \clef tab @*
+@}
+}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\new TabStaff {
+ \clef tab
+ c1
+}
+@end lilypond
+
+@item
+@c @example does not work as expected within multitables
+@code{
+\new TabStaff @{ @*
+@ @ \clef moderntab @*
+@}
+}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\new TabStaff {
+ \clef moderntab
+ c1
+}
+@end lilypond
+
+
+@end multitable
+
+
@node Text markup commands
@appendixsec Text markup commands
@cindex verylongfermata
The following scripts are available in the Feta font and may be
-attached to notes (eg. @samp{c\accent}).
+attached to notes (eg. @samp{f\accent}).
@c Articulations and ornamentations
@c Fingering instructions (for "thumb")
@node Articulation scripts
@unnumberedsubsec Articulation scripts
-@lilypond[quote]
-\include "script-chart.ly"
-\new RhythmicStaff { \scriptStaff #articulations }
+@multitable @columnfractions .25 .25 .25 .25
+
+@headitem
+Example
+@tab
+Output
+@tab
+Example
+@tab
+Output
+
+@item
+@code{\accent}
+@tab
+@lilypond[notime,ragged-right,relative=2]
+f\accent e,_\accent
+@end lilypond
+@tab
+@code{\espressivo}
+@tab
+@lilypond[notime,ragged-right,relative=2]
+f\espressivo e,_\espressivo
@end lilypond
+@item
+@code{\marcato}
+@tab
+@lilypond[notime,ragged-right,relative=2]
+f\marcato e,_\marcato
+@end lilypond
+@tab
+@code{\portato}
+@tab
+@lilypond[notime,ragged-right,relative=2]
+f\portato e,_\portato
+@end lilypond
+
+@item
+@code{\staccatissimo}
+@tab
+@lilypond[notime,ragged-right,relative=2]
+f\staccatissimo e,_\staccatissimo
+@end lilypond
+@tab
+@code{\staccato}
+@tab
+@lilypond[notime,ragged-right,relative=2]
+f\staccato e,_\staccato
+@end lilypond
+
+@item
+@code{\tenuto}
+@tab
+@lilypond[notime,ragged-right,relative=2]
+f\tenuto e,_\tenuto
+@end lilypond
+
+@end multitable
+
+
@node Ornament scripts
@unnumberedsubsec Ornament scripts
-@lilypond[quote]
-\include "script-chart.ly"
-\new RhythmicStaff { \scriptStaff #ornaments }
+@multitable @columnfractions .25 .25 .25 .25
+
+@headitem
+Example
+@tab
+Output
+@tab
+Example
+@tab
+Output
+
+@item
+@code{\prall}
+@tab
+@lilypond[notime,ragged-right,relative=2]
+f\prall e,_\prall
+@end lilypond
+@tab
+@code{\mordent}
+@tab
+@lilypond[notime,ragged-right,relative=2]
+f\mordent e,_\mordent
+@end lilypond
+
+@item
+@code{\prallmordent}
+@tab
+@lilypond[notime,ragged-right,relative=2]
+f\prallmordent e,_\prallmordent
+@end lilypond
+@tab
+@code{\turn}
+@tab
+@lilypond[notime,ragged-right,relative=2]
+f\turn e,_\turn
@end lilypond
+@item
+@code{\upprall}
+@tab
+@lilypond[notime,ragged-right,relative=2]
+f\upprall e,_\upprall
+@end lilypond
+@tab
+@code{\downprall}
+@tab
+@lilypond[notime,ragged-right,relative=2]
+f\downprall e,_\downprall
+@end lilypond
+
+@item
+@code{\upmordent}
+@tab
+@lilypond[notime,ragged-right,relative=2]
+f\upmordent e,_\upmordent
+@end lilypond
+@tab
+@code{\downmordent}
+@tab
+@lilypond[notime,ragged-right,relative=2]
+f\downmordent e,_\downmordent
+@end lilypond
+
+@item
+@code{\lineprall}
+@tab
+@lilypond[notime,ragged-right,relative=2]
+f\lineprall e,_\lineprall
+@end lilypond
+@tab
+@code{\prallprall}
+@tab
+@lilypond[notime,ragged-right,relative=2]
+f\prallprall e,_\prallprall
+@end lilypond
+
+@item
+@code{\pralldown}
+@tab
+@lilypond[notime,ragged-right,relative=2]
+f\pralldown e,_\pralldown
+@end lilypond
+@tab
+@code{\prallup}
+@tab
+@lilypond[notime,ragged-right,relative=2]
+f\prallup e,_\prallup
+@end lilypond
+
+@item
+@code{\reverseturn}
+@tab
+@lilypond[notime,ragged-right,relative=2]
+f\reverseturn e,_\reverseturn
+@end lilypond
+@tab
+@code{\trill}
+@tab
+@lilypond[notime,ragged-right,relative=2]
+f\trill e,_\trill
+@end lilypond
+
+@end multitable
+
@node Fermata scripts
@unnumberedsubsec Fermata scripts
@cindex parser
@cindex Bison
+@cindex LilyPond grammar
@cindex grammar for LilyPond
@cindex BNF
message is produced. The syntactic groupings and the rules for
constructing the groupings from their parts for the LilyPond syntax
are defined in @file{lily/parser.yy} and shown in Backus Normal Form
-(BNF) in @ref{LilyPond grammar}. This file is used to build the
-parser during the program build by the parser generator, Bison. It
-is part of the source code and is not included in the LilyPond
-binary installation.
+(BNF) in @rcontrib{LilyPond grammar}. This file is used to build the
+parser during the program build by the parser generator, Bison. It is
+part of the source code and is not included in the LilyPond binary
+installation.
@node parser variable
@cindex mode
@cindex output-count
@cindex output-suffix
-@cindex parseStringResult
@cindex partCombineListener
@cindex pitchnames
@cindex toplevel-bookparts
@item mode
@item output-count
@item output-suffix
-@item parseStringResult
@item partCombineListener
@item pitchnames
@item toplevel-bookparts