Doc: ensure two spaces after end of sentence.

[lilypond.git] / Documentation / notation / keyboards.itely

diff --git a/Documentation/notation/keyboards.itely b/Documentation/notation/keyboards.itely
index 2ee35b3603a2048df2a7c078496a4cb61ecdd040..d073804d2b7ec537e013bef59422e6134f99cc31 100644 (file)
--- a/Documentation/notation/keyboards.itely
+++ b/Documentation/notation/keyboards.itely
@@ -3,7 +3,8 @@
     Translation of GIT committish: FILL-IN-HEAD-COMMITTISH
 
     When revising a translation, copy the HEAD committish of the
-    version that you are working on.  See TRANSLATION for details.
+    version that you are working on.  For details, see the Contributors'
+    Guide, node Updating translation committishes..
 @end ignore
 
 @c \version "2.12.0"
@@ -266,7 +267,7 @@ has no effect on the pitches of the music, so if necessary, put
 If additional control is needed over the individual staves, they
 can be created manually with the names @code{"up"} and
 @code{"down"}.  The @code{\autochange} command will then switch
-its voice between the existing staves.  
+its voice between the existing staves.
 
 @warning{If staves are created manually, they @emph{must} be named
 @code{"up"} and @code{"down"}.}
@@ -402,7 +403,7 @@ Chords that cross staves may be produced:
         \clef bass
         % stems may overlap the other staff
         \override Stem #'cross-staff = ##t
-        % extend the stems to reach other other staff
+        % extend the stems to reach the other staff
         \override Stem #'length = #12
         % do not print extra flags
         \override Stem #'flag-style = #'no-flag
@@ -591,7 +592,7 @@ Some common characteristics of harp music are covered elsewhere:
 
 @itemize
 
-@item The glissando is the most characterisic harp technique,
+@item The glissando is the most characteristic harp technique,
 @ref{Glissando}.
 
 @item A @notation{bisbigliando} is written as a tremelo @ref{Tremolo
@@ -619,9 +620,9 @@ Notation Reference:
 @cindex pedal diagrams, harp
 
 Harps have seven strings per octave that may be sounded at the natural,
-flattened, or sharpened pitch. In lever harps, each string is adjusted
+flattened, or sharpened pitch.  In lever harps, each string is adjusted
 individually, but in pedal harps every string with the same pitch name
-is controlled by a single pedal. From the player's left to right, the
+is controlled by a single pedal.  From the player's left to right, the
 pedals are D, C, and B on the left and E, F, G, and A on the right.
 The position of the pedals may be indicated with text marks:
 
@@ -643,8 +644,8 @@ c!1_\markup { \harp-pedal #"^o--|vv-^" }
 
 The @code{\harp-pedal} command accepts a string of characters, where
 @code{^} is the highest pedal position (flattened pitch), @code{-} is
-the middle pedal postion (natural pitch), @code{v} is the lowest pedal
-position (sharpened pitch), and @code{|} is the divider. A prefixed
+the middle pedal position (natural pitch), @code{v} is the lowest pedal
+position (sharpened pitch), and @code{|} is the divider.  A prefixed
 @code{o} will circle the following pedal symbol.
 
 @seealso