Translation of GIT committish: FILL-IN-HEAD-COMMITTISH
When revising a translation, copy the HEAD committish of the
- version that you are working on. See TRANSLATION for details.
+ version that you are working on. For details, see the Contributors'
+ Guide, node Updating translation committishes..
@end ignore
-@c \version "2.12.0"
+@c \version "2.13.36"
@node Keyboard and other multi-staff instruments
@section Keyboard and other multi-staff instruments
@cindex staves, keyed instruments
@cindex keyboard instrument staves
@cindex keyed instrument staves
+@cindex keyboard music, centering dynamics
+@cindex dynamics, centered in keyboard music
+@cindex piano music, centering dynamics
+@cindex centered dynamics in piano music
@funindex PianoStaff
@item Keyboard music can be written in parallel, as described in
@ref{Writing music in parallel}.
+@item Dynamics may be placed in a @code{Dynamics} context,
+between the two @code{Staff} contexts
+to align the dynamic marks on a horizontal line
+centered between the staves; see @ref{Dynamics}.
+
@item Fingerings are indicated with @ref{Fingering instructions}.
@item Organ pedal indications are inserted as articulations, see
Snippets:
@rlsr{Keyboards}.
-
-@knownissues
-
-@cindex keyboard music, centering dynamics
-@cindex dynamics, centered in keyboard music
-@cindex piano music, centering dynamics
-@cindex centered dynamics in piano music
-@funindex staff-padding
-
-Dynamics are not automatically centered, but workarounds do exist. One
-option is the @q{piano centered dynamics} template under
-@rlearning{Piano templates}; another option is to increase the
-@code{staff-padding} of dynamics as discussed in @rlearning{Moving
-objects}.
-
@node Changing staff manually
@unnumberedsubsubsec Changing staff manually
\clef bass
% stems may overlap the other staff
\override Stem #'cross-staff = ##t
- % extend the stems to reach other other staff
+ % extend the stems to reach the other staff
\override Stem #'length = #12
% do not print extra flags
\override Stem #'flag-style = #'no-flag
sustain pedal during piano performance. Pedalling to the final bar line
is indicated by omitting the final pedal off command.
+Pedal indications may be placed in a @code{Dynamics} context,
+which aligns them on a horizontal line.
@seealso
Notation Reference:
@itemize
-@item The glissando is the most characterisic harp technique,
+@item The glissando is the most characteristic harp technique,
@ref{Glissando}.
@item A @notation{bisbigliando} is written as a tremelo @ref{Tremolo
@cindex pedal diagrams, harp
Harps have seven strings per octave that may be sounded at the natural,
-flattened, or sharpened pitch. In lever harps, each string is adjusted
+flattened, or sharpened pitch. In lever harps, each string is adjusted
individually, but in pedal harps every string with the same pitch name
-is controlled by a single pedal. From the player's left to right, the
+is controlled by a single pedal. From the player's left to right, the
pedals are D, C, and B on the left and E, F, G, and A on the right.
The position of the pedals may be indicated with text marks:
The @code{\harp-pedal} command accepts a string of characters, where
@code{^} is the highest pedal position (flattened pitch), @code{-} is
-the middle pedal postion (natural pitch), @code{v} is the lowest pedal
-position (sharpened pitch), and @code{|} is the divider. A prefixed
+the middle pedal position (natural pitch), @code{v} is the lowest pedal
+position (sharpened pitch), and @code{|} is the divider. A prefixed
@code{o} will circle the following pedal symbol.
@seealso