Fix typos in the English manual.

[lilypond.git] / Documentation / notation / keyboards.itely

diff --git a/Documentation/notation/keyboards.itely b/Documentation/notation/keyboards.itely
index c1adb583b674c4bfbd1483957e51aeb3634b27fb..b2989fa70ea4031f29c1771734f69ff7c9b29c29 100644 (file)
--- a/Documentation/notation/keyboards.itely
+++ b/Documentation/notation/keyboards.itely
@@ -3,7 +3,8 @@
     Translation of GIT committish: FILL-IN-HEAD-COMMITTISH
 
     When revising a translation, copy the HEAD committish of the
-    version that you are working on.  See TRANSLATION for details.
+    version that you are working on.  For details, see the Contributors'
+    Guide, node Updating translation committishes..
 @end ignore
 
 @c \version "2.12.0"
@@ -266,7 +267,7 @@ has no effect on the pitches of the music, so if necessary, put
 If additional control is needed over the individual staves, they
 can be created manually with the names @code{"up"} and
 @code{"down"}.  The @code{\autochange} command will then switch
-its voice between the existing staves.  
+its voice between the existing staves.
 
 @warning{If staves are created manually, they @emph{must} be named
 @code{"up"} and @code{"down"}.}
@@ -402,7 +403,7 @@ Chords that cross staves may be produced:
         \clef bass
         % stems may overlap the other staff
         \override Stem #'cross-staff = ##t
-        % extend the stems to reach other other staff
+        % extend the stems to reach the other staff
         \override Stem #'length = #12
         % do not print extra flags
         \override Stem #'flag-style = #'no-flag
@@ -591,11 +592,11 @@ Some common characteristics of harp music are covered elsewhere:
 
 @itemize
 
-@item The glissando is the most characterisic harp technique,
+@item The glissando is the most characteristic harp technique,
 @ref{Glissando}.
 
 @item A @notation{bisbigliando} is written as a tremelo @ref{Tremolo
-repeats}
+repeats}.
 
 @item Natural harmonics are covered under @ref{Harmonics}.
 
@@ -605,10 +606,10 @@ repeats}
 
 @seealso
 Notation Reference:
-@ref{Tremolo repeats}
-@ref{Glissando}
-@ref{Arpeggio}
-@ref{Harmonics}
+@ref{Tremolo repeats},
+@ref{Glissando},
+@ref{Arpeggio},
+@ref{Harmonics}.
 
 @node Harp pedals
 @unnumberedsubsubsec Harp pedals
@@ -627,8 +628,10 @@ The position of the pedals may be indicated with text marks:
 
 @lilypond[quote,verbatim,relative=2]
 \textLengthOn
-cis1_\markup \concat \vcenter { [D \flat C \sharp B|E \sharp F \sharp G A \flat] }
-c!1_\markup \concat \vcenter {[ C \natural ]}
+cis1_\markup \concat \vcenter {
+  [D \flat C \sharp B|E \sharp F \sharp G A \flat] }
+c!1_\markup \concat \vcenter {
+  [ C \natural ] }
 @end lilypond
 
 or pedal diagrams:
@@ -641,11 +644,11 @@ c!1_\markup { \harp-pedal #"^o--|vv-^" }
 
 The @code{\harp-pedal} command accepts a string of characters, where
 @code{^} is the highest pedal position (flattened pitch), @code{-} is
-the middle pedal postion (natural pitch), @code{v} is the lowest pedal
+the middle pedal position (natural pitch), @code{v} is the lowest pedal
 position (sharpened pitch), and @code{|} is the divider. A prefixed
 @code{o} will circle the following pedal symbol.
 
 @seealso
 Notation Reference:
-@ref{Text scripts}
-@ref{Instrument Specific Markup}
+@ref{Text scripts},
+@ref{Instrument Specific Markup}.