are used by the various back-ends when producing output files.
In the previous section, we saw how Lilypond prevents name-clashes when
-producing several ouputs from a single source file. You also have the
+producing several outputs from a single source file. You also have the
ability to specify your own suffixes for each @code{\book} block, so
for example you can produce files called
@file{eightminiatures-Romanze.pdf}, @file{eightminiatures-Menuetto.pdf}
\header {
title = "DAS WOHLTEMPERIRTE CLAVIER"
subtitle = "TEIL I"
- % Do not display the tagline for this book
+ % Do not display the default LilyPond footer for this book
tagline = ##f
}
\markup { \vspace #1 }
meter = "Meter"
arranger = "Arranger"
% The following fields are centered at the bottom
- tagline = "tagline goes at the bottom of the last page"
- copyright = "copyright goes at the bottom of the first page"
+ tagline = "The tagline goes at the bottom of the last page"
+ copyright = "The copyright goes at the bottom of the first page"
}
\score {
{ s1 }
@end itemize
-The default tagline can be changed by adding a @code{tagline} in the
-top-level @code{\header} block.
+The default LilyPond footer text can be changed by adding a
+@code{tagline} in the top-level @code{\header} block.
@lilypond[papersize=a8landscape,verbatim]
\book {
}
@end lilypond
-To remove the @code{tagline} set the value to @code{##f}.
+To remove the default LilyPond footer text, the @code{tagline} can be
+set to @code{##f}.
@node Custom titles headers and footers
@end verbatim
Markups used for formatting the table of contents are defined in the
-@code{\paper} block. There two @q{pre-defined} markups already
+@code{\paper} block. There are two @q{pre-defined} markups already
available;
@itemize
@noindent
A new markup variable (called @code{tocActMarkup}) is defined in the
-@code{\paper} block ;
+@code{\paper} block;
@verbatim
\paper {
altoMusic = \relative { e'4 e e f }
tenorMusic = \relative { c'4 b e d8( c) }
bassMusic = \relative { a4 gis a d, }
-allLyrics = \lyricmode {King of glo -- ry }
+allLyrics = \lyricmode { King of glo -- ry }
<<
\new Staff = "Soprano" \sopranoMusic
\new Lyrics \allLyrics
\new Lyrics \allLyrics
\new PianoStaff <<
\new Staff = "RH" {
- \set Staff.printPartCombineTexts = ##f
- \partcombine
- \sopranoMusic
- \altoMusic
+ \partcombine \sopranoMusic \altoMusic
}
\new Staff = "LH" {
- \set Staff.printPartCombineTexts = ##f
\clef "bass"
- \partcombine
- \tenorMusic
- \bassMusic
+ \partcombine \tenorMusic \bassMusic
}
>>
>>
It is possible to output one or more fragments of a score by defining
the explicit location of the music to be extracted within the
-@code{\layout} block of the the input file using the @code{clip-regions}
+@code{\layout} block of the input file using the @code{clip-regions}
function, and then running LilyPond with the @option{-dclip-systems}
option;
file, but other formats such as @code{PDF} or @code{PNG} can also be
created if required. The extracted music is output as if had been
literally @q{cut} from the original printed score so if a fragment runs
-over one or more lines, a separate ouput file for each line will be
+over one or more lines, a separate output file for each line will be
generated.
@seealso
@cindex EPS output
The default output formats for the printed score are Portable
-Document Format (PDF) and PostScript (PS). Scalable Vector
-Graphics (SVG), Encapsulated PostScript (EPS) and Portable
-Network Graphics (PNG) output formats are also available through
-command line options, see
-@rprogram{Basic command line options for LilyPond}.
+Document Format (PDF) and PostScript (PS). Portable
+Network Graphics (PNG), Scalable Vector Graphics (SVG) and Encapsulated
+PostScript (EPS) output is available through the command line option,
+see @rprogram{Basic command line options for LilyPond}.
@node Replacing the notation font
shortened; so to compensate for this, restrict the use of the
@code{\articulate} function to shorter segments of music or modify the
values of the variables defined in the @file{articulate} script to
-compenstate for the note-shortening behavior.}
+compentate for the note-shortening behavior.}