@lilypond[verbatim,quote]
{
- { c'4 c' c' c'}
- { d'4 d' d' d'}
+ { c'4 c' c' c' }
+ { d'4 d' d' d' }
}
@end lilypond
{
c'1
\pageBreak \mark A \label #'markA
- c'
+ c'1
}
}
\tocItem \markup "First score"
\score {
{
- c' % ...
+ c'4 % ...
\tocItem \markup "Some particular point in the first score"
- d' % ...
+ d'4 % ...
}
}
\tocItem \markup "Second score"
\score {
{
- e' % ...
+ e'4 % ...
}
}
@end verbatim
Here is an example:
@lilypond[verbatim,quote]
-sopranoMusic = \relative c'' { a4 b c b8( a)}
+sopranoMusic = \relative c'' { a4 b c b8( a) }
altoMusic = \relative g' { e4 e e f }
tenorMusic = \relative c' { c4 b e d8( c) }
bassMusic = \relative c' { a4 gis a d, }
@lilypond[verbatim,quote]
music = \relative g' {
g8. c32 d
- \tag #'trills {d8.\trill }
- \tag #'expand {\repeat unfold 3 {e32 d} }
+ \tag #'trills { d8.\trill }
+ \tag #'expand { \repeat unfold 3 { e32 d } }
c32 d
}
@lilypond[verbatim,quote]
music = \relative g' {
g8. c32 d
- \tag #'trills {d8.\trill }
- \tag #'expand {\repeat unfold 3 {e32 d} }
+ \tag #'trills { d8.\trill }
+ \tag #'expand {\repeat unfold 3 { e32 d } }
c32 d
}
@lilypond[quote,verbatim]
music = \relative c'' {
- \tag #'a \tag #'both { a a a a }
- \tag #'b \tag #'both { b b b b }
+ \tag #'a \tag #'both { a4 a a a }
+ \tag #'b \tag #'both { b4 b b b }
}
<<
\keepWithTag #'a \music
@lilypond[verbatim,quote]
music = \relative c'' {
-\tag #'A { a a a a }
-\tag #'B { b b b b }
-\tag #'C { c c c c }
-\tag #'D { d d d d }
+\tag #'A { a4 a a a }
+\tag #'B { b4 b b b }
+\tag #'C { c4 c c c }
+\tag #'D { d4 d d d }
}
{
\removeWithTag #'B
à vo -- cê uma can -- ção legal
}
-\relative {
+\relative c' {
c2 d e f g f e
}
\addlyrics { \bulgarian }
c1 \mark \markup { \char ##x03EE }
c1_\markup { \tiny { \char ##x03B1 " to " \char ##x03C9 } }
}
- \addlyrics { O \markup { \concat{ Ph \char ##x0153 be! } } }
+ \addlyrics { O \markup { \concat { Ph \char ##x0153 be! } } }
}
-\markup { "Copyright 2008--2009" \char ##x00A9 }
+\markup { "Copyright 2008--2010" \char ##x00A9 }
@end lilypond
@cindex copyright sign
@funindex \displayLilyMusic
Displaying a music expression in LilyPond notation can be
-done using the music function @code{\displayLilyMusic}. For example,
+done with the music function @code{\displayLilyMusic} but only when
+using the command line. For example,
@example
@{
- \displayLilyMusic \transpose c a, @{ c e g a bes @}
+ \displayLilyMusic \transpose c a, @{ c4 e g a bes @}
@}
@end example
will display
@example
-@{ a, cis e fis g @}
+@{ a,4 cis e fis g @}
@end example
-By default, LilyPond will print these messages to the console along
-with all the other messages. To split up these messages and save
-the results of @code{\display@{STUFF@}}, redirect the output to
-a file.
-
-@c TODO What happens under Windows?
+By default, LilyPond will print these messages to the console
+along with all the other LilyPond compilation messages. To split
+up these messages and save the results of @code{\display@{STUFF@}},
+redirect the output to a file.
@example
lilypond file.ly >display.txt
* Extracting fragments of music::
* Skipping corrected music::
* Alternative output formats::
+* Replacing the notation font::
@end menu
@node Extracting fragments of music
\relative c'' {
c8 d
\set Score.skipTypesetting = ##t
- e e e e e e e e
+ e8 e e e e e e e
\set Score.skipTypesetting = ##f
- c d b bes a g c2 }
+ c8 d b bes a g c2
+}
@end lilypond
In polyphonic music, @code{Score.skipTypesetting} will affect all
lilypond}.
+@node Replacing the notation font
+@subsection Replacing the notation font
+
+Gonville is an alternative to the Feta font used in LilyPond and can
+be downloaded from:
+@example
+@uref{http://www.chiark.greenend.org.uk/~sgtatham/gonville/ ,http://www.chiark.greenend.org.uk/~sgtatham/gonville/}
+@end example
+
+Here are a few sample bars of music set in Gonville:
+
+@c NOTE: these images are a bit big, but that's important
+@c for the font comparison. -gp
+@sourceimage{Gonville_after,,,}
+
+Here are a few sample bars of music set in LilyPond's Feta font:
+
+@sourceimage{Gonville_before,,,}
+
+@subsubheading Installation Instructions for MacOS
+
+Download and extract the zip file. Copy the @code{lilyfonts}
+directory to @file{@var{SHARE_DIR}/lilypond/current}; for more
+information, see @rlearning{Other sources of information}.
+Move the existing @code{fonts} directory to @code{fonts_orig} and
+move the @code{lilyfonts} directory to @code{fonts}. Simply move
+@code{fonts_orig} back to @code{fonts} to revert back to Feta.
+
+@seealso
+Learning Manual: @rlearning{Other sources of information}.
+
+@knownissues
+
+Gonville cannot be used to typeset @q{Ancient Music} notation. Please
+refer to the author's website for more information on this and other
+specifics including licensing of Gonville.
+
+
@node MIDI output
@section MIDI output
If there is a @code{\midi} block in a @code{\score} with no
@code{\layout} block, only MIDI output will be produced. When
-notation is needed too, a @code{\layout} block must be also be
+notation is needed too, a @code{\layout} block must also be
present.
@example
are reflected in tempo changes in the MIDI output. This command
will normally result in the metronome mark being printed, but this
can be suppressed, see @ref{Metronome marks}. An alternative way
-of specifying the inital or overall MIDI tempo is described below,
+of specifying the initial or overall MIDI tempo is described below,
see @ref{MIDI block}.
Due to some limitations on Windows, the default extension for
terminate the (de)crescendo. For example,
@example
-@{ a\< b c d\f @}
+@{ a4\< b c d\f @}
@end example
@noindent
will not work properly but
@example
-@{ a\< b c d\!\f @}
+@{ a4\< b c d\!\f @}
@end example
@noindent
@lilypond[quote,verbatim]
\unfoldRepeats {
- \repeat tremolo 8 {c'32 e' }
+ \repeat tremolo 8 { c'32 e' }
\repeat percent 2 { c''8 d'' }
- \repeat volta 2 {c'4 d' e' f'}
+ \repeat volta 2 { c'4 d' e' f' }
\alternative {
{ g' a' a' g' }
- {f' e' d' c' }
+ { f' e' d' c' }
}
}
\bar "|."
\set Staff.midiInstrument = #"cello"
\set Score.dynamicAbsoluteVolumeFunction = #myDynamics
\new Voice {
- \relative c'' {
- a\pp b c-\rfz
- }
+ \relative c'' {
+ a4\pp b c-\rfz
+ }
}
}
\layout {}
\time 2/2
\set Staff.midiInstrument = #"flute"
\new Voice \relative c''' {
- r2 g\mp g fis ~
- fis4 g8 fis e2 ~
+ r2 g\mp g fis~
+ fis4 g8 fis e2~
e4 d8 cis d2
}
}
}
}
>>
- \layout { }
+ \layout {}
\midi {
\context {
\Score
\set Staff.midiMinimumVolume = #0.7
\set Staff.midiMaximumVolume = #0.9
\new Voice \relative c''' {
- r2 g\mp g fis ~
- fis4 g8 fis e2 ~
+ r2 g\mp g fis~
+ fis4 g8 fis e2~
e4 d8 cis d2
}
}
}
}
>>
- \layout { }
+ \layout {}
\midi {
\context {
\Score
\set Score.instrumentEqualizer = #my-instrument-equalizer
\set Staff.midiInstrument = #"flute"
\new Voice \relative c''' {
- r2 g\mp g fis ~
- fis4 g8 fis e2 ~
+ r2 g\mp g fis~
+ fis4 g8 fis e2~
e4 d8 cis d2
}
}
@lilypond[verbatim,quote]
\score {
\relative c' {
- c cih cis cisih
- d dih ees eeh
- e eih f fih
- fis fisih g gih
- gis gisih a aih
- bes beh b bih
+ c4 cih cis cisih
+ d4 dih ees eeh
+ e4 eih f fih
+ fis4 fisih g gih
+ gis4 gisih a aih
+ bes4 beh b bih
}
\layout {}
\midi {}