Guide, node Updating translation committishes..
@end ignore
-@c \version "2.16.0"
+@c \version "2.19.21"
@node Expressive marks
@section Expressive marks
The possible values for @code{@var{name}} are listed in
@ref{List of articulations}. For example:
-@lilypond[verbatim,quote,relative=2]
-c4\staccato c\mordent b2\turn
-c1\fermata
+@lilypond[verbatim,quote]
+\relative {
+ c''4\staccato c\mordent b2\turn
+ c1\fermata
+}
@end lilypond
@cindex marcato
@notation{accent}, @notation{staccato}, and @notation{portato}.
Their corresponding output appears as follows:
-@lilypond[verbatim,quote,relative=2]
-c4-^ c-+ c-- c-|
-c4-> c-. c2-_
+@lilypond[verbatim,quote]
+\relative {
+ c''4-^ c-+ c-- c-!
+ c4-> c-. c2-_
+}
@end lilypond
The rules for the default placement of articulations are defined
to a multi-measure rest (and only a multi-measure rest). This
creates a @code{MultiMeasureRestText} object.
-@lilypond[verbatim,quote,relative=2]
-\override Script #'color = #red
-\override MultiMeasureRestText #'color = #blue
-a2\fermata r\fermata
+@lilypond[verbatim,quote,fragment]
+\override Script.color = #red
+\override MultiMeasureRestText.color = #blue
+a'2\fermata r\fermata
R1\fermataMarkup
@end lilypond
@cindex dynamics, absolute
@funindex \ppppp
-@funindex ppppp
@funindex \pppp
-@funindex pppp
@funindex \ppp
-@funindex ppp
@funindex \pp
-@funindex pp
@funindex \p
-@funindex p
@funindex \mp
-@funindex mp
@funindex \mf
-@funindex mf
@funindex \f
-@funindex f
@funindex \ff
-@funindex ff
@funindex \fff
-@funindex fff
@funindex \ffff
-@funindex ffff
@funindex \fffff
-@funindex fffff
@funindex \fp
-@funindex fp
@funindex \sf
-@funindex sf
@funindex \sff
-@funindex sff
@funindex \sp
-@funindex sp
@funindex \spp
-@funindex spp
@funindex \sfz
-@funindex sfz
@funindex \rfz
-@funindex rfz
Absolute dynamic marks are specified using a command after a note,
such as @code{c4\ff}. The available dynamic marks are
marks may be manually placed above or below the staff; see
@ref{Direction and placement}.
-@lilypond[verbatim,quote,relative=2]
-c2\ppp c\mp
-c2\rfz c^\mf
-c2_\spp c^\ff
+@lilypond[verbatim,quote]
+\relative c'' {
+ c2\ppp c\mp
+ c2\rfz c^\mf
+ c2_\spp c^\ff
+}
@end lilypond
@cindex hairpin
@funindex \>
@funindex \!
@funindex \cr
-@funindex cr
@funindex \decr
-@funindex decr
A @notation{crescendo} mark is started with @code{\<} and
terminated with @code{\!}, an absolute dynamic, or an additional
@code{\>}. @notation{Hairpins} are engraved by default using this
notation.
-@lilypond[verbatim,quote,relative=2]
-c2\< c\!
-d2\< d\f
-e2\< e\>
-f2\> f\!
-e2\> e\mp
-d2\> d\>
-c1\!
+@lilypond[verbatim,quote]
+\relative c'' {
+ c2\< c\!
+ d2\< d\f
+ e2\< e\>
+ f2\> f\!
+ e2\> e\mp
+ d2\> d\>
+ c1\!
+}
@end lilypond
A hairpin that is terminated with @code{\!} will end at the
that has the next @code{\<} or @code{\>} assigned to it. The next
hairpin will then start at the right edge of the same note
instead of the usual left edge had it been terminated with @code{\!}
-before.
+before. A hairpin ending on a downbeat will stop at the preceding bar line.
-@lilypond[verbatim,quote,relative=2]
-c1\< | c4 a c\< a | c4 a c\! a\< | c4 a c a\!
+@lilypond[verbatim,quote]
+\relative {
+ c''1\< | c4 a c\< a | c4 a c\! a\< | c4 a c a\!
+}
@end lilypond
Hairpins that are terminated with absolute dynamic marks instead of
of the absolute dynamic itself can alter where the preceding hairpin
ends.
-@lilypond[verbatim,quote,relative=2]
-c1\< | c4 a c\mf a | c1\< | c4 a c\ffff a
+@lilypond[verbatim,quote]
+\relative {
+ c''1\< | c4 a c\mf a | c1\< | c4 a c\ffff a
+}
@end lilypond
@cindex multiple dynamic marks on one note
This is particularly useful when adding a @notation{crescendo} and
@notation{decrescendo} to the same note:
-@lilypond[verbatim,quote,relative=2]
-c4\< c\! d\> e\!
-<< f1 { s4 s4\< s4\> s4\! } >>
+@lilypond[verbatim,quote]
+\relative {
+ c''4\< c\! d\> e\!
+ << f1 { s4 s4\< s4\> s4\! } >>
+}
@end lilypond
@cindex espressivo articulation
@funindex \espressivo
-@funindex espressivo
The @code{\espressivo} command can be used to indicate a crescendo
and decrescendo on the same note. However, be warned that this is
implemented as an articulation, not a dynamic.
-@lilypond[verbatim,quote,relative=2]
-c2 b4 a
-g1\espressivo
+@lilypond[verbatim,quote]
+\relative {
+ c''2 b4 a
+ g1\espressivo
+}
@end lilypond
@funindex \cresc
-@funindex cresc
@funindex \decresc
-@funindex decresc
@funindex \dim
-@funindex dim
Textual crescendo marks begin with @code{\cresc}.
Textual decrescendos begin with @code{\decresc} or @code{\dim}.
Extender lines are engraved as required.
-@lilypond[verbatim,quote,relative=2]
-g8\cresc a b c b c d e\mf |
-f8\decresc e d c e\> d c b |
-a1\dim ~ |
-a2. r4\! |
+@lilypond[verbatim,quote]
+\relative {
+ g'8\cresc a b c b c d e\mf |
+ f8\decresc e d c e\> d c b |
+ a1\dim ~ |
+ a2. r4\! |
+}
@end lilypond
@funindex \crescTextCresc
-@funindex crescTextCresc
@funindex \dimTextDecresc
-@funindex dimTextDecresc
@funindex \dimTextDecr
-@funindex dimTextDecr
@funindex \dimTextDim
-@funindex dimTextDim
@funindex \crescHairpin
-@funindex crescHairpin
@funindex \dimHairpin
-@funindex dimHairpin
Textual marks for dynamic changes can also replace hairpins:
-@lilypond[verbatim,quote,relative=2]
-\crescTextCresc
-c4\< d e f\! |
-\dimTextDecresc
-g4\> e d c\! |
-\dimTextDecr
-e4\> d c b\! |
-\dimTextDim
-d4\> c b a\! |
-\crescHairpin
-\dimHairpin
-c4\< d\! e\> d\! |
+@lilypond[verbatim,quote]
+\relative c'' {
+ \crescTextCresc
+ c4\< d e f\! |
+ \dimTextDecresc
+ g4\> e d c\! |
+ \dimTextDecr
+ e4\> d c b\! |
+ \dimTextDim
+ d4\> c b a\! |
+ \crescHairpin
+ \dimHairpin
+ c4\< d\! e\> d\! |
+}
@end lilypond
Vertical positioning of dynamics is handled by
@rinternals{DynamicLineSpanner}.
@funindex \dynamicUp
-@funindex dynamicUp
@funindex \dynamicDown
-@funindex dynamicDown
@funindex \dynamicNeutral
-@funindex dynamicNeutral
A @code{Dynamics} context is available to engrave dynamics on
their own horizontal line. Use spacer rests to indicate timing.
@lilypond[verbatim,quote]
<<
- \new Staff \relative c' {
- c2 d4 e |
+ \new Staff \relative {
+ c'2 d4 e |
c4 e e,2 |
g'4 a g a |
c1 |
@snippets
+@cindex hairpins at bar lines
+
@lilypondfile[verbatim,quote,texidoc,doctitle]
{setting-hairpin-behavior-at-bar-lines.ly}
@lilypondfile[verbatim,quote,texidoc,doctitle]
{setting-the-minimum-length-of-hairpins.ly}
+@lilypondfile[verbatim,quote,texidoc,doctitle]
+{moving-the-ends-of-hairpins.ly}
+
@cindex al niente
@cindex niente, al
@lilypondfile[verbatim,quote,texidoc,doctitle]
{printing-hairpins-using-al-niente-notation.ly}
+@cindex Ferneyhough hairpins
+@cindex hairpins, Ferneyhough
+@cindex flared hairpins
+@cindex hairpins, flared
+@cindex constante hairpins
+@cindex hairpins, constante
+
+@lilypondfile[verbatim,quote,texidoc,doctitle]
+{printing-hairpins-in-various-styles.ly}
+
@lilypondfile[verbatim,quote,texidoc,doctitle]
{vertically-aligned-dynamics-and-textscripts.ly}
Notation Reference:
@ref{Direction and placement},
@ref{New dynamic marks},
-@ref{What goes into the MIDI output?},
+@ref{Enhancing MIDI output},
@ref{Controlling MIDI dynamics}.
Snippets:
@lilypond[verbatim,quote]
moltoF = \markup { molto \dynamic f }
-\relative c' {
- <d e>16_\moltoF <d e>
+\relative {
+ <d' e>16_\moltoF <d e>
<d e>2..
}
@end lilypond
@cindex dynamics, parenthesis
@cindex editorial dynamics
@funindex \bracket
-@funindex bracket
@funindex \dynamic
-@funindex dynamic
In markup mode, editorial dynamics (within parentheses or square
brackets) can be created. The syntax for markup mode is described
\center-align \concat { \bold { \italic ( }
\dynamic f \bold { \italic ) } } }
boxF = \markup { \bracket { \dynamic f } }
-\relative c' {
- c1_\roundF
+\relative {
+ c'1_\roundF
c1_\boxF
}
@end lilypond
@lilypond[verbatim,quote]
sfzp = #(make-dynamic-script "sfzp")
-\relative c' {
- c4 c c\sfzp c
+\relative {
+ c'4 c c\sfzp c
}
@end lilypond
roundFdynamic = #(make-dynamic-script roundF)
boxFdynamic = #(make-dynamic-script boxF)
mfEspressDynamic = #(make-dynamic-script mfEspress)
-\relative c' {
- c4_\roundFdynamic\< d e f
+\relative {
+ c'4_\roundFdynamic\< d e f
g,1~_\boxFdynamic\>
g1
g'1~\mfEspressDynamic
moltoF = #(make-dynamic-script
(markup #:normal-text "molto"
#:dynamic "f"))
-\relative c' {
- <d e>16 <d e>
+\relative {
+ <d' e>16 <d e>
<d e>2..\moltoF
}
@end lilypond
+To left-align the dynamic text rather than centering it on a note
+use a @code{\tweak}:
+
+@lilypond[verbatim,quote]
+moltoF = \tweak DynamicText.self-alignment-X #LEFT
+ #(make-dynamic-script
+ (markup #:normal-text "molto"
+ #:dynamic "f"))
+\relative {
+ <d' e>16 <d e>
+ <d e>2..\moltoF <d e>1
+}
+@end lilypond
+
Font settings in markup mode are described in
@ref{Selecting font and font size}.
Notation Reference:
@ref{Formatting text},
@ref{Selecting font and font size},
-@ref{What goes into the MIDI output?},
+@ref{Enhancing MIDI output},
@ref{Controlling MIDI dynamics}.
Extending LilyPond:
@warning{In polyphonic music, a slur must be terminated
in the same voice it began.}
-@lilypond[verbatim,quote,relative=2]
-f4( g a) a8 b(
-a4 g2 f4)
-<c e>2( <b d>2)
+@lilypond[verbatim,quote]
+\relative {
+ f''4( g a) a8 b(
+ a4 g2 f4)
+ <c e>2( <b d>2)
+}
@end lilypond
@cindex slurs, manual placement
@cindex slurs, below notes
@cindex slurs, above notes
@funindex \slurDown
-@funindex slurDown
@funindex \slurNeutral
-@funindex slurNeutral
Slurs may be manually placed above or below the staff; see
@ref{Direction and placement}.
@cindex slur, phrasing
@cindex slurs, multiple
@cindex slurs, simultaneous
+@funindex \=
+
+Simultaneous or overlapping slurs require special attention. Most
+occurences of outer slurs actually indicate phrasing, and phrasing
+slurs may overlap a regular slur, see @ref{Phrasing slurs}. When
+multiple regular slurs are needed in a single @code{Voice},
+matching slur starts and ends need to be labelled by preceding
+them with @code{\=} followed by an identifying key (a symbol or
+non-negative integer).
-Simultaneous or overlapping slurs are not permitted, but a phrasing
-slur can overlap a slur. This permits two slurs to be printed at
-once. For details, see @ref{Phrasing slurs}.
+@lilypond[verbatim,quote]
+\fixed c' {
+ <c~ f\=1( g\=2( >2 <c e\=1) a\=2) >
+}
+@end lilypond
@cindex slur style
@cindex slur, solid
@cindex dashed slur
@cindex style, slur
@funindex \slurDashed
-@funindex slurDashed
@funindex \slurDotted
-@funindex slurDotted
@funindex \slurSolid
-@funindex slurSolid
Slurs can be solid, dotted, or dashed. Solid is the default slur
style:
-@lilypond[verbatim,quote,relative=1]
-c4( e g2)
-\slurDashed
-g4( e c2)
-\slurDotted
-c4( e g2)
-\slurSolid
-g4( e c2)
+@lilypond[verbatim,quote]
+\relative {
+ c'4( e g2)
+ \slurDashed
+ g4( e c2)
+ \slurDotted
+ c4( e g2)
+ \slurSolid
+ g4( e c2)
+}
@end lilypond
@funindex \slurHalfDashed
-@funindex slurHalfDashed
@funindex \slurHalfSolid
-@funindex slurHalfSolid
@cindex slur, half dashed and half solid
Slurs can also be made half-dashed (the first half dashed, the
second half solid) or half-solid (the first half solid, the second
half dashed):
-@lilypond[verbatim,quote,relative=1]
-c4( e g2)
-\slurHalfDashed
-g4( e c2)
-\slurHalfSolid
-c4( e g2)
-\slurSolid
-g4( e c2)
+@lilypond[verbatim,quote]
+\relative {
+ c'4( e g2)
+ \slurHalfDashed
+ g4( e c2)
+ \slurHalfSolid
+ c4( e g2)
+ \slurSolid
+ g4( e c2)
+}
@end lilypond
@funindex \slurDashPattern
-@funindex slurDashPattern
@cindex slur, defining dash patterns
Custom dash patterns for slurs can be defined:
-@lilypond[verbatim,quote,relative=1]
-c4( e g2)
-\slurDashPattern #0.7 #0.75
-g4( e c2)
-\slurDashPattern #0.5 #2.0
-c4( e g2)
-\slurSolid
-g4( e c2)
+@lilypond[verbatim,quote]
+\relative {
+ c'4( e g2)
+ \slurDashPattern #0.7 #0.75
+ g4( e c2)
+ \slurDashPattern #0.5 #2.0
+ c4( e g2)
+ \slurSolid
+ g4( e c2)
+}
@end lilypond
@funindex \slurUp
-@funindex slurUp
@predefined
musical sentence are written using the commands @code{\(} and
@code{\)} respectively:
-@lilypond[verbatim,quote,relative=2]
-c4\( d( e) f(
-e2) d\)
+@lilypond[verbatim,quote]
+\relative {
+ c''4\( d( e) f(
+ e2) d\)
+}
@end lilypond
@funindex \phrasingSlurUp
-@funindex phrasingSlurUp
@funindex \phrasingSlurDown
-@funindex phrasingSlurDown
@funindex \phrasingSlurNeutral
-@funindex phrasingSlurNeutral
Typographically, a phrasing slur behaves almost exactly like a
normal slur. However, they are treated as different objects; a
@cindex phrasing slur, simultaneous
@cindex phrasing slur, multiple
-Simultaneous or overlapping phrasing slurs are not permitted.
+Simultaneous or overlapping phrasing slurs are entered using
+@code{\=} as with regular slurs, see @ref{Slurs}.
-@funindex phrasingSlurDashed
@funindex \phrasingSlurDashed
@funindex \phrasingSlurDotted
-@funindex phrasingSlurDotted
@funindex \phrasingSlurSolid
-@funindex phrasingSlurSolid
@cindex phrasing slur, dashed
@cindex dashed phrasing slur
@cindex phrasing slur, dotted
Phrasing slurs can be solid, dotted, or dashed. Solid is the default
style for phrasing slurs:
-@lilypond[verbatim,quote,relative=1]
-c4\( e g2\)
-\phrasingSlurDashed
-g4\( e c2\)
-\phrasingSlurDotted
-c4\( e g2\)
-\phrasingSlurSolid
-g4\( e c2\)
+@lilypond[verbatim,quote]
+\relative {
+ c'4\( e g2\)
+ \phrasingSlurDashed
+ g4\( e c2\)
+ \phrasingSlurDotted
+ c4\( e g2\)
+ \phrasingSlurSolid
+ g4\( e c2\)
+}
@end lilypond
-@funindex phrasingSlurHalfDashed
@funindex \phrasingSlurHalfDashed
@funindex \phrasingSlurHalfSolid
-@funindex phrasingSlurHalfSolid
@cindex phrasing slur, half solid and half dashed
@cindex slur, half solid and half dashed phrasing
second half solid) or half-solid (the first half solid, the second
half dashed):
-@lilypond[verbatim,quote,relative=1]
-c4\( e g2\)
-\phrasingSlurHalfDashed
-g4\( e c2\)
-\phrasingSlurHalfSolid
-c4\( e g2\)
-\phrasingSlurSolid
-g4\( e c2\)
+@lilypond[verbatim,quote]
+\relative {
+ c'4\( e g2\)
+ \phrasingSlurHalfDashed
+ g4\( e c2\)
+ \phrasingSlurHalfSolid
+ c4\( e g2\)
+ \phrasingSlurSolid
+ g4\( e c2\)
+}
@end lilypond
@funindex \phrasingSlurDashPattern
-@funindex phrasingSlurDashPattern
@cindex phrasing slur, defining dash patterns
@cindex slur, phrasing, defining dash patterns
@cindex slur, defining dash patterns for phrasing
Custom dash patterns for phrasing slurs can be defined:
-@lilypond[verbatim,quote,relative=1]
-c4\( e g2\)
-\phrasingSlurDashPattern #0.7 #0.75
-g4\( e c2\)
-\phrasingSlurDashPattern #0.5 #2.0
-c4\( e g2\)
-\phrasingSlurSolid
-g4\( e c2\)
+@lilypond[verbatim,quote]
+\relative {
+ c'4\( e g2\)
+ \phrasingSlurDashPattern #0.7 #0.75
+ g4\( e c2\)
+ \phrasingSlurDashPattern #0.5 #2.0
+ c4\( e g2\)
+ \phrasingSlurSolid
+ g4\( e c2\)
+}
@end lilypond
Dash pattern definitions for phrasing slurs have the same structure
@cindex breath marks
@cindex pause mark
@funindex \breathe
-@funindex breathe
Breath marks are entered using @code{\breathe}:
-@lilypond[verbatim,quote,relative=2]
-c2. \breathe d4
+@lilypond[verbatim,quote]
+{ c''2. \breathe d''4 }
@end lilypond
+Unlike other expressive marks, a breath mark is not associated with
+the preceding note but is a separate music event. So all the
+expressive marks which are attached to the preceding note, any square
+brackets indicating manual beams, and any brackets indicating slurs
+and phrasing slurs must be placed before @code{\breathe}.
+
A breath mark will end an automatic beam; to override this behavior, see
@ref{Manual beams}.
-@lilypond[verbatim,quote,relative=2]
-c8 \breathe d e f g2
+@lilypond[verbatim,quote]
+\relative { c''8 \breathe d e f g2 }
@end lilypond
Musical indicators for breath marks in ancient notation,
@cindex falls
@cindex doits
@funindex \bendAfter
-@funindex bendAfter
@notation{Falls} and @notation{doits} can be added to notes using
the @code{\bendAfter} command. The direction of the fall or doit
indicates the pitch interval that the fall or doit will extend
@emph{beyond} the main note.
-@lilypond[verbatim,quote,relative=2]
-c2\bendAfter #+4
-c2\bendAfter #-4
-c2\bendAfter #+6.5
-c2\bendAfter #-6.5
-c2\bendAfter #+8
-c2\bendAfter #-8
+@lilypond[verbatim,quote]
+\relative c'' {
+ c2\bendAfter #+4
+ c2\bendAfter #-4
+ c2\bendAfter #+6.5
+ c2\bendAfter #-6.5
+ c2\bendAfter #+8
+ c2\bendAfter #-8
+}
@end lilypond
@snippets
@cindex glissando
@funindex \glissando
-@funindex glissando
A @notation{glissando} is created by appending @code{\glissando}
to a note:
-@lilypond[verbatim,quote,relative=2]
-g2\glissando g'
-c2\glissando c,
-\afterGrace f,1\glissando f'16
+@lilypond[verbatim,quote]
+\relative {
+ g'2\glissando g'
+ c2\glissando c,
+ \afterGrace f,1\glissando f'16
+}
@end lilypond
A glissando can connect notes across staves:
numbered from zero in the order in which they appear in the input
@file{.ly} file.
-@lilypond[verbatim,quote,relative=2]
-<c, e>1\glissando g' |
-<c, e>1\glissando |
-<g' b> |
-\break
-\set glissandoMap = #'((0 . 1) (1 . 0))
-<c, g'>1\glissando |
-<d a'> |
-\set glissandoMap = #'((0 . 0) (0 . 1) (0 . 2))
-c1\glissando |
-<d f a> |
-\set glissandoMap = #'((2 . 0) (1 . 0) (0 . 1))
-<f d a'>1\glissando |
-<c c'> |
+@lilypond[verbatim,quote]
+\relative {
+ <c' e>1\glissando g' |
+ <c, e>1\glissando |
+ <g' b> |
+ \break
+ \set glissandoMap = #'((0 . 1) (1 . 0))
+ <c, g'>1\glissando |
+ <d a'> |
+ \set glissandoMap = #'((0 . 0) (0 . 1) (0 . 2))
+ c1\glissando |
+ <d f a> |
+ \set glissandoMap = #'((2 . 0) (1 . 0) (0 . 1))
+ <f d a'>1\glissando |
+ <c c'> |
+}
@end lilypond
Different styles of glissandi can be created. For details, see
@lilypondfile[verbatim,quote,texidoc,doctitle]
{making-glissandi-breakable.ly}
+@lilypondfile[verbatim,quote,texidoc,doctitle]
+{extending-glissandi-across-repeats.ly}
+
@seealso
Music Glossary:
@rglos{glissando}.
@cindex chord, broken
@funindex \arpeggio
-@funindex arpeggio
@funindex \arpeggioArrowUp
-@funindex arpeggioArrowUp
@funindex \arpeggioArrowDown
-@funindex arpeggioArrowDown
@funindex \arpeggioNormal
-@funindex arpeggioNormal
An @notation{arpeggio} on a chord (also known as a broken chord)
is denoted by appending @code{\arpeggio} to the chord construct:
-@lilypond[verbatim,quote,relative=1]
-<c e g c>1\arpeggio
+@lilypond[verbatim,quote]
+\relative { <c' e g c>1\arpeggio }
@end lilypond
Different types of arpeggios may be written.
@code{\arpeggioNormal} reverts to a normal arpeggio:
-@lilypond[verbatim,quote,relative=1]
-<c e g c>2\arpeggio
+@lilypond[verbatim,quote]
+\relative {
+ <c' e g c>2\arpeggio
-\arpeggioArrowUp
-<c e g c>2\arpeggio
+ \arpeggioArrowUp
+ <c e g c>2\arpeggio
-\arpeggioArrowDown
-<c e g c>2\arpeggio
+ \arpeggioArrowDown
+ <c e g c>2\arpeggio
-\arpeggioNormal
-<c e g c>2\arpeggio
+ \arpeggioNormal
+ <c e g c>2\arpeggio
+}
@end lilypond
@cindex arpeggio symbols, special
@cindex special arpeggio symbols
@funindex \arpeggioBracket
-@funindex arpeggioBracket
@funindex \arpeggioParenthesis
-@funindex arpeggioParenthesis
@funindex \arpeggioParenthesisDashed
-@funindex arpeggioParenthesisDashed
Special @emph{bracketed} arpeggio symbols can be created:
-@lilypond[verbatim,quote,relative=1]
-<c e g c>2
+@lilypond[verbatim,quote]
+\relative {
+ <c' e g c>2
-\arpeggioBracket
-<c e g c>2\arpeggio
+ \arpeggioBracket
+ <c e g c>2\arpeggio
-\arpeggioParenthesis
-<c e g c>2\arpeggio
+ \arpeggioParenthesis
+ <c e g c>2\arpeggio
-\arpeggioParenthesisDashed
-<c e g c>2\arpeggio
+ \arpeggioParenthesisDashed
+ <c e g c>2\arpeggio
-\arpeggioNormal
-<c e g c>2\arpeggio
+ \arpeggioNormal
+ <c e g c>2\arpeggio
+}
@end lilypond
The dash properties of the parenthesis arpeggio are controlled
-with the @code{'dash-details} property, which is described at @ref{Slurs}.
+with the @code{'dash-definition} property, which is described at
+@ref{Slurs}.
Arpeggios can be explicitly written out with ties. For more
information, see @ref{Ties}.
@code{\arpeggioArrowDown},
@code{\arpeggioNormal},
@code{\arpeggioBracket},
-@code{\arpeggioParenthesis}
+@code{\arpeggioParenthesis},
@code{\arpeggioParenthesisDashed}.
@endpredefined
arpeggios in one @code{PianoStaff} at the same point in
time.
-The parenthesis-style arpeggio brackets do not work for
-cross-staff arpeggios.
+The simple way of setting parenthesis-style arpeggio brackets does not work for
+cross-staff arpeggios; see @ref{Cross-staff stems}.
@node Trills
@cindex trills
@funindex \trill
-@funindex trill
@funindex \startTrillSpan
-@funindex startTrillSpan
@funindex \stopTrillSpan
-@funindex stopTrillSpan
Short trills without an extender line are printed with
@code{\trill}; see @ref{Articulations and ornamentations}.
Longer trills with an extender line are made with
@code{\startTrillSpan} and @code{\stopTrillSpan}:
-@lilypond[verbatim,quote,relative=2]
-d1\startTrillSpan
-d1
-c2\stopTrillSpan
-r2
+@lilypond[verbatim,quote]
+\relative {
+ d''1\startTrillSpan
+ d1
+ c2\stopTrillSpan
+ r2
+}
@end lilypond
A trill spanner crossing a line break will restart exactly above
the first note on the new line.
-@lilypond[ragged-right,verbatim,quote,relative=2]
-d1\startTrillSpan
-\break
-d1
-c2\stopTrillSpan
-r2
+@lilypond[ragged-right,verbatim,quote]
+\relative {
+ d''1\startTrillSpan
+ \break
+ d1
+ c2\stopTrillSpan
+ r2
+}
@end lilypond
Consecutive trill spans will work without explicit
@code{\stopTrillSpan} commands, since successive trill spanners will
automatically become the right bound of the previous trill.
-@lilypond[verbatim,quote,relative=2]
-d1\startTrillSpan
-d1
-b1\startTrillSpan
-d2\stopTrillSpan
-r2
+@lilypond[verbatim,quote]
+\relative {
+ d''1\startTrillSpan
+ d1
+ b1\startTrillSpan
+ d2\stopTrillSpan
+ r2
+}
@end lilypond
Trills can also be combined with grace notes. The syntax of this
construct and the method to precisely position the grace notes are
described in @ref{Grace notes}.
-@lilypond[verbatim,quote,relative=2]
-d1~\afterGrace
-d1\startTrillSpan { c32[ d]\stopTrillSpan }
-c2 r2
+@lilypond[verbatim,quote]
+\relative {
+ d''1~\afterGrace
+ d1\startTrillSpan { c32[ d]\stopTrillSpan }
+ c2 r2
+}
@end lilypond
@cindex pitched trills
@cindex trills, pitched
@funindex \pitchedTrill
-@funindex pitchedTrill
Trills that require an auxiliary note with an explicit pitch can
be typeset with the @code{\pitchedTrill} command. The first
argument is the main note, and the second is the @emph{trilled}
note, printed as a stemless note head in parentheses.
-@lilypond[verbatim,quote,relative=2]
-\pitchedTrill
-d2\startTrillSpan fis
-d2
-c2\stopTrillSpan
-r2
+@lilypond[verbatim,quote]
+\relative {
+ \pitchedTrill
+ d''2\startTrillSpan fis
+ d2
+ c2\stopTrillSpan
+ r2
+}
@end lilypond
@cindex pitched trill with accidental
to be added manually. Only the accidental of the first pitched trill
in a measure is printed.
-@lilypond[verbatim,quote,relative=2]
-\pitchedTrill
-eis4\startTrillSpan fis
-eis4\stopTrillSpan
-\pitchedTrill
-eis4\startTrillSpan cis
-eis4\stopTrillSpan
-\pitchedTrill
-eis4\startTrillSpan fis
-eis4\stopTrillSpan
-\pitchedTrill
-eis4\startTrillSpan fis!
-eis4\stopTrillSpan
+@lilypond[verbatim,quote]
+\relative {
+ \pitchedTrill
+ eis''4\startTrillSpan fis
+ eis4\stopTrillSpan
+ \pitchedTrill
+ eis4\startTrillSpan cis
+ eis4\stopTrillSpan
+ \pitchedTrill
+ eis4\startTrillSpan fis
+ eis4\stopTrillSpan
+ \pitchedTrill
+ eis4\startTrillSpan fis!
+ eis4\stopTrillSpan
+}
@end lilypond
@predefined
projects / lilypond.git / blobdiff