Doc: In NR, always write comma after `e.g.' and `i.e.'.

[lilypond.git] / Documentation / notation / contemporary.itely

diff --git a/Documentation/notation/contemporary.itely b/Documentation/notation/contemporary.itely
index aad01c80cdd385a5da85dcc81e46c5d968198c9c..8a0466903b156b5889514817aed204007b478786 100644 (file)
--- a/Documentation/notation/contemporary.itely
+++ b/Documentation/notation/contemporary.itely
@@ -3,10 +3,11 @@
     Translation of GIT committish: FILL-IN-HEAD-COMMITTISH
 
     When revising a translation, copy the HEAD committish of the
-    version that you are working on.  See TRANSLATION for details.
+    version that you are working on.  For details, see the Contributors'
+    Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.13.4"
+@c \version "2.16.0"
 
 
 @node Contemporary music
@@ -27,6 +28,7 @@ these new notational techniques.
 * Graphical notation::
 * Contemporary scoring techniques::
 * New instrumental techniques::
+* Further reading and scores of interest::
 @end menu
 
 
@@ -104,7 +106,7 @@ notation of rhythm in contemporary music.
 
 @item Feathered beams are addressed in @ref{Feathered beams}.
 
-@item Mensurstriche barlines (barlines between staves only) are
+@item Mensurstriche bar lines (bar lines between staves only) are
 addressed in @ref{Grouping staves}.
 
 @end itemize
@@ -140,7 +142,7 @@ addressed in @ref{Grouping staves}.
 @unnumberedsubsubsec Extended polymetric notation
 
 @ignore
-    Extended examples e.g. different instruments
+    Extended examples e.g., different instruments
     or ensembles with independent tempi
 @end ignore
 
@@ -173,3 +175,52 @@ addressed in @ref{Grouping staves}.
 @node New instrumental techniques
 @subsection New instrumental techniques
 
+
+@node Further reading and scores of interest
+@subsection Further reading and scores of interest
+
+This section suggests books, musical examples and other
+resources useful in studying contemporary musical notation.
+
+@menu
+* Books and articles on contemporary musical notation::
+* Scores and musical examples::
+@end menu
+
+
+@node Books and articles on contemporary musical notation
+@unnumberedsubsubsec Books and articles on contemporary musical notation
+
+@itemize
+@item
+@emph{Music Notation in the Twentieth Century: A Practical Guidebook}
+by Kurt Stone [W. W. Norton, 1980]
+
+@item
+@emph{Music Notation: A Manual of Modern Practice} by Gardner Read
+[Taplinger, 1979]
+
+@item
+@emph{Instrumentation and Orchestration} by Alfred Blatter [Schirmer,
+2nd ed. 1997]
+
+@end itemize
+
+
+@node Scores and musical examples
+@unnumberedsubsubsec Scores and musical examples
+
+@ignore
+    Rough list of composers whose work could be included
+    (in alphabetical order, perhaps with suggested work):
+
+        Pierre Boulez (Le Marteau Sans Maître?)
+        John Cage (Freeman Etudes?)
+        George Crumb (Black Angels?)
+        Brian Ferneyhough (Transit?  Time & Motion Studies?)
+        Ben Johnston (extended just intonation example)
+        György Ligeti (several, including Hamburg Concerto)
+        Krzysztof Penderecki (Threnody to the Victims of Hiroshima?)
+        Karlheinz Stockhausen (Gruppen?)
+@end ignore
+