Doc: In NR, always write comma after `e.g.' and `i.e.'.

[lilypond.git] / Documentation / notation / contemporary.itely

diff --git a/Documentation/notation/contemporary.itely b/Documentation/notation/contemporary.itely
index 50d4c495854030afe8f176b52925efe04a1fbfa2..8a0466903b156b5889514817aed204007b478786 100644 (file)
--- a/Documentation/notation/contemporary.itely
+++ b/Documentation/notation/contemporary.itely
@@ -3,10 +3,11 @@
     Translation of GIT committish: FILL-IN-HEAD-COMMITTISH
 
     When revising a translation, copy the HEAD committish of the
-    version that you are working on.  See TRANSLATION for details.
+    version that you are working on.  For details, see the Contributors'
+    Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.13.4"
+@c \version "2.16.0"
 
 
 @node Contemporary music
@@ -27,7 +28,7 @@ these new notational techniques.
 * Graphical notation::
 * Contemporary scoring techniques::
 * New instrumental techniques::
-* Further reading::
+* Further reading and scores of interest::
 @end menu
 
 
@@ -105,7 +106,7 @@ notation of rhythm in contemporary music.
 
 @item Feathered beams are addressed in @ref{Feathered beams}.
 
-@item Mensurstriche barlines (barlines between staves only) are
+@item Mensurstriche bar lines (bar lines between staves only) are
 addressed in @ref{Grouping staves}.
 
 @end itemize
@@ -141,7 +142,7 @@ addressed in @ref{Grouping staves}.
 @unnumberedsubsubsec Extended polymetric notation
 
 @ignore
-    Extended examples e.g. different instruments
+    Extended examples e.g., different instruments
     or ensembles with independent tempi
 @end ignore
 
@@ -175,8 +176,8 @@ addressed in @ref{Grouping staves}.
 @subsection New instrumental techniques
 
 
-@node Further reading
-@subsection Further reading
+@node Further reading and scores of interest
+@subsection Further reading and scores of interest
 
 This section suggests books, musical examples and other
 resources useful in studying contemporary musical notation.