Formatting.

[lilypond.git] / Documentation / notation / chords.itely

diff --git a/Documentation/notation/chords.itely b/Documentation/notation/chords.itely
index c1b6c03d75729d3b3bb9bfe2e562806ea1716591..7d9f1390ae11386e76ae8a7f221c2be7ee6e827f 100644 (file)
--- a/Documentation/notation/chords.itely
+++ b/Documentation/notation/chords.itely
@@ -84,7 +84,7 @@ Notation Reference:
 @ref{Input modes}.
 
 Snippets:
-@rlsr{Chords}
+@rlsr{Chords}.
 
 
 @knownissues
@@ -233,6 +233,7 @@ Notation Reference:
 Snippets:
 @rlsr{Chords}.
 
+
 @knownissues
 Only one quality modifier should be used per chord, typically on the
 highest step present in the chord.  Chords with more than quality
@@ -383,7 +384,7 @@ Notation Reference:
 @ref{Common chord modifiers}.
 
 Snippets:
-@rlsr{Chords}
+@rlsr{Chords}.
 
 
 @knownissues
@@ -550,7 +551,7 @@ names and symbols displayed for chord names are customizable.
 @cindex chords, jazz
 
 The basic chord name layout is a system for Jazz music, proposed
-by Klaus Ignatzek (see @ref{Literature list}).  The chord naming
+by Klaus Ignatzek (see @ressay{Literature list}).  The chord naming
 system can be modified as described below.  An alternate jazz
 chord system has been developed using these modifications.
 The Ignatzek and alternate
@@ -774,7 +775,7 @@ Music Glossary:
 @rglos{figured bass}.
 
 Snippets:
-@rlsr{Chords}
+@rlsr{Chords}.
 
 
 @node Entering figured bass