Doc: Minor fixes.

[lilypond.git] / Documentation / notation / chords.itely

diff --git a/Documentation/notation/chords.itely b/Documentation/notation/chords.itely
index 753d82bb3d4b781096701ebfcb1a7a11ad58b555..593e04a05aef1df1047b3b21edc2a8b6e787bec9 100644 (file)
--- a/Documentation/notation/chords.itely
+++ b/Documentation/notation/chords.itely
@@ -7,7 +7,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.16.0"
+@c \version "2.17.6"
 
 
 @node Chord notation
@@ -168,7 +168,7 @@ The default action; produces a major triad.
 @tab
 @lilypond[line-width=4\cm, noragged-right]
 \chordmode {
-  \override Staff.TimeSignature #'stencil = ##f
+  \override Staff.TimeSignature.stencil = ##f
   c1
 }
 @end lilypond
@@ -180,7 +180,7 @@ The minor chord.  This modifier lowers the 3rd.
 @tab
 @lilypond[line-width=4\cm, noragged-right]
 \chordmode {
-  \override Staff.TimeSignature #'stencil = ##f
+  \override Staff.TimeSignature.stencil = ##f
   c1:m c:m7
 }
 @end lilypond
@@ -194,7 +194,7 @@ present) the 7th step.
 @tab
 @lilypond[line-width=4\cm, noragged-right]
 \chordmode {
-  \override Staff.TimeSignature #'stencil = ##f
+  \override Staff.TimeSignature.stencil = ##f
   c1:dim c:dim7
 }
 @end lilypond
@@ -206,7 +206,7 @@ The augmented chord.  This modifier raises the 5th step.
 @tab
 @lilypond[line-width=4\cm, noragged-right]
 \chordmode {
-  \override Staff.TimeSignature #'stencil = ##f
+  \override Staff.TimeSignature.stencil = ##f
   c1:aug
 }
 @end lilypond
@@ -220,7 +220,7 @@ to create a major triad.
 @tab
 @lilypond[line-width=4\cm, noragged-right]
 \chordmode {
-  \override Staff.TimeSignature #'stencil = ##f
+  \override Staff.TimeSignature.stencil = ##f
   c1:maj c:maj7
 }
 @end lilypond
@@ -563,7 +563,7 @@ Jazz notation are shown on the chart in @ref{Chord name chart}.
 
 In addition to the different naming systems, different note names
 are used for the root in different languages.  The predefined
-variables @code{\germanChords}, @code{\semiGermanChords},
+commands @code{\germanChords}, @code{\semiGermanChords},
 @code{\italianChords} and @code{\frenchChords} set these variables.
 The effect is demonstrated here:
 
@@ -1077,13 +1077,13 @@ figures is adjusted automatically.
 
 @lilypond[verbatim,ragged-right,quote]
 <<
-  \new Staff = myStaff
+  \new Staff = "myStaff"
   \figuremode {
     <4>4 <10 6>8 s8
     <6 4>4 <6 4>
   }
   %% Put notes on same Staff as figures
-  \context Staff = myStaff
+  \context Staff = "myStaff"
   {
     \clef bass
     c4 c'8 r8 c4 c'
@@ -1097,14 +1097,14 @@ or below the staff.
 
 @lilypond[verbatim,ragged-right,quote]
 <<
-  \new Staff = myStaff
+  \new Staff = "myStaff"
   \figuremode {
     <4>4 <10 6>8 s8
     \bassFigureStaffAlignmentDown
     <6 4>4 <6 4>
   }
   %% Put notes on same Staff as figures
-  \context Staff = myStaff
+  \context Staff = "myStaff"
   {
     \clef bass
     c4 c'8 r8 c4 c'
@@ -1162,31 +1162,3 @@ the bass line.
   }
 >>
 @end lilypond
-
-When using extender lines, adjacent figures with the same number in
-a different figure location can cause the figure positions to invert.
-
-@lilypond[verbatim,ragged-right,quote,relative=1]
-<<
-  { fis4 g g, e' }
-  \figures {
-    \bassFigureExtendersOn
-    <6 5>4 <5\! 4> < 5 _!> <6>
-  }
->>
-@end lilypond
-
-To avoid this problem, simply turn on extenders after the figure that
-begins the extender line and turn them off at the end of the extender line.
-
-@lilypond[verbatim,ragged-right,quote,relative=1]
-<<
-  { fis4 g g, e' }
-  \figures {
-    <6 5>4 <5 4>
-    \bassFigureExtendersOn
-    < 5 _!>4 <6>
-    \bassFigureExtendersOff
-  }
->>
-@end lilypond