Docs: Get rid of lilyquote snippet option, replaced by ordinary quote

[lilypond.git] / Documentation / notation / chords.itely

diff --git a/Documentation/notation/chords.itely b/Documentation/notation/chords.itely
index b4b09a76362a4da55c67a595503e0130af1a8137..50ac2bf9ed2277191bae3c5a9a8be1c3670f74c9 100644 (file)
--- a/Documentation/notation/chords.itely
+++ b/Documentation/notation/chords.itely
@@ -7,7 +7,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.13.36"
+@c \version "2.14.0"
 
 
 @node Chord notation
@@ -146,7 +146,7 @@ Seventh chords can be created:
 @funindex maj
 @funindex m
 
-The table belows shows the actions of the quality modifiers on
+The table below shows the actions of the quality modifiers on
 triads and seventh chords.  The default seventh step added to
 chords is a minor or flatted seventh, which makes the dominant
 seventh the basic seventh chord.  All alterations are relative to
@@ -512,13 +512,13 @@ Rests passed to a @code{ChordNames} context will cause the
 @cindex chords, suppressing repeated
 @funindex chordChanges
 
-@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
+@lilypondfile[verbatim,quote,ragged-right,texidoc,doctitle]
 {showing-chords-at-changes.ly}
 
-@c @lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
+@c @lilypondfile[verbatim,quote,ragged-right,texidoc,doctitle]
 @c {adding-bar-lines-to-chordnames-context.ly}
 
-@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
+@lilypondfile[verbatim,quote,ragged-right,texidoc,doctitle]
 {simple-lead-sheet.ly}
 
 
@@ -564,8 +564,7 @@ by Klaus Ignatzek (see @ressay{Literature list}).  The chord naming
 system can be modified as described below.  An alternate jazz
 chord system has been developed using these modifications.
 The Ignatzek and alternate
-Jazz notation are shown on the chart in @ref{Chord
-name chart}.
+Jazz notation are shown on the chart in @ref{Chord name chart}.
 
 @c TODO --  Change this so we don't have a non-verbatim example.
 @c  Make short example in docs, then move longer example to
@@ -674,20 +673,20 @@ The spacer is not used when the root is altered.
 @snippets
 
 @cindex exceptions, chord names.
-@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
+@lilypondfile[verbatim,quote,texidoc,doctitle]
 {chord-name-exceptions.ly}
 
 @c TODO - tweak snippet to use \blackTriangleMarkup as well
-@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
+@lilypondfile[verbatim,quote,texidoc,doctitle]
 {chord-name-major7.ly}
 
-@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
+@lilypondfile[verbatim,quote,texidoc,doctitle]
 {adding-bar-lines-to-chordnames-context.ly}
 
-@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
+@lilypondfile[verbatim,quote,texidoc,doctitle]
 {volta-below-chords.ly}
 
-@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
+@lilypondfile[verbatim,quote,texidoc,doctitle]
 {changing-chord-separator.ly}
 
 
@@ -696,10 +695,13 @@ Notation Reference:
 @ref{Chord name chart},
 @ref{Common chord modifiers}.
 
+Essay on automated music engraving:
+@ressay{Literature list}.
+
 Installed Files:
-@file{scm/@/chords@/-ignatzek@/.scm},
-@file{scm/@/chord@/-entry@/.scm},
-@file{ly/@/chord@/-modifier@/-init@/.ly}.
+@file{scm/chords-ignatzek.scm},
+@file{scm/chord-entry.scm},
+@file{ly/chord-modifier-init.ly}.
 
 Snippets:
 @rlsr{Chords}.
@@ -973,7 +975,7 @@ End of continuation line
 
 
 @snippets
-@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
+@lilypondfile[verbatim,quote,texidoc,doctitle]
 {changing-the-positions-of-figured-bass-alterations.ly}