Guide, node Updating translation committishes..
@end ignore
-@c \version "2.12.0"
+@c \version "2.13.36"
@node Ancient notation
@item @ref{Ligatures}.
@end itemize
+@seealso
+Music Glossary:
+@rglos{custos},
+@rglos{ligature},
+@rglos{mensural notation}.
+
+Notation Reference:
+@ref{Mensural note heads},
+@ref{Mensural accidentals and key signatures},
+@ref{Mensural rests},
+@ref{Gregorian clefs},
+@ref{Mensural flags},
+@ref{Mensural time signatures},
+@ref{Custodes},
+@ref{Divisiones},
+@ref{Ligatures}.
+
@node Overview of the supported styles
@subsection Overview of the supported styles
classical rests and vaticana clefs in the same piece, if one
wishes.
+@seealso
+Music Glossary:
+@rglos{mensural notation},
+@rglos{flag}.
+
@node Ancient notation---common features
@subsection Ancient notation---common features
@item @ref{Mensural contexts}.
@end itemize
+@seealso
+Music Glossary:
+@rglos{mensural notation}.
+
+Notation Reference:
+@ref{Gregorian chant contexts},
+@ref{Mensural contexts}.
+
@node Ligatures
@unnumberedsubsubsec Ligatures
as explained in @ref{White mensural ligatures} and @ref{Gregorian
square neume ligatures}.
+@seealso
+Music Glossary:
+@rglos{ligature}.
-@c @seealso
-@c TODO: nothing here yet ...
-
+Notation Reference:
+@ref{White mensural ligatures},
+@ref{Gregorian square neume ligatures}.
@knownissues
-
Ligatures need special spacing that has not yet been implemented. As
a result, there is too much space between ligatures most of the time,
and line breaking often is unsatisfactory. Also, lyrics do not
postfix style @code{note\[ ... note\]}.
@c Alternatively, the file
-@c @file{gregorian@/-init@/.ly} can be included; it provides a scheme
+@c @file{gregorian-init.ly} can be included; it provides a scheme
@c function
@c @example
@c \ligature @var{music expr}
}
@end lilypond
-
@seealso
+Music Glossary:
+@rglos{custos}.
+
Internals Reference:
@rinternals{Custos}.
There is limited support for figured bass notation from the
Baroque period; see @ref{Figured bass}.
+@seealso
+Music Glossary:
+@rglos{figured bass}.
+
+Notation Reference:
+@ref{Figured bass}.
+
@node Typesetting mensural music
@subsection Typesetting mensural music
@end lilypond
-@c @seealso
-@c TODO: nothing here yet ...
+@seealso
+Music Glossary:
+@rglos{mensural notation}.
@node Mensural clefs
@end lilypond
@end multitable
-
@seealso
+Music Glossary:
+@rglos{mensural notation},
+@rglos{clef}.
+
Notation Reference:
@ref{Clef}.
@knownissues
-
The mensural g clef is mapped to the Petrucci g clef.
}
@end lilypond
-
-@seealso
-Notation Reference:
@ref{Time signature}, gives a general introduction to
the use of time signatures.
+@seealso
+Music Glossary:
+@rglos{mensural notation}.
-@knownissues
+Notation Reference:
+@ref{Time signature}.
+@knownissues
Ratios of note durations do not change with the time signature. For
example, the ratio of 1@tie{}breve = 3@tie{}semibreves (@emph{tempus
perfectum}) must be made by hand, by setting
@end lilypond
+@ref{Note head styles}, gives an overview of all available note head styles.
+
@seealso
+Music Glossary:
+@rglos{mensural notation},
+@rglos{note head}.
+
Notation Reference:
-@ref{Note head styles}, gives an overview of all available note head styles.
+@ref{Note head styles}.
@node Mensural flags
There are no flags in Gregorian chant notation.
-@c @seealso
-@c TODO: nothing here yet ...
+@seealso
+Music Glossary:
+@rglos{mensural notation},
+@rglos{flag}.
@knownissues
-
The attachment of ancient flags to stems is slightly off.
@c due to a change in early 2.3.x.
@cindex rests, ancient
Use the @code{style} property of grob @code{Rest} to select
-ancient rests. Supported styles are @code{classical},
+ancient rests. Supported styles are @code{classical},
@code{neomensural}, and @code{mensural}. @code{classical} differs
from the @code{default} style only in that the quarter rest looks
like a horizontally mirrored 8th rest. The @code{mensural} and
neo-mensural style. Instead, the rests from the default style will be
taken.
-See @rlsr{Ancient notation} for a chart of all rests.
-
@seealso
+Music Glossary:
+@rglos{mensural notation}.
+
Notation Reference:
-@ref{Rests}, gives a general introduction into the use of
-rests.
+@ref{Rests}.
+
+Snippets:
+@rlsr{Ancient notation}.
@node Mensural accidentals and key signatures
will be taken from the @code{vaticana} style.
@lilypond[quote,ragged-right,staffsize=26]
-\score {
-{
- \textLengthOn
- s^\markup {
- \column {
- "mensural"
- \line { " " \musicglyph #"accidentals.mensural-1"
- " " \musicglyph #"accidentals.mensural1" }
- }
- }
-}
-\layout {
- interscoreline = 1
- \context { \Score \remove "Bar_number_engraver" }
- \context { \Staff
- \remove "Clef_engraver"
- \remove "Key_engraver"
- \remove "Time_signature_engraver"
- \remove "Staff_symbol_engraver"
- \override VerticalAxisGroup #'minimum-Y-extent = ##f
- }
+\markup {
+ \column {
+ "mensural"
+ \line { " " \musicglyph #"accidentals.mensural-1"
+ " " \musicglyph #"accidentals.mensural1" }
}
}
@end lilypond
@code{\override Staff.Accidental #'glyph-name-alist =
#alteration-mensural-glyph-name-alist}
-
@seealso
+Music Glossary:
+@rglos{mensural notation},
+@rglos{Pitch names},
+@rglos{accidental},
+@rglos{key signature}.
+
Notation Reference:
-@ref{Pitches}, @ref{Accidentals}, and @ref{Automatic accidentals}, give a
-general introduction of the use of accidentals. @ref{Key signature}, gives
-a general introduction of the use of key signatures.
+@ref{Pitches},
+@ref{Accidentals},
+@ref{Automatic accidentals},
+@ref{Key signature}.
Internals Reference:
@rinternals{KeySignature}.
Accidentals for the three different Gregorian styles are available:
@lilypond[quote,ragged-right,staffsize=26]
-\score {
-{
- \textLengthOn
- s^\markup {
- \column {
- "vaticana"
- \line { " " \musicglyph #"accidentals.vaticana-1"
- " " \musicglyph #"accidentals.vaticana0" }
- }
- \column {
- "medicaea"
- \line { " " \musicglyph #"accidentals.medicaea-1" }
- }
- \column {
- "hufnagel"
- \line { " " \musicglyph #"accidentals.hufnagel-1" }
- }
+\markup {
+ \column {
+ "vaticana"
+ \line { " " \musicglyph #"accidentals.vaticana-1"
+ " " \musicglyph #"accidentals.vaticana0" }
}
-}
-\layout {
- interscoreline = 1
- \context { \Score \remove "Bar_number_engraver" }
- \context { \Staff
- \remove "Clef_engraver"
- \remove "Key_engraver"
- \remove "Time_signature_engraver"
- \remove "Staff_symbol_engraver"
- \override VerticalAxisGroup #'minimum-Y-extent = ##f
- }
+ \column {
+ "medicaea"
+ \line { " " \musicglyph #"accidentals.medicaea-1" }
+ }
+ \column {
+ "hufnagel"
+ \line { " " \musicglyph #"accidentals.hufnagel-1" }
}
}
@end lilypond
only marks the end of a chant, but is also frequently used within a
single antiphonal/responsorial chant to mark the end of each section.
-To use divisiones, include the file @file{gregorian@/.ly}. It
+To use divisiones, include the file @file{gregorian.ly}. It
contains definitions that you can apply by just inserting
@code{\divisioMinima}, @code{\divisioMaior}, @code{\divisioMaxima},
and @code{\finalis} at proper places in the input. Some editions use
@emph{virgula} or @emph{caesura} instead of divisio minima.
-Therefore, @file{gregorian@/.ly} also defines @code{\virgula} and
+Therefore, @file{gregorian.ly} also defines @code{\virgula} and
@code{\caesura}
@lilypond[quote,ragged-right]
ligatures, lyrics alignment, and proper handling of accidentals.
The support for Gregorian neumes is enabled by @code{\include}ing
-"gregorian.ly" at the beginning of the file. This makes available
+@file{gregorian.ly} at the beginning of the file. This makes available
a number of extra commands to produce the neume symbols used in
plainchant notation.
perfectly possible, although incorrect, to make a single-note
quilisma.
-In addition to the note signs, gregorian.ly also defines the
+In addition to the note signs, @file{gregorian.ly} also defines the
commands @code{\versus}, @code{\responsum}, @code{\ij},
@code{\iij}, @code{\IJ}, and @code{\IIJ}, that will produce the
corresponding characters, e.g., for use in lyrics, as section
projects / lilypond.git / blobdiff