Guide, node Updating translation committishes..
@end ignore
-@c \version "2.12.0"
+@c \version "2.13.36"
+
@node Ancient notation
@section Ancient notation
@item @ref{Ligatures}.
@end itemize
-@c {{{1 Overview of the supported styles
+
@node Overview of the supported styles
@subsection Overview of the supported styles
classical rests and vaticana clefs in the same piece, if one
wishes.
-@c {{{1 Ancient notation, general
+
@node Ancient notation---common features
@subsection Ancient notation---common features
* Figured bass support::
@end menu
-@c {{{2 Pre-defined contexts
+
@node Pre-defined contexts
@unnumberedsubsubsec Pre-defined contexts
@end itemize
-@c {{{2 Ligatures
@node Ligatures
@unnumberedsubsubsec Ligatures
postfix style @code{note\[ ... note\]}.
@c Alternatively, the file
-@c @file{gregorian@/-init@/.ly} can be included; it provides a scheme
+@c @file{gregorian-init.ly} can be included; it provides a scheme
@c function
@c @example
@c \ligature @var{music expr}
@c -- eo
-
-@c {{{2 Custodes
@node Custodes
@unnumberedsubsubsec Custodes
@rlsr{Ancient notation}.
-@c {{{2 Figured bass support
@node Figured bass support
@unnumberedsubsubsec Figured bass support
Baroque period; see @ref{Figured bass}.
-@c {{{1 Typesetting mensural music
@node Typesetting mensural music
@subsection Typesetting mensural music
@end menu
-
-@c {{{2Mensural contexts
@node Mensural contexts
@unnumberedsubsubsec Mensural contexts
@c TODO: nothing here yet ...
-@c {{{2 Mensural clefs
@node Mensural clefs
@unnumberedsubsubsec Mensural clefs
The mensural g clef is mapped to the Petrucci g clef.
-@c {{{2Mensural time signatures
@node Mensural time signatures
@unnumberedsubsubsec Mensural time signatures
Use @code{\markup @{\musicglyph #"timesig.mensural68alt" @}} instead.
-@c {{{2Mensural note heads
@node Mensural note heads
@unnumberedsubsubsec Mensural note heads
@ref{Note head styles}, gives an overview of all available note head styles.
-@c {{{2Mensural flags
@node Mensural flags
@unnumberedsubsubsec Mensural flags
features of classical notation (which however are typically out of
scope for mensural notation).
-@c {{{2Mensural rests
+
@node Mensural rests
@unnumberedsubsubsec Mensural rests
@cindex rests, ancient
Use the @code{style} property of grob @code{Rest} to select
-ancient rests. Supported styles are @code{classical},
+ancient rests. Supported styles are @code{classical},
@code{neomensural}, and @code{mensural}. @code{classical} differs
from the @code{default} style only in that the quarter rest looks
like a horizontally mirrored 8th rest. The @code{mensural} and
rests.
-@c {{{2Mensural accidentals and key signatures
@node Mensural accidentals and key signatures
@unnumberedsubsubsec Mensural accidentals and key signatures
will be taken from the @code{vaticana} style.
@lilypond[quote,ragged-right,staffsize=26]
-\score {
-{
- \textLengthOn
- s^\markup {
- \column {
- "mensural"
- \line { " " \musicglyph #"accidentals.mensural-1"
- " " \musicglyph #"accidentals.mensural1" }
- }
- }
-}
-\layout {
- interscoreline = 1
- \context { \Score \remove "Bar_number_engraver" }
- \context { \Staff
- \remove "Clef_engraver"
- \remove "Key_engraver"
- \remove "Time_signature_engraver"
- \remove "Staff_symbol_engraver"
- \override VerticalAxisGroup #'minimum-Y-extent = ##f
- }
+\markup {
+ \column {
+ "mensural"
+ \line { " " \musicglyph #"accidentals.mensural-1"
+ " " \musicglyph #"accidentals.mensural1" }
}
}
@end lilypond
@rinternals{KeySignature}.
-@c {{{2 Annotational accidentals (musica ficta)
@node Annotational accidentals (musica ficta)
@unnumberedsubsubsec Annotational accidentals (@emph{musica ficta})
@rinternals{AccidentalSuggestion}.
-@c {{{2White mensural ligatures
@node White mensural ligatures
@unnumberedsubsubsec White mensural ligatures
Horizontal spacing of ligatures is poor.
-@c {{{1 Typesetting Gregorian chant
@node Typesetting Gregorian chant
@subsection Typesetting Gregorian chant
* Gregorian accidentals and key signatures::
* Divisiones::
* Gregorian articulation signs::
-* Augmentum dots (@emph{morae})::
+* Augmentum dots (morae)::
* Gregorian square neume ligatures::
@end menu
engravers work.
-@c {{{2Gregorian chant contexts
@node Gregorian chant contexts
@unnumberedsubsubsec Gregorian chant contexts
@c TODO: nothing here yet ...
-@c {{{2 Gregorian clefs
@node Gregorian clefs
@unnumberedsubsubsec Gregorian clefs
@ref{Clef}.
-@c {{{2 Gregorian accidentals and key signatures
@node Gregorian accidentals and key signatures
@unnumberedsubsubsec Gregorian accidentals and key signatures
Accidentals for the three different Gregorian styles are available:
@lilypond[quote,ragged-right,staffsize=26]
-\score {
-{
- \textLengthOn
- s^\markup {
- \column {
- "vaticana"
- \line { " " \musicglyph #"accidentals.vaticana-1"
- " " \musicglyph #"accidentals.vaticana0" }
- }
- \column {
- "medicaea"
- \line { " " \musicglyph #"accidentals.medicaea-1" }
- }
- \column {
- "hufnagel"
- \line { " " \musicglyph #"accidentals.hufnagel-1" }
- }
+\markup {
+ \column {
+ "vaticana"
+ \line { " " \musicglyph #"accidentals.vaticana-1"
+ " " \musicglyph #"accidentals.vaticana0" }
}
-}
-\layout {
- interscoreline = 1
- \context { \Score \remove "Bar_number_engraver" }
- \context { \Staff
- \remove "Clef_engraver"
- \remove "Key_engraver"
- \remove "Time_signature_engraver"
- \remove "Staff_symbol_engraver"
- \override VerticalAxisGroup #'minimum-Y-extent = ##f
- }
+ \column {
+ "medicaea"
+ \line { " " \musicglyph #"accidentals.medicaea-1" }
+ }
+ \column {
+ "hufnagel"
+ \line { " " \musicglyph #"accidentals.hufnagel-1" }
}
}
@end lilypond
@rinternals{KeySignature}.
-@c {{{2Divisiones
@node Divisiones
@unnumberedsubsubsec Divisiones
only marks the end of a chant, but is also frequently used within a
single antiphonal/responsorial chant to mark the end of each section.
-To use divisiones, include the file @file{gregorian@/.ly}. It
+To use divisiones, include the file @file{gregorian.ly}. It
contains definitions that you can apply by just inserting
@code{\divisioMinima}, @code{\divisioMaior}, @code{\divisioMaxima},
and @code{\finalis} at proper places in the input. Some editions use
@emph{virgula} or @emph{caesura} instead of divisio minima.
-Therefore, @file{gregorian@/.ly} also defines @code{\virgula} and
+Therefore, @file{gregorian.ly} also defines @code{\virgula} and
@code{\caesura}
@lilypond[quote,ragged-right]
@endpredefined
-@c {{{2Gregorian articulations
@node Gregorian articulation signs
@unnumberedsubsubsec Gregorian articulation signs
\override TextScript #'font-family = #'typewriter
\override TextScript #'font-shape = #'upright
\override Script #'padding = #-0.1
- a\ictus_"ictus " \break
- a\circulus_"circulus " \break
- a\semicirculus_"semicirculus " \break
- a\accentus_"accentus " \break
+ a\ictus_"ictus " \bar "" \break
+ a\circulus_"circulus " \bar "" \break
+ a\semicirculus_"semicirculus " \bar "" \break
+ a\accentus_"accentus " \bar "" \break
\[ a_"episema" \episemInitium \pes b \flexa a b \episemFinis \flexa a \]
}
}
@end lilypond
-@c @seealso
-@c TODO: nothing here yet ...
+Snippets:
+@rlsr{Ancient notation}.
+
+Internals Reference:
+@rinternals{Episema},
+@rinternals{EpisemaEvent},
+@rinternals{Episema_engraver},
+@rinternals{Script},
+@rinternals{ScriptEvent},
+@rinternals{Script_engraver}.
@knownissues
Some articulations are vertically placed too closely to the
corresponding note heads.
-The episema line is not displayed in many cases. If it is displayed,
-the right end of the episema line is often too far to the right.
-
-@c {{{2Augmentum dots (@emph{morae})
-@node Augmentum dots (@emph{morae})
+@node Augmentum dots (morae)
@unnumberedsubsubsec Augmentum dots (@emph{morae})
Augmentum dots, also called @emph{morae}, are added with the music
@rlsr{Ancient notation}.
-@c {{{2Gregorian square neumes ligatures
@node Gregorian square neume ligatures
@unnumberedsubsubsec Gregorian square neume ligatures
ligatures, lyrics alignment, and proper handling of accidentals.
The support for Gregorian neumes is enabled by @code{\include}ing
-"gregorian.ly" at the beginning of the file. This makes available
+@file{gregorian.ly} at the beginning of the file. This makes available
a number of extra commands to produce the neume symbols used in
plainchant notation.
perfectly possible, although incorrect, to make a single-note
quilisma.
-In addition to the note signs, gregorian.ly also defines the
+In addition to the note signs, @file{gregorian.ly} also defines the
commands @code{\versus}, @code{\responsum}, @code{\ij},
@code{\iij}, @code{\IJ}, and @code{\IIJ}, that will produce the
corresponding characters, e.g., for use in lyrics, as section
with head prefixes in arbitrary order.
-
-@c Working with ancient music: scenarios and solutions:: {{{1
@node Working with ancient music---scenarios and solutions
@subsection Working with ancient music---scenarios and solutions
same source.
@end itemize
-@c {{{2Incipits
+
@node Incipits
@unnumberedsubsubsec Incipits
@c ... and reference to other sections ...
-@c {{{2Mensurstriche layout
@node Mensurstriche layout
@unnumberedsubsubsec Mensurstriche layout
@c ... and reference to other sections ...
-@c {{{2Transcribing Gregorian chant
@node Transcribing Gregorian chant
@unnumberedsubsubsec Transcribing Gregorian chant
@c @seealso
@c ... and reference to other sections ...
-@c {{{2Ancient and modern from one source
+
@node Ancient and modern from one source
@unnumberedsubsubsec Ancient and modern from one source
@c @seealso
@c ... and reference to other sections ...
-@c {{{2Editorial markings
+
@node Editorial markings
@unnumberedsubsubsec Editorial markings
-@c {{{2Baroque rhythmic notation
+
@c @node Baroque rhythmic notation
@c @unnumberedsubsubsec Baroque rhythmic notation
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