Doc: cleanup @file{}, take 2: remove all @/ escaping sequences.

[lilypond.git] / Documentation / notation / ancient.itely

diff --git a/Documentation/notation/ancient.itely b/Documentation/notation/ancient.itely
index 8156cbfa4be0b038214a13b4ff984ab69ab49e04..6aedd34bc1ad73aea8b1e0f2c0aabad8c00283b3 100644 (file)
--- a/Documentation/notation/ancient.itely
+++ b/Documentation/notation/ancient.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.12.0"
+@c \version "2.13.36"
 
 
 @node Ancient notation
@@ -227,7 +227,7 @@ The syntax still uses the deprecated infix style @code{\[ music expr
 postfix style @code{note\[ ... note\]}.
 
 @c Alternatively, the file
-@c @file{gregorian@/-init@/.ly} can be included; it provides a scheme
+@c @file{gregorian-init.ly} can be included; it provides a scheme
 @c function
 @c @example
 @c \ligature @var{music expr}
@@ -699,7 +699,7 @@ scope for mensural notation).
 @cindex rests, ancient
 
 Use the @code{style} property of grob @code{Rest} to select
-ancient rests.   Supported styles are @code{classical},
+ancient rests.  Supported styles are @code{classical},
 @code{neomensural}, and @code{mensural}.  @code{classical} differs
 from the @code{default} style only in that the quarter rest looks
 like a horizontally mirrored 8th rest.  The @code{mensural} and
@@ -742,27 +742,11 @@ different from the default style.  If called for, the natural sign
 will be taken from the @code{vaticana} style.
 
 @lilypond[quote,ragged-right,staffsize=26]
-\score {
-{
-  \textLengthOn
-  s^\markup {
-    \column {
-      "mensural"
-      \line { " " \musicglyph #"accidentals.mensural-1"
-        " " \musicglyph #"accidentals.mensural1" }
-    }
-  }
-}
-\layout {
-  interscoreline = 1
-  \context { \Score \remove "Bar_number_engraver" }
-  \context { \Staff
-      \remove "Clef_engraver"
-      \remove "Key_engraver"
-      \remove "Time_signature_engraver"
-      \remove "Staff_symbol_engraver"
-      \override VerticalAxisGroup #'minimum-Y-extent = ##f
-    }
+\markup {
+  \column {
+    "mensural"
+    \line { " " \musicglyph #"accidentals.mensural-1"
+      " " \musicglyph #"accidentals.mensural1" }
   }
 }
 @end lilypond
@@ -935,7 +919,7 @@ Horizontal spacing of ligatures is poor.
 * Gregorian accidentals and key signatures::
 * Divisiones::
 * Gregorian articulation signs::
-* Augmentum dots (@emph{morae})::
+* Augmentum dots (morae)::
 * Gregorian square neume ligatures::
 @end menu
 
@@ -1133,35 +1117,19 @@ Notation Reference:
 Accidentals for the three different Gregorian styles are available:
 
 @lilypond[quote,ragged-right,staffsize=26]
-\score {
-{
-  \textLengthOn
-  s^\markup {
-    \column {
-      "vaticana"
-      \line { " " \musicglyph #"accidentals.vaticana-1"
-        " " \musicglyph #"accidentals.vaticana0" }
-    }
-    \column {
-      "medicaea"
-      \line { " " \musicglyph #"accidentals.medicaea-1" }
-    }
-    \column {
-      "hufnagel"
-      \line { " " \musicglyph #"accidentals.hufnagel-1" }
-    }
+\markup {
+  \column {
+    "vaticana"
+    \line { " " \musicglyph #"accidentals.vaticana-1"
+      " " \musicglyph #"accidentals.vaticana0" }
   }
-}
-\layout {
-  interscoreline = 1
-  \context { \Score \remove "Bar_number_engraver" }
-  \context { \Staff
-      \remove "Clef_engraver"
-      \remove "Key_engraver"
-      \remove "Time_signature_engraver"
-      \remove "Staff_symbol_engraver"
-      \override VerticalAxisGroup #'minimum-Y-extent = ##f
-    }
+  \column {
+    "medicaea"
+    \line { " " \musicglyph #"accidentals.medicaea-1" }
+  }
+  \column {
+    "hufnagel"
+    \line { " " \musicglyph #"accidentals.hufnagel-1" }
   }
 }
 @end lilypond
@@ -1210,12 +1178,12 @@ the breathmarks from @ref{Breath marks}.  The @emph{finalis} sign not
 only marks the end of a chant, but is also frequently used within a
 single antiphonal/responsorial chant to mark the end of each section.
 
-To use divisiones, include the file @file{gregorian@/.ly}.  It
+To use divisiones, include the file @file{gregorian.ly}.  It
 contains definitions that you can apply by just inserting
 @code{\divisioMinima}, @code{\divisioMaior}, @code{\divisioMaxima},
 and @code{\finalis} at proper places in the input.  Some editions use
 @emph{virgula} or @emph{caesura} instead of divisio minima.
-Therefore, @file{gregorian@/.ly} also defines @code{\virgula} and
+Therefore, @file{gregorian.ly} also defines @code{\virgula} and
 @code{\caesura}
 
 @lilypond[quote,ragged-right]
@@ -1311,7 +1279,7 @@ Some articulations are vertically placed too closely to the
 corresponding note heads.
 
 
-@node Augmentum dots (@emph{morae})
+@node Augmentum dots (morae)
 @unnumberedsubsubsec Augmentum dots (@emph{morae})
 
 Augmentum dots, also called @emph{morae}, are added with the music
@@ -1358,7 +1326,7 @@ still lacking, such as (among others) horizontal alignment of multiple
 ligatures, lyrics alignment, and proper handling of accidentals.
 
 The support for Gregorian neumes is enabled by @code{\include}ing
-"gregorian.ly" at the beginning of the file.  This makes available
+@file{gregorian.ly} at the beginning of the file.  This makes available
 a number of extra commands to produce the neume symbols used in
 plainchant notation.
 
@@ -1488,7 +1456,7 @@ ligature, and usually falls on a half-tone step, but it is
 perfectly possible, although incorrect, to make a single-note
 quilisma.
 
-In addition to the note signs, gregorian.ly also defines the
+In addition to the note signs, @file{gregorian.ly} also defines the
 commands @code{\versus}, @code{\responsum}, @code{\ij},
 @code{\iij}, @code{\IJ}, and @code{\IIJ}, that will produce the
 corresponding characters, e.g., for use in lyrics, as section