postfix style @code{note\[ ... note\]}.
@c Alternatively, the file
-@c @file{gregorian@/-init@/.ly} can be included; it provides a scheme
+@c @file{gregorian-init.ly} can be included; it provides a scheme
@c function
@c @example
@c \ligature @var{music expr}
only marks the end of a chant, but is also frequently used within a
single antiphonal/responsorial chant to mark the end of each section.
-To use divisiones, include the file @file{gregorian@/.ly}. It
+To use divisiones, include the file @file{gregorian.ly}. It
contains definitions that you can apply by just inserting
@code{\divisioMinima}, @code{\divisioMaior}, @code{\divisioMaxima},
and @code{\finalis} at proper places in the input. Some editions use
@emph{virgula} or @emph{caesura} instead of divisio minima.
-Therefore, @file{gregorian@/.ly} also defines @code{\virgula} and
+Therefore, @file{gregorian.ly} also defines @code{\virgula} and
@code{\caesura}
@lilypond[quote,ragged-right]
ligatures, lyrics alignment, and proper handling of accidentals.
The support for Gregorian neumes is enabled by @code{\include}ing
-"gregorian.ly" at the beginning of the file. This makes available
+@file{gregorian.ly} at the beginning of the file. This makes available
a number of extra commands to produce the neume symbols used in
plainchant notation.
perfectly possible, although incorrect, to make a single-note
quilisma.
-In addition to the note signs, gregorian.ly also defines the
+In addition to the note signs, @file{gregorian.ly} also defines the
commands @code{\versus}, @code{\responsum}, @code{\ij},
@code{\iij}, @code{\IJ}, and @code{\IIJ}, that will produce the
corresponding characters, e.g., for use in lyrics, as section