Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.11"
+@c \version "2.17.30"
@node Ancient notation
above the ligature.
@lilypond[quote,ragged-right,verbatim]
-\transpose c c' {
- \[ g c a f d' \]
+\relative c'' {
+ \[ g c, a' f d' \]
a g f
\[ e f a g \]
}
The syntax still uses the deprecated infix style
@code{\[ music expr \]}. For consistency reasons, it will eventually
-be changed to postfix style @code{note\[ ... note\]}.
+be changed to postfix style @code{note\[ @dots{} note\]}.
@c Alternatively, the file
@c @file{gregorian-init.ly} can be included; it provides a scheme
@lilypond[quote,ragged-right,verbatim]
\score {
<<
- \new MensuralVoice = "discantus" \transpose c c' {
- \override Score.BarNumber.transparent = ##t {
- c'1\melisma bes a g\melismaEnd
+ \new MensuralVoice = "discantus" \relative c'' {
+ \hide Score.BarNumber {
+ c1\melisma bes a g\melismaEnd
f\breve
- \[ f1\melisma a c'\breve d'\melismaEnd \]
- c'\longa
- c'\breve\melisma a1 g1\melismaEnd
+ \[ f1\melisma a c\breve d\melismaEnd \]
+ c\longa
+ c\breve\melisma a1 g1\melismaEnd
fis\longa^\signumcongruentiae
}
}
{
\set Score.timing = ##f
\set Score.barAlways = ##t
- s_\markup { "\\time 4/4" }^\markup { " " \musicglyph
+ \textLengthOn
+ s^\markup { "\\time 4/4" }_\markup { " " \musicglyph
#"timesig.neomensural44" }
s
- s_\markup { "\\time 2/2" }^\markup { " " \musicglyph
+ s^\markup { "\\time 2/2" }_\markup { " " \musicglyph
#"timesig.neomensural22" }
s
- s_\markup { "\\time 6/4" }^\markup { " " \musicglyph
+ s^\markup { "\\time 6/4" }_\markup { " " \musicglyph
#"timesig.neomensural64" }
s
- s_\markup { "\\time 6/8" }^\markup { " " \musicglyph
+ s^\markup { "\\time 6/8" }_\markup { " " \musicglyph
#"timesig.neomensural68" }
\break
- s_\markup { "\\time 3/2" }^\markup { " " \musicglyph
+ s^\markup { "\\time 3/2" }_\markup { " " \musicglyph
#"timesig.neomensural32" }
s
- s_\markup { "\\time 3/4" }^\markup { " " \musicglyph
+ s^\markup { "\\time 3/4" }_\markup { " " \musicglyph
#"timesig.neomensural34" }
s
- s_\markup { "\\time 9/4" }^\markup { " " \musicglyph
+ s^\markup { "\\time 9/4" }_\markup { " " \musicglyph
#"timesig.neomensural94" }
s
- s_\markup { "\\time 9/8" }^\markup { " " \musicglyph
+ s^\markup { "\\time 9/8" }_\markup { " " \musicglyph
#"timesig.neomensural98" }
\break
- s_\markup { "\\time 4/8" }^\markup { " " \musicglyph
+ s^\markup { "\\time 4/8" }_\markup { " " \musicglyph
#"timesig.neomensural48" }
s
- s_\markup { "\\time 2/4" }^\markup { " " \musicglyph
+ s^\markup { "\\time 2/4" }_\markup { " " \musicglyph
#"timesig.neomensural24" }
}
@end lilypond
select ancient flags. Besides the @code{default} flag style,
only the @code{mensural} style is supported.
-@lilypond[quote,fragment,ragged-right,verbatim]
+@lilypond[quote,fragment,ragged-right,verbatim,relative=1]
\override Flag.style = #'mensural
\override Stem.thickness = #1.0
\override NoteHead.style = #'mensural
\autoBeamOff
-c'8 d'8 e'8 f'8 c'16 d'16 e'16 f'16 c'32 d'32 e'32 f'32 s8
-c''8 d''8 e''8 f''8 c''16 d''16 e''16 f''16 c''32 d''32 e''32 f''32
+c8 d e f c16 d e f c32 d e f s8
+c'8 d e f c16 d e f c32 d e f
@end lilypond
-Note that the innermost flare of each mensural flag always is
+Note that the innermost flare of each mensural flag is
vertically aligned with a staff line.
There is no particular flag style for neo-mensural or Petrucci notation.
-@c Hence,
-@c when typesetting the incipit of a transcribed piece of mensural
-@c music, the default flag style should be used.
There are no flags in Gregorian chant notation.
@seealso
@rglos{flag}.
@knownissues
-The attachment of ancient flags to stems is slightly off.
-@c due to a change in early 2.3.x.
-
Vertically aligning each flag with a staff line assumes that stems
-always end either exactly on or exactly in the middle between two
+always end either exactly on or exactly in the middle of two
staff lines. This may not always be true when using advanced layout
features of classical notation (which however are typically out of
scope for mensural notation).
ficta = { \once \set suggestAccidentals = ##t }
\score { \relative c''
\new MensuralVoice {
- \once \set suggestAccidentals = ##t
- bes4 a2 g2 \ficta fis8 \ficta e! fis2 g1
+ \once \set suggestAccidentals = ##t
+ bes4 a2 g2 \ficta fis8 \ficta e! fis2 g1
}
}
@end lilypond
@c @end example
@lilypond[quote,ragged-right,verbatim]
\score {
- \transpose c c' {
+ \relative c' {
\set Score.timing = ##f
\set Score.defaultBarType = "-"
\override NoteHead.style = #'petrucci
\override NoteHead.ligature-flexa = ##t
\once \override NoteHead.flexa-width = #3.2
c\breve f e d \]
- \[ c'\maxima d'\longa \]
- \[ e'1 a g\breve \]
+ \[ c'\maxima d\longa \]
+ \[ e1 a, g\breve \]
}
\layout {
\context {
to the following
@lilypond[quote,ragged-right]
-\transpose c c' {
+\relative c' {
\set Score.timing = ##f
\set Score.defaultBarType = "-"
\override NoteHead.style = #'petrucci
\override NoteHead.ligature-flexa = ##t
\once \override NoteHead.flexa-width = #3.2
c\breve f e d \]
- \[ c'\maxima d'\longa \]
- \[ e'1 a g\breve \]
+ \[ c'\maxima d\longa \]
+ \[ e1 a, g\breve \]
}
@end lilypond
\override Staff.StaffSymbol.line-count = #4
\override Staff.StaffSymbol.color = #red
\override Staff.LedgerLineSpanner.color = #red
- \override Voice.Stem.transparent = ##t
- \override Voice.Flag.transparent = ##t
+ \hide Voice.Stem
\override NoteHead.style = #'vaticana.punctum
\clef "vaticana-do2"
c
\override Staff.StaffSymbol.line-count = #4
\override Staff.StaffSymbol.color = #red
\override Staff.LedgerLineSpanner.color = #red
- \override Voice.Stem.transparent = ##t
- \override Voice.Flag.transparent = ##t
+ \hide Voice.Stem
\override NoteHead.style = #'vaticana.punctum
\clef "vaticana-fa2"
c
\override Staff.StaffSymbol.line-count = #4
\override Staff.StaffSymbol.color = #red
\override Staff.LedgerLineSpanner.color = #red
- \override Voice.Stem.transparent = ##t
- \override Voice.Flag.transparent = ##t
+ \hide Voice.Stem
\override NoteHead.style = #'medicaea.punctum
\clef "medicaea-do2"
c
\override Staff.StaffSymbol.line-count = #4
\override Staff.StaffSymbol.color = #red
\override Staff.LedgerLineSpanner.color = #red
- \override Voice.Stem.transparent = ##t
- \override Voice.Flag.transparent = ##t
+ \hide Voice.Stem
\override NoteHead.style = #'medicaea.punctum
\clef "medicaea-fa2"
c
\override Staff.StaffSymbol.line-count = #4
\override Staff.StaffSymbol.color = #red
\override Staff.LedgerLineSpanner.color = #red
- \override Voice.Stem.transparent = ##t
- \override Voice.Flag.transparent = ##t
+ \hide Voice.Stem
\override NoteHead.style = #'hufnagel.punctum
\clef "hufnagel-do2"
c
\override Staff.StaffSymbol.line-count = #4
\override Staff.StaffSymbol.color = #red
\override Staff.LedgerLineSpanner.color = #red
- \override Voice.Stem.transparent = ##t
- \override Voice.Flag.transparent = ##t
+ \hide Voice.Stem
\override NoteHead.style = #'hufnagel.punctum
\clef "hufnagel-fa2"
c
@lilypond[relative=1,notime]
\override Staff.StaffSymbol.color = #red
\override Staff.LedgerLineSpanner.color = #red
- \override Voice.Stem.transparent = ##t
- \override Voice.Flag.transparent = ##t
+ \hide Voice.Stem
\override NoteHead.style = #'hufnagel.punctum
\clef "hufnagel-do-fa"
c
All other neumes, including the single-note neumes with a
different shape such as the @emph{virga}, are in principle
considered as ligatures and should therefore be placed
-between @code{\[...\]}.
+between @code{\[@dots{}\]}.
@c Regarding the @emph{punctum}, @code{b} and @code{\[ b \]} are
@c equivalent.
@lilypond[staffsize=26,line-width=1.5\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
+ \relative c'' {
% Punctum
\[ b \]
}
@lilypond[staffsize=26,line-width=1.5\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
+ \relative c'' {
% Punctum
\[ \cavum b \]
}
@lilypond[staffsize=26,line-width=1.5\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
+ \relative c'' {
% Punctum
\[ \linea b \]
}
@lilypond[staffsize=26,line-width=2.5\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
+ \relative c'' {
% Punctum Auctum Ascendens
\[ \auctum \ascendens b \]
}
@lilypond[staffsize=26,line-width=2.5\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
+ \relative c'' {
% Punctum Auctum Descendens
\[ \auctum \descendens b \]
}
@lilypond[staffsize=26,line-width=1.5\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
+ \relative c'' {
% Punctum Inclinatum
\[ \inclinatum b \]
}
@lilypond[staffsize=26,line-width=2.5\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
+ \relative c'' {
% Punctum Inclinatum Auctum
\[ \inclinatum \auctum b \]
}
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
+ \relative c'' {
% Punctum Inclinatum Parvum
\[ \inclinatum \deminutum b \]
}
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
+ \relative c'' {
% Virga
\[ \virga b \]
}
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
+ \relative c'' {
% Clivis vel Flexa
\[ b \flexa g \]
}
@lilypond[staffsize=26,line-width=2.0\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
+ \relative c'' {
% Clivis Aucta Descendens
\[ b \flexa \auctum \descendens g \]
}
@lilypond[staffsize=26,line-width=2.0\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
+ \relative c'' {
% Clivis Aucta Ascendens
\[ b \flexa \auctum \ascendens g \]
}
@lilypond[staffsize=26,line-width=2.0\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
+ \relative c'' {
% Cephalicus
\[ b \flexa \deminutum g \]
}
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
+ \relative c'' {
% Podatus vel Pes
\[ g \pes b \]
}
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
- % Pes Auctus Descendens
+ \relative c'' {
+ % Pes Auctus Descendens
\[ g \pes \auctum \descendens b \]
}
\layout { \neumeDemoLayout }}
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
+ \relative c'' {
% Pes Auctus Ascendens
\[ g \pes \auctum \ascendens b \]
}
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
- % Epiphonus
+ \relative c'' {
+ % Epiphonus
\[ g \pes \deminutum b \]
}
\layout { \neumeDemoLayout }}
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
+ \relative c'' {
% Pes Initio Debilis
\[ \deminutum g \pes b \]
}
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
+ \relative c'' {
% Pes Auctus Descendens Initio Debilis
\[ \deminutum g \pes \auctum \descendens b \]
}
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
+ \relative c'' {
% Torculus
\[ a \pes b \flexa g \]
}
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
- % Torculus Auctus Descendens
+ \relative c'' {
+ % Torculus Auctus Descendens
\[ a \pes b \flexa \auctum \descendens g \]
}
\layout { \neumeDemoLayout }}
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
- % Torculus Deminutus
+ \relative c'' {
+ % Torculus Deminutus
\[ a \pes b \flexa \deminutum g \]
}
\layout { \neumeDemoLayout }}
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
- % Torculus Initio Debilis
+ \relative c'' {
+ % Torculus Initio Debilis
\[ \deminutum a \pes b \flexa g \]
}
\layout { \neumeDemoLayout }}
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
- % Torculus Auctus Descendens Initio Debilis
+ \relative c'' {
+ % Torculus Auctus Descendens Initio Debilis
\[ \deminutum a \pes b \flexa \auctum \descendens g \]
}
\layout { \neumeDemoLayout }}
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
- % Torculus Deminutus Initio Debilis
+ \relative c'' {
+ % Torculus Deminutus Initio Debilis
\[ \deminutum a \pes b \flexa \deminutum g \]
}
\layout { \neumeDemoLayout }}
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
+ \relative c'' {
% Porrectus
\[ a \flexa g \pes b \]
}
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
- % Porrectus Auctus Descendens
+ \relative c'' {
+ % Porrectus Auctus Descendens
\[ a \flexa g \pes \auctum \descendens b \]
}
\layout { \neumeDemoLayout }}
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
- % Porrectus Deminutus
+ \relative c'' {
+ % Porrectus Deminutus
\[ a \flexa g \pes \deminutum b \]
}
\layout { \neumeDemoLayout }}
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
+ \relative c'' {
% Climacus
\[ \virga b \inclinatum a \inclinatum g \]
}
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
- % Climacus Auctus
+ \relative c'' {
+ % Climacus Auctus
\[ \virga b \inclinatum a \inclinatum \auctum g \]
}
\layout { \neumeDemoLayout }}
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
- % Climacus Deminutus
+ \relative c'' {
+ % Climacus Deminutus
\[ \virga b \inclinatum a \inclinatum \deminutum g \]
}
\layout { \neumeDemoLayout }}
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
+ \relative c'' {
% Scandicus
\[ g \pes a \virga b \]
}
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
- % Scandicus Auctus Descendens
+ \relative c'' {
+ % Scandicus Auctus Descendens
\[ g \pes a \pes \auctum \descendens b \]
}
\layout { \neumeDemoLayout }}
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
- % Scandicus Deminutus
+ \relative c'' {
+ % Scandicus Deminutus
\[ g \pes a \pes \deminutum b \]
}
\layout { \neumeDemoLayout }}
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
+ \relative c'' {
% Quilisma
\[ g \pes \quilisma a \pes b \]
}
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
+ \relative c'' {
% Quilisma Pes Auctus Descendens
\[ g \quilisma a \pes \auctum \descendens b \]
}
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
+ \relative c'' {
% Oriscus
\[ \oriscus b \]
}
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
+ \relative c'' {
% Pes Quassus
\[ \oriscus g \pes \virga b \]
}
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
+ \relative c'' {
% Pes Quassus Auctus Descendens
\[ \oriscus g \pes \auctum \descendens b \]
}
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
+ \relative c'' {
% Salicus
\[ g \oriscus a \pes \virga b \]
}
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
+ \relative c'' {
% Salicus Auctus Descendens
\[ g \oriscus a \pes \auctum \descendens b \]
}
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
+ \relative c'' {
% Stropha
\[ \stropha b \]
}
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
+ \relative c'' {
% Stropha Aucta
\[ \stropha \auctum b \]
}
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
+ \relative c'' {
% Bistropha
\[ \stropha b \stropha b \]
}
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
+ \relative c'' {
% Tristropha
\[ \stropha b \stropha b \stropha b \]
}
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \transpose c c' {
+ \relative c'' {
% Trigonus
\[ \stropha b \stropha b \stropha a \]
}
@lilypond[quote,ragged-right,verbatim]
\score {
<<
- \new KievanVoice = "melody" \transpose c c' {
+ \new KievanVoice = "melody" \relative c' {
\cadenzaOn
- c4 c c c c2 b,\longa
- \bar "k"
+ c4 c c c c2 b\longa
+ \bar "k"
}
\new Lyrics \lyricsto "melody" {
Го -- спо -- ди по -- ми -- луй.
@lilypond[quote,ragged-right,verbatim]
\score {
<<
- \new KievanVoice = "melody" \transpose c c' {
+ \new KievanVoice = "melody" \relative c' {
\cadenzaOn
- e2 \[ e4( d4 ) \] \[ c4( d e d ) \] e1 \bar "k"
+ e2 \[ e4( d4 ) \] \[ c4( d e d ) \] e1 \bar "k"
}
\new Lyrics \lyricsto "melody" {
Га -- врі -- и -- лу
@example
\layout @{
- ...
+ @dots{}
\context @{
\Voice
\remove "Stem_engraver"
However, in some transcription styles, stems are used
occasionally, for example to indicate the transition from a
single-tone recitative to a fixed melodic gesture. In these cases,
-one can use either @code{\override Stem.transparent = ##t} or
+one can use either @code{\hide Stem} or
@code{\override Stem.length = #0} instead, and restore the stem
-when needed with the corresponding @code{\once \override Stem.transparent = ##f} (see example below). When using stems that
-carry flags, make sure to set @code{\override Flag.transparent
-= ##t} as well.
+when needed with the corresponding @code{\once \override Stem.transparent = ##f} (see example below).
@b{Timing.} For unmetered chant, there are several alternatives.
invisible signature will still take up space.
In many cases, @code{\set Score.timing = ##f} will give good
-results. Another alternative is to use @code{\CadenzaOn} and
-@code{\CadenzaOff}.
+results. Another alternative is to use @code{\cadenzaOn} and
+@code{\cadenzaOff}.
To remove the bar lines, the radical approach is to @code{\remove}
the Bar_engraver from the Staff context. Again, one may want to
-use @code{\override BarLine.transparent = ##t} instead, if an
+use @code{\hide BarLine} instead, if an
occasional barline is wanted.
A common type of transcription is recitativic chant where the
\Staff
\remove "Time_signature_engraver"
\remove "Bar_engraver"
- \override Stem.transparent = ##t
- \override Flag.transparent = ##t
+ \hide Stem
}
}
}
chant = \relative c' {
\clef "G_8"
\set Score.timing = ##f
- c\breve \override NoteHead.transparent = ##t c c c c c
- \revert NoteHead.transparent
+ c\breve \hide NoteHead c c c c c
+ \undo \hide NoteHead
\override Stem.transparent = ##f \stemUp c4 b4 a
- \override Stem.transparent = ##t
- \override Flag.transparent = ##t c2 c4 \divisioMaior
- c\breve \override NoteHead.transparent = ##t c c c c c c c
- \revert NoteHead.transparent c4 c f, f \finalis
+ \hide Stem c2 c4 \divisioMaior
+ c\breve \hide NoteHead c c c c c c c
+ \undo \hide NoteHead c4 c f, f \finalis
}
verba = \lyricmode {
\context {
\Staff
\remove "Time_signature_engraver"
- \override BarLine.transparent = ##t
- \override Stem.transparent = ##t
- \override Flag.transparent = ##t
+ \hide BarLine
+ \hide Stem
}
}
}
\Staff
\remove "Time_signature_engraver"
\override BarLine.X-extent = #'(-1 . 1)
- \override Stem.transparent = ##t
- \override Flag.transparent = ##t
- \override Beam.transparent = ##t
- \override BarLine.transparent = ##t
- \override TupletNumber.transparent = ##t
+ \hide Stem
+ \hide Beam
+ \hide BarLine
+ \hide TupletNumber
}
}
}
@c try Till Rettig
@c Add example of white note heads:
@c In the french baroque some composers used white note heads in slow pieces,
-@c mainly in 3/2-time. A quarter looks there like a eighth with a white
+@c mainly in 3/2-time. A quarter looks there like an eighth with a white
@c note head. (Franz-Rudolf Kuhnen)
@c TODO Add example of this:
projects / lilypond.git / blobdiff