@c `Music Glossary' was born 1999-10-04 with git commit 280a0bb...
@macro copyrightDeclare
-Copyright @copyright{} 1999--2010 by the authors
+Copyright @copyright{} 1999--2012 by the authors
@end macro
@set FDL
* Musical terms A-Z::
* Duration names notes and rests::
* Pitch names::
+* Non-Western terms A-Z::
Appendices
* cluster::
* comma::
* common meter::
+* Common Practice Period::
* common time::
* complement::
* compound interval::
* polymetric time signature::
* polyphony::
* portato::
+* power chord::
* presto::
* proportion::
* Pythagorean comma::
small eighth note (quaver) with a line drawn through the flag and stem.
@seealso
-@ref{appoggiatura}, @ref{grace notes}, @ref{ornament}.
+@ref{appoggiatura}, @ref{grace notes}, @ref{mordent}, @ref{ornament}.
@node accidental
No cross-references.
-@node augmented interval
-@section augmented interval
-
-ES: intervalo aumentado,
-I: intervallo aumentato,
-F: intervalle augmenté,
-D: übermäßiges Intervall,
-NL: overmatig interval,
-DK: forstørret interval,
-S: överstigande intervall,
-FI: ylinouseva intervalli.
-
-@seealso
-@ref{interval}.
-
-
@node augmentation
@section augmentation
@ref{diminution}, @ref{mensural notation}.
+@node augmented interval
+@section augmented interval
+
+ES: intervalo aumentado,
+I: intervallo aumentato,
+F: intervalle augmenté,
+D: übermäßiges Intervall,
+NL: overmatig interval,
+DK: forstørret interval,
+S: överstigande intervall,
+FI: ylinouseva intervalli.
+
+@seealso
+@ref{interval}.
+
+
@node autograph
@section autograph
@ref{common time}, @ref{meter}.
+@node Common Practice Period
+@section Common Practice Period
+
+ES: ?,
+I: ?,
+F: ?,
+D: ?,
+NL: ?,
+DK: ?,
+S: ?,
+FI: ?.
+
+@c TODO:
+This is a stub for Common Practice Period (CPP).
+
+@seealso
+@ruser{Note names in other languages}.
+
+
@node common time
@section common time
ES: compás compuesto, compás de subdivisión ternaria,
I: tempo composto,
F: mesure composée,
-D: ?,
+D: Dreiertakt,
NL: ?,
DK: ?,
S: ?,
ES: compás compuesto, compás de amalgama (def. 2),
I: ?,
F: temps composé,
-D: ?,
+D: zusammengesetzte Taktart,
NL: ?,
DK: ?,
S: ?,
@ref{compound meter}.
@item
-A time signature that additively combines two or more unequal meters, e.g.,
-@q{3/8 + 2/8} instead of @q{5/8}. Sometimes called additive time signatures.
+A time signature that additively combines two or more unequal meters,
+e.g., @q{3/8 + 2/8} instead of @q{5/8}. Sometimes called additive time
+signatures.
@end enumerate
-@lilypond[quote,line-width=13.0\cm]
-#(define ((compound-time one two three num) grob)
- (grob-interpret-markup grob
- (markup
- #:override '(baseline-skip . 0)
- #:number
- #:line (
- #:left-column (one num)
- #:vcenter "+"
- #:left-column (two num)
- #:vcenter "+"
- #:left-column (three num)))))
-
+@lilypond[quote,verbatim]
\relative c' {
\key f \major
- #(set-time-signature 8 8 '(3 2 3))
- \override Staff.TimeSignature #'stencil =
- #(compound-time "3" "2" "3" "8")
+ \compoundMeter #'((3 8) (2 8) (3 8))
c8 d e f4 d8 c bes
c4 g'8 e c f4.
\bar "||"
@end lilypond
@seealso
-@ref{compound meter}, @ref{meter}, @ref{polymetric time signature}.
+@ref{compound meter},
+@ref{meter},
+@ref{polymetric time signature}.
@node concert pitch
ES: en Do, tono de concierto,
I: intonazione reale,
F: tonalité de concert, en ut,
-D: ?,
+D: Kammerton,
NL: ?,
DK: ?,
S: ?,
ES: dal niente, de la nada,
I: dal niente,
F: partant de rien,
-D: ?,
+D: aus dem Nichts, dal niente,
NL: ?,
DK: ?,
S: ?,
ES: disminución,
I: diminuzione,
F: diminution,
-D: ?,
+D: Diminution,
NL: ?,
DK: ?,
S: ?,
ES: división,
I: ?,
F: ?,
-D: ?,
+D: Divisio,
NL: ?,
DK: ?,
S: ?,
ES: elevación [de tono],
I: ?,
F: saut,
-D: ?,
+D: Glissando zu unbestimmter Tonhöhe,
NL: ?,
DK: ?,
S: ?,
ES: compás polimétrico,
I: ?,
F: ?,
-D: ?,
+D: zusammengesetzte Taktart,
NL: ?,
DK: ?,
S: ?,
ES: sinalefa,
I: elisione,
F: élision,
-D: ?,
+D: Elision,
NL: ?,
DK: ?,
S: ?,
ES: caída [de tono],
I: ?,
F: chute,
-D: ?,
+D: Glissando zu unbestimmter Tonhöhe nach unten,
NL: ?,
DK: ?,
S: ?,
ES: armónico,
I: ?,
F: flageolet,
-D: ?,
+D: Flageolett,
NL: ?,
DK: ?,
S: ?,
ES: partitura a la francesa,
I: ?,
F: ?,
-D: ?,
+D: Orchesterpartitur ohne leere Systeme,
NL: ?,
DK: ?,
S: ?,
-FI: partituuri francesan tapaan.
+FI: partituuri ilman tyhjiä nuottiviivastoja.
A @q{condensed} score, produced by omitting staves for instruments that are not
playing at the moment, and by moving up additional systems from following pages
ES: pentagrama a la francesa,
I: ?,
F: ?,
-D: ?,
+D: zeitweiliges Notensystem,
NL: ?,
DK: ?,
S: ?,
counted in the rhythm of the bar.
@seealso
-@ref{acciaccatura}, @ref{appoggiatura}, @ref{grace notes},
-@ref{ornament}.
+@ref{acciaccatura}, @ref{appoggiatura}, @ref{mordent}, @ref{ornament}.
@node grand staff
ES: hemiolia,
I: emiolia, (rarely hemiola or emiola),
F: hémiole,
-D: ?,
+D: Hemiole,
NL: ?,
DK: ?,
S: ?,
-FI: 3/2 -suhde.
+FI: hemioli, 3/2 -suhde.
[Greek: in Latin, @emph{sesquialtera}] The ratio 3:2.
ES: ?,
I: ?,
F: ?,
-D: ?,
+D: Silbenanzahl,
NL: ?,
DK: ?,
S: ?,
ES: inversión,
I: rivolto,
F: renversement,
-D: ?,
+D: Umkehrung,
NL: ?,
DK: ?,
S: ?,
ES: dejar vibrar,
I: laissez vibrer,
F: laissez vibrer,
-D: ?,
+D: Laissez vibrer, schwingen lassen,
NL: ?,
DK: ?,
S: ?,
ES: en su lugar,
I: loco,
F: ?,
-D: ?,
+D: loco,
NL: ?,
DK: ?,
S: ?,
ES: letra (de la canción),
I: testo,
F: paroles,
-D: Liedtext, Gesangtext,
+D: Liedtext, Gesangstext,
NL: liedtekst,
DK: ?,
S: ?,
ES: máxima,
I: maxima,
F: maxima, maxime,
-D: ?,
+D: Maxima,
NL: ?,
DK: ?,
S: ?,
-FI: ?.
+FI: maxima.
Note value: twice the length of a @notation{longa}.
ES: línea de melisma,
I: linea del melisma,
F: trait de mélisme, trait de tenue,
-D: ?,
+D: Fülllinie,
NL: ?,
DK: ?,
S: ?,
ES: notación mensural,
I: notazione mensurale,
F: notation mensurale,
-D: ?,
+D: Mensuralnotation,
NL: ?,
DK: ?,
S: ?,
ES: signo de mensuración,
I: ?,
F: signe de mensuration,
-D: ?,
+D: Mensurzeichen,
NL: ?,
DK: ?,
S: ?,
ES: mezzo,
I: mezzo,
F: mezzo,
-D: ?,
+D: mezzo, etwas,
NL: ?,
DK: ?,
S: ?,
ES: do central,
I: do centrale,
F: do central, do 3
-D: eingestrichenes@w{ }c,
+D: zweigestrichenes@w{ }c,
NL: centrale@w{ }c,
DK: enstreget@w{ }c,
S: ettstruket@w{ }c,
FI: mordent, korukuvio.
@seealso
+@ref{acciaccatura}, @ref{appoggiatura}, @ref{grace notes},
@ref{ornament}.
@seealso
@ref{acciaccatura}, @ref{appoggiatura}, @ref{grace notes},
-@ref{ornament}.
+@ref{mordent}, @ref{ornament}.
@node ninth
ES: indicación de octava,
I: segno di ottava,
F: indication d'octave,
-D: ?,
+D: Oktavierungszeichen,
NL: ?,
DK: ?,
S: ?,
@end lilypond
@seealso
-@ref{acciaccatura}, @ref{appoggiatura}, @ref{grace notes}.
+@ref{acciaccatura}, @ref{appoggiatura}, @ref{grace notes},
+@ref{mordent}.
@node ossia
ES: compás polimétrico,
I: polimetria,
F: polymétrie,
-D: ?,
+D: Polymetrie,
NL: ?,
DK: ?,
S: ?,
ES: polimétrico,
I: polimetrico,
F: polymétrique,
-D: ?,
+D: polymetrisch,
NL: ?,
DK: ?,
S: ?,
ES: indicación de compás polimétrico,
I: tempo polimetrico,
F: ?,
-D: ?,
+D: zusammengesetzte Taktart,
NL: ?,
DK: ?,
S: ?,
@seealso
@ref{legato}.
+@node power chord
+@section power chord
+
+A chord containing only the root and the fifth (possibly in multiple
+octaves). Commonly used in guitar music, particularly with electric
+guitar and high distortion.
+
+@seealso
+@ref{chord}.
@node presto
@section presto
ES: proporción,
I: proporzione,
F: proportion,
-D: ?,
+D: Proportio,
NL: ?,
DK: ?,
S: ?,
ES: variante [de acorde o intervalo],
I: qualità (?),
F: qualité (?),
-D: ?,
+D: Modus (Dur oder Moll),
NL: ?,
DK: ?,
S: ?,
S: rallentando,
FI: rallerdando, hidastuen.
-[Italian] A performance indication, abbreviated @notation{rall.}
+[Italian: @q{slowing down}]
+
+Slackening in speed, more gradual than @ref{ritardando}. Abbreviated
+to @notation{rall.}
@seealso
@ref{ritardando}.
S: ritardando,
FI: ritardando, hidastuen,
-Gradually slackening in speed. Mostly abbreviated to @notation{rit.} or
-@notation{ritard}.
+[Italian: @q{lagging}]
+
+Gradual slowing down, more pronounced than @ref{rallentando}. Mostly
+abbreviated to @notation{rit.} or @notation{ritard}.
@seealso
-No cross-references.
+@ref{rallentando}.
@node ritenuto
\new Staff \relative c' {
c1 d e f g a b c
}
- \lyrics {
- << { I II III IV V VI VII I }
- { T "" "" S D } >>
-}
+ \lyrics { I II III IV V VI VII I }
+ \lyrics { T "" "" S D }
>>
@end lilypond
@item ES: redonda,
@item I: semibreve,
@item F: ronde,
-@item D: Ganze, ganze Note,
+@item D: Ganze, ganze Note, Semibrevis,
@item NL: hele noot,
@item DK: helnode,
@item S: helnot,
ES: simile, similar,
I: simile,
F: simile,
-D: ?,
+D: simile, gleichartig,
NL: ?,
DK: ?,
S: ?,
ES: compás simple, compás de subdivisión binaria,
I: ?,
F: mesure binaire,
-D: ?,
+D: grader Takt,
NL: ?,
DK: ?,
S: ?,
indicating (in connection with a @ref{clef}) their pitch. Staves for
@ref{percussion} instruments may have fewer lines.
+@lilypond[quote,relative=1]
+c4 e g c
+@end lilypond
+
@seealso
-No cross-references.
+@ref{system}.
@node staves
ES: stringendo, acelerando,
I: stringendo,
F: stringendo, en accélérant,
-D: ?,
+D: stringendo,
NL: ?,
DK: ?,
S: ?,
NL: systeem,
DK: system,
S: system,
-FI: nuottijärjestelmä.
+FI: nuottiviivasto.
-The collection of staves (@notation{staff}), two or more, as used for writing
-down of keyboard, chamber, choral, or orchestral music.
+The collection of staves (@notation{staff}), two or more, as used
+for writing down keyboard, chamber, choral, or orchestral music;
+a section of the score spanning the width of a single page.
@seealso
@ref{staff}.
ES: instrumento transpositor,
I: strumento traspositore,
F: instrument transpositeur,
-D: ?,
+D: transponierende Instrumente,
NL: ?,
DK: ?,
S: ?,
ES: compás ternario,
I: tempo ternario,
F: mesure ternaire,
-D: in drei, ungerader Takt,
+D: Dreiertakt, ungerader Takt,
NL: driedelige maatsoort,
DK: tredelt takt,
S: tretakt,
NL: stemvork,
DK: stemmegaffel,
S: stämgaffel,
-FI: viritysavain.
+FI: viritysavain, äänirauta.
A two-pronged piece of steel used to indicate an absolute pitch, usually for
@emph{A} above middle C (440 cps/Hz), which is the international tuning
ES: grupo de valoración especial,
I: gruppi irregolari,
F: ?,
-D: ?,
+D: N-tole,
NL: Antimetrische figuur,
DK: ?,
S: ?,
ES: vez, primera y segunda vez,
I: volta,
F: volta, fois,
-D: ?,
+D: volta-Klammer, Wiederholungsklammer,
NL: ?,
DK: ?,
S: ?,
@end multitable
+@node Non-Western terms A-Z
+@chapter Non-Western terms A-Z
+
+@menu
+* bayati::
+* iraq::
+* kurd::
+* makam::
+* makamlar::
+* maqam::
+* rast::
+* semai::
+* sikah::
+* taqasim::
+@end menu
+
+
+@node bayati
+@section bayati
+
+@c TODO
+This is a stub for @code{bayati}.
+
+@seealso
+Notation Reference:
+@ruser{Arabic key signatures}.
+
+
+@node iraq
+@section iraq
+
+@c TODO
+This is a stub for @code{iraq}.
+
+@seealso
+Notation Reference:
+@ruser{Arabic key signatures}.
+
+
+@node kurd
+@section kurd
+
+@c TODO
+This is a stub for @code{kurd}.
+
+@seealso
+Notation Reference:
+@ruser{Arabic key signatures}.
+
+
+@node makam
+@section makam
+
+@c TODO
+This is a stub for @code{makam}.
+
+@seealso
+Notation Reference:
+@ruser{Turkish classical music}.
+
+
+@node makamlar
+@section makamlar
+
+@c TODO
+This is a stub for @code{makamlar}.
+
+@seealso
+Notation Reference:
+@ruser{Turkish classical music}.
+
+
+@node maqam
+@section maqam
+
+@c TODO
+This is a stub for @code{maqam}.
+
+@seealso
+Notation Reference:
+@ruser{Arabic music},
+@ruser{Arabic key signatures}.
+
+
+@node rast
+@section rast
+
+@c TODO
+This is a stub for @code{rast}.
+
+@seealso
+Notation Reference:
+@ruser{Arabic key signatures}.
+
+
+@node semai
+@section semai
+
+@c TODO
+This is a stub for @code{semai}.
+
+@seealso
+Notation Reference:
+@ruser{Arabic key signatures}.
+
+
+@node sikah
+@section sikah
+
+@c TODO
+This is a stub for @code{sikah}.
+
+@seealso
+Notation Reference:
+@ruser{Arabic key signatures}.
+
+
+@node taqasim
+@section taqasim
+
+@c TODO
+This is a stub for @code{taqasim}.
+
+@seealso
+Notation Reference:
+@ruser{Arabic key signatures}.
+
+
@node Literature used
@appendix Literature used
projects / lilypond.git / blobdiff