\input texinfo @c -*- coding: utf-8; mode: texinfo; -*-
-@setfilename music-glosssary.info
-@settitle Music Glossary
+
+@setfilename music-glossary.info
+@settitle LilyPond Music Glossary
@documentencoding UTF-8
@documentlanguage en
+@afourpaper
-@include macros.itexi
+@macro manualIntro
+This glossary provides definitions and translations of musical
+terms used in the documentation manuals for LilyPond version
+@version{}.
+@end macro
-@afourpaper
+@c `Music Glossary' was born 1999-10-04 with git commit 280a0bb...
+@macro copyrightDeclare
+Copyright @copyright{} 1999--2010 by the authors
+@end macro
-@c see lilypond.tely for info installation note
-@dircategory LilyPond
-@direntry
-* Glossary: (music-glossary). Glossary of music terms.
-@end direntry
-
-@titlepage
-@title Music Glossary
-@author Christian Mondrup @c Original author of LilyPond glossary
-@c Danish glossary
-@author François Pinard @c Original glossary of GNU music project,
-@c French glossary
-@author Mats Bengtsson @c Swedish glossary
-@author David González @c Spanish glossary
-@author Bjoern Jacke @c German glossary
-@author Neil Jerram @c English glossary translations
-@author Heikki Junes @c Finnish glossary
-@author Kurtis Kroon @c English glossary maintenance, beg. Oct. 2007
-@author Adrian Mariano @c Italian glossary
-@author Han-Wen Nienhuys @c Dutch glossary
-@author Jan Nieuwenhuizen @c Dutch glossary
-
-@c Fixes by Jean-Pierre Coulon and `Dirk', alphabetized by last name, KK, 10/07
-@c Updates to the German translation by Till Rettig, 12/07
-
-Copyright @copyright{} 1999--2009 by the authors
-
- Permission is granted to copy, distribute and/or modify this document
- under the terms of the GNU Free Documentation License, Version 1.1
- or any later version published by the Free Software Foundation,
- without Invariant Sections.
-
-@end titlepage
+@set FDL
+@include macros.itexi
@c TODO: multiple omfcreators?
@omflanguage English
@end ignore
-@ifnottex
-@node Top
-@top Music glossary
-@end ifnottex
-
-
-@ifnottex
-
-@ifhtml
-@ifclear bigpage
-This document is also available as a
-@uref{source/Documentation/music-glossary.pdf,PDF} and as
-@uref{source/Documentation/music-glossary-big-page.html,one big page}.
-@end ifclear
-@ifset bigpage
-This document is also available as a
-@uref{source/Documentation/music-glossary.pdf,PDF} and as a
-@uref{source/Documentation/music-glossary/index.html,HTML indexed multiple pages}.
-@end ifset
-@end ifhtml
-
-This glossary was brought you by:
-
-@itemize
-
-@item @b{Christian Mondrup}: Original author of LilyPond glossary, Danish,
-@item @b{François Pinard}: Original glossary of GNU music project, French,
-
-@item @b{Han-Wen Nienhuys}: Dutch,
-@item @b{Jan Nieuwenhuizen}: Dutch,
-
-@item @b{Neil Jerram}: English,
-@item @b{Kurtis Kroon}: English,
-
-@item @b{Heikki Junes}: Finnish,
-
-@item @b{Bjoern Jacke}: German,
-
-@item @b{Adrian Mariano}: Italian,
-
-@item @b{David González}: Spanish,
-
-@item @b{Mats Bengtsson}: Swedish,
-
-@end itemize
-
-with additional contributions: thanks to all who have contributed.
-
-@ignore
-
-The list is rather long ...
-
-@itemize
-
-@item Danish:
-@itemize
-@item Rune Zedeler, @emph{pace}
-@item Eyolf Østrem
-@end itemize
-
-@item Dutch:
-@itemize
-@item Alard de Boer
-@end itemize
-
-@item English:
-@itemize
-@item Trevor Bača
-@item Trevor Daniels
-@item Andrew Hawryluk
-@item Ian Hulin
-@item Kieren MacMillan
-@item Patrick McCarty
-@item Ralph Palmer
-@item Carl D. Sorensen
-@item Anh Hai Trinh
-@end itemize
-
-@item Finnish:
-@itemize
-@item Risto Vääräniemi
-@end itemize
-
-@item German:
-@itemize
-@item Orm Finnendahl
-@item Reinhold Kainhofer
-@item Werner Lemberg
-@item Till Rettig
-@item Thomas Scharkowski
-@end itemize
-
-@item Italian
-@itemize
-@item Andrea Valle
-@end itemize
-
-@item Spanish
-@itemize
-@item Francisco Vila
-@end itemize
-
-@item Swedish
-@itemize
-@item Simon Dahlbacka
-@end itemize
-
-@end itemize
-@end ignore
-
-@*
-Copyright 1999--2009 by the authors
- Permission is granted to copy, distribute and/or modify this document
- under the terms of the GNU Free Documentation License, Version 1.1
- or any later version published by the Free Software Foundation,
- without Invariant Sections.
+@lilyTitlePage{Music Glossary}
-@*
-@end ifnottex
@c @pagesizes 10.3in
@c @everyheading @| @thispage @|
@c @evenheading @thispage @| @|
@c @oddheading @| @| @thispage @|
-This is the Music Glossary (MG) for GNU LilyPond version @version{}.
-For more information about how this fits with the other
-documentation, see
-FIXME FIXME FIXME
-@c @rlearning{About the documentation}.
-
-
@c arrowref
@macro aref{word}
@iftex
@w{@expansion{}@strong{\word\}}@c
@end iftex
+
@ifnottex
@expansion{}@ref{\word\, @strong{\word\}}@c
@end ifnottex
@end macro
+@c TOC -- non-tex
+@ifnottex
+
@menu
* Musical terms A-Z::
* Duration names notes and rests::
* Pitch names::
+
+Appendices
+
+* Literature used::
+* GNU Free Documentation License:: License of this document.
@end menu
+@docMain
+@end ifnottex
+
+
+@c TOC - tex. Not desired for this manual. -gp
+@c @contents
+
@node Musical terms A-Z
@chapter Musical terms A-Z
@node acciaccatura
@section acciaccatura
-ES: ?,
+ES: mordente de una nota,
I: acciaccatura,
F: acciaccatura, appoggiature brève,
-D: ?,
-NL: ?,
+D: Zusammenschlag,
+NL: samenslag,
DK: ?,
S: ?,
FI: ?.
@node adagio
@section adagio
-ES: adagio,
+ES: adagio, lento,
I: adagio,
F: adagio, lent,
D: Adagio, Langsam,
@node al niente
@section al niente
-ES: ?,
+ES: al niente,
I: al niente,
F: al niente, en mourant,
D: ?,
@node alla breve
@section alla breve
-ES: ?,
+ES: alla breve,
I: ?,
F: alla breve, à la brève,
D: ?,
@node allegro
@section allegro
-ES: allegro,
+ES: allegro, rápido,
I: allegro,
F: allegro, gaiement,
D: Allegro, Schnell, Fröhlich, Lustig,
I: appoggiatura,
F: appoggiature, (port de voix),
D: Vorschlag, Vorhalt
-NL: voorslag,
+NL: (korte) voorslag,
DK: forslag,
S: förslag,
FI: appoggiatura, etuhele.
@node beam
@section beam
-ES: barra
+ES: barra (de corcheas),
I: coda,
F: ligature, barre (de croches),
D: Balken,
\override SpacingSpanner
#'base-shortest-duration = #(ly:make-moment 1 1)
\override NonMusicalPaperColumn
- #'line-break-system-details = #'((alignment-offsets . (3 0 -3 -6)))
+ #'line-break-system-details = #'((alignment-distances . (3 3)))
\override BarLine #'stencil = ##f
}
\context {
\override SpacingSpanner
#'base-shortest-duration = #(ly:make-moment 2 1)
\override NonMusicalPaperColumn
- #'line-break-system-details = #'((alignment-offsets . (3 0 -3 -6)))
+ #'line-break-system-details = #'((alignment-distances . (3 3)))
\override BarLine #'stencil = ##f
}
\context {
\override SpacingSpanner #'base-shortest-duration =
#(ly:make-moment 2 1)
\override NonMusicalPaperColumn
- #'line-break-system-details = #'((alignment-offsets . (0 -3 -6)))
+ #'line-break-system-details = #'((alignment-distances . (3 3)))
\override BarLine #'stencil = ##f
}
\context {
@node concert pitch
@section concert pitch
-ES: en Do, afinación de concierto,
+ES: en Do, tono de concierto,
I: intonazione reale,
F: tonalité de concert, en ut,
D: ?,
the player or singer to manage line breaks during performance, which
enhances the readability of a score.
-Custodes were frequently used in music notation until the 16th century.
+Custodes were frequently used in music notation until the 16th century.
There were different appearences for different notation styles. Nowadays,
they have survived only in special forms of musical notation such as the
@emph{Editio Vaticana}, dating from the beginning of the 20th century
@node dal niente
@section dal niente
-ES: ?,
+ES: dal niente, de la nada,
I: dal niente,
F: partant de rien,
D: ?,
@node diminution
@section diminution
-ES: ?,
+ES: disminución,
I: diminuzione,
F: diminution,
D: ?,
@node direct
@section direct
-ES: ?,
+ES: directo,
I: ?,
F: ?,
D: Weiser, Zeiger,
@node divisio
@section divisio
-ES: ?,
+ES: división,
I: ?,
F: ?,
D: ?,
@node doit
@section doit
-ES: ?,
+ES: elevación [de tono],
I: ?,
F: saut,
D: ?,
@node double time signature
@section double time signature
-ES: ?,
+ES: compás polimétrico,
I: ?,
F: ?,
D: ?,
S: nottryck,
FI: painatus.
-Engraving means incising or etching a metal plate for printing.
+Engraving means incising or etching a metal plate for printing.
Photoengraving means drawing music with ink in a manner similar to
drafting or engineering drawing, using similar tools.
FI: F-avain.
The position between the dots of the key symbol is the line of the F
-below central@w{ }C. Used on the third, fourth and fifth note line.
+below central@w{ }C. Used on the third, fourth and fifth note line.
A digit@w{ }8 above the clef symbol indicates that the notes must be
played an octave higher (for example, bass recorder) while 8@w{ }below
the clef symbol indicates playing an octave lower (for example, on the
@node fall
@section fall
-ES: ?,
+ES: caída [de tono],
I: ?,
F: chute,
D: ?,
@node feathered beam
@section feathered beam
-ES: barra punteada,
+ES: barra progresiva,
I: ?,
F: ligature en soufflet, lien de croches en soufflet,
D: gespreizter Balken,
@node flageolet
@section flageolet
-ES: ?,
+ES: armónico,
I: ?,
F: flageolet,
D: ?,
@node forte
@section forte
-ES: forte,
+ES: forte, fuerte,
I: forte,
F: forte,
D: forte, laut,
@item DK: h
@item S: h
@item FI: H, h
-@end itemize
+@end itemize
Letter name used for @notation{B natural} in German and Scandinavian
usage. In the standard usage of these countries, @notation{B} means
@node harmonics
@section harmonics
-ES: sonidos del flautín,
+ES: armónicos, sonidos aflautados,
I: armonici,
F: flageolet, sons harmoniques,
D: Flageolett-Töne,
<<
\context Voice \relative c'' {
% Prime or unison
- < g g >1
+ < g g >1
< g gis >^"aug"
% Second
< gis as >^"dim"
- < g! as >^"min"
+ < g! as >^"min"
< g a! >^"maj"
- < g ais >^"aug"
+ < g ais >^"aug"
% Third
- < gis bes >^"dim"
- < g! bes >^"min"
- < g b! >^"maj"
- < g bis >^"aug"
+ < gis bes >^"dim"
+ < g! bes >^"min"
+ < g b! >^"maj"
+ < g bis >^"aug"
% Fourth
- < g ces >^"dim"
- < g c! >^"per"
- < g cis >^"aug"
+ < g ces >^"dim"
+ < g c! >^"per"
+ < g cis >^"aug"
% Fifth
< g des' >^"dim"
< g d' >^"per"
< g e'! >^"maj"
< g eis' >^"aug"
% Seventh
- < gis f'! >^"dim"
- < g! f'! >^"min"
- < g fis' >^"maj"
+ < gis f'! >^"dim"
+ < g! f'! >^"min"
+ < g fis' >^"maj"
< g fisis' >^"aug"
% Octave
< g ges' >^"dim"
@node inversion
@section inversion
-ES: ?,
+ES: inversión,
I: rivolto,
F: renversement,
D: ?,
@section longa
@itemize
-@item US: long, longa,
+@item US: long, longa,
@item ES: longa,
@item I: longa,
@item F: longa, longue,
@node maxima
@section maxima
-ES: ?,
+ES: máxima,
I: maxima,
F: maxima, maxime,
D: ?,
of the notation's principles, so the notation of this earliest period is called
@q{Franconian}. Franco's system made use of three note values -- long, breve,
and semibreve -- each of which was normally equivalent to three of the next
-lower note value.
+lower note value.
Then, in the first half of the 14th century, Philippe de Vitry and Jehan de Murs
added several note values (the minim, semiminim and fusa) and extended Franco's
@c TODO: add languages
-ES: ?,
+ES: signo de mensuración,
I: ?,
F: signe de mensuration,
D: ?,
@item triple: 9/8
@item quadruple: 12/8
- @end itemize
+ @end itemize
@end itemize
@node mezzo
@section mezzo
-ES: ?,
+ES: mezzo,
I: mezzo,
F: mezzo,
D: ?,
@node multi-measure rest
@section multi-measure rest
-ES: compases de espera,
+ES: compases de espera, silencio multicompás,
I: pausa multipla,
F: pause multiple, mesure à compter,
NL: meermaats rust,
@section neighbor tones
@c TODO: add definition.
-
-ES: ?,
+
+ES: tonos vecinos,
I: ?,
F: tons voisins,
D: ?,
A head-like sign which indicates pitch by its position on a @notation{staff}
provided with a @notation{clef}, and duration by a variety of shapes such as
-hollow or black heads with or without @notation{stems}, @notation{flags}, etc.
+hollow or black heads with or without @notation{stems}, @notation{flags}, etc.
For percussion instruments (often having no defined pitch) the note head may
indicate the instrument.
@node note value
@section note value
-ES: valor (duración),
+ES: valor, duración,
I: valore, durata,
F: durée, valeur (d'une note),
D: Notenwert,
@node part
@section part
-ES: parte,
+ES: parte, particella,
I: voce, parte,
F: partie,
D: Stimme,
@node piano
@section piano
-ES: piano,
+ES: piano, suave,
I: piano,
F: piano,
D: piano, leise,
@item The @emph{successive} use of different meters in one or more parts.
-@end itemize
+@end itemize
@seealso
@ref{polymetric} (adj.)
@node polymetric time signature
@section polymetric time signature
-ES: compás polimétrico,
+ES: indicación de compás polimétrico,
I: tempo polimetrico,
F: ?,
D: ?,
@node presto
@section presto
-ES: presto,
+ES: presto, muy rápido,
I: presto,
F: presto, très rapide, enlevé,
D: Presto, Sehr schnell,
@item If three, @emph{tripla}; and its inversion, @emph{subtripla}. Example:
3:1, 6:2, and 9:3.
-@item If four, @emph{quadrupla}; and its inversion, @emph{subquadrupla}.
+@item If four, @emph{quadrupla}; and its inversion, @emph{subquadrupla}.
Example: 4:1, 8:2, and 12:3
@end itemize
@node quality
@section quality
-ES: ?,
+ES: variante [de acorde o intervalo],
I: qualità (?),
F: qualité (?),
D: ?,
@node quarter tone
@section quarter tone
-ES: cuarto de tonno,
+ES: cuarto de tono,
I: quarto di tono,
F: quart de ton,
D: Viertelton,
@node quintuplet
@section quintuplet
-ES: cinquillo, quintillo.
+ES: cinquillo, quintillo,
I: quintina,
F: quintolet,
D: Quintole,
@node ritardando
@section ritardando
-ES: ritardando,
+ES: ritardando, retardando,
I: ritardando,
F: ritardando, en ralentissant,
D: ritardando, langsamer werden,
@node ritenuto
@section ritenuto
-ES: ritenuto,
+ES: ritenuto, reteniendo,
I: ritenuto,
F: ritenuto, en retenant,
D: ritenuto,
@node simile
@section simile
-ES: simile,
+ES: simile, similar,
I: simile,
F: simile,
D: ?,
@node slur
@section slur
-ES: ligadura (de expresión),
+ES: ligadura de expresión,
I: legatura (di portamento o espressiva),
F: liaison, coulé,
D: Bogen (Legatobogen, Phrasierungsbogen),
@section staff
UK: stave,
-ES: pentagrama,
+ES: pentagrama, pauta,
I: pentagramma, rigo (musicale),
F: portée,
D: Notensystem, Notenzeile,
@node stringendo
@section stringendo
-ES: ?,
+ES: stringendo, acelerando,
I: stringendo,
F: stringendo, en accélérant,
D: ?,
@node thirty-second note
@section thirty-second note
-@itemize
+@itemize
@item UK: demisemiquaver
@item ES: fusa
@item I: biscroma
@node tie
@section tie
-ES: ligadura de prolongación, ligadura de unión,
+ES: ligadura de unión (o de prolongación),
I: legatura (di valore),
F: liaison (de tenue),
D: Haltebogen, Bindebogen,
@node transposition
@section transposition
-ES: transporte,
+ES: transporte, transposición,
I: trasposizione,
F: transposition,
D: Transposition,
@node treble clef
@section treble clef
-ES: clave de sol,
+ES: clave de sol en segunda,
I: chiave di violino,
F: clef de sol,
D: Violinschlüssel, Sopranschlüssel,
@node tuning fork
@section tuning fork
-ES: diapasón, horquilla de afinación,
+ES: diapasón [de horquilla],
I: diapason, corista,
F: diapason,
D: Stimmgabel,
@node tuplet
@section tuplet
-ES: ?,
+ES: grupo de valoración especial,
I: gruppi irregolari,
F: ?,
D: ?,
-NL: ?,
+NL: Antimetrische figuur,
DK: ?,
S: ?,
FI: ?.
@q{hook}. Therefore, from the eighth note on, the note names mean @q{hook},
@q{doubled hook}, @q{trebled hook}, and so on.
-The rest names are based on the @notation{soupir}, or quarter rest.
+The rest names are based on the @notation{soupir}, or quarter rest.
Subsequent rests are expressed as fractions thereof: half a
@notation{soupir}, a quarter of a @notation{soupir}, and so on.
@end multitable
-@menu
-* Literature used::
-@end menu
-
@node Literature used
-@unnumberedsec Literature used
+@appendix Literature used
@itemize
@item Apel, Willi, ed. @cite{The Harvard Dictionary of Music}.
Cambridge: Belknap Press (Harvard University Press), 1986.
@item Riemann, Hugo. @cite{Musik-lexicon}. Berlin, 1929.
-
@end itemize
+
+@include fdl.itexi
+
+
@bye
projects / lilypond.git / blobdiff