Guide, node Updating translation committishes..
@end ignore
-@c \version "2.13.39"
+@c \version "2.14.0"
@node Fundamental concepts
@chapter Fundamental concepts
treated as a separate score, but they will be all combined into
a single output file. A @code{\book} command is not necessary
-- one will be implicitly created. However, if you would like
-separate output files from one @code{.ly} file then the
+separate output files from one @file{.ly} file then the
@code{\book} command should be used to separate the different
sections: each @code{\book} block will produce a
separate output file.
inserted beam and end before the end of the beam -- not very
musical, perhaps, but possible:
-@lilypond[quote,verbatim,fragment,ragged-right,relative=2]
- { g8\( a b[ c b\) a] g4 }
+@lilypond[quote,verbatim,ragged-right,relative=2]
+g8\( a b[ c b\) a] g4
@end lilypond
In general, different kinds of brackets, bracket-like constructs,
extending into a tuplet, a tie crossing two tuplets, and a
phrasing slur extending out of a tuplet (lines 3 and 4).
-@lilypond[quote,verbatim,fragment,ragged-right]
-{
- r16[ g \times 2/3 { r16 e'8] }
- g16( a \times 2/3 { b16 d) e' }
- g8[( a \times 2/3 { b8 d') e'~] } |
- \times 4/5 { e'32\( a b d' e' } a'4.\)
-}
+@lilypond[quote,verbatim,ragged-right,relative=1]
+r16[ g \times 2/3 { r16 e'8] }
+g,16( a \times 2/3 { b16 d) e }
+g,8[( a \times 2/3 { b8 d) e~] } |
+\times 4/5 { e32\( a, b d e } a4.\)
@end lilypond
so when exactly are multiple voices needed? Look first at
this example of four chords:
-@lilypond[quote,verbatim,fragment,ragged-right,relative=1]
+@lilypond[quote,verbatim,ragged-right,relative=1]
\key g \major
<d g>4 <d fis> <d a'> <d g>
@end lilypond
Here's how we split the chords above into two voices and add both
the passing note and a slur:
-@lilypond[quote,verbatim,fragment,ragged-right,relative=2]
+@lilypond[quote,verbatim,ragged-right,relative=2]
\key g \major
% Voice "1" Voice "2"
<< { g4 fis8( g) a4 g } \\ { d4 d d d } >>
Here's another simple example:
-@lilypond[quote,verbatim,fragment,ragged-right,relative=2]
+@lilypond[quote,verbatim,ragged-right,relative=2]
\key d \minor
% Voice "1" Voice "2"
<< { r4 g g4. a8 } \\ { d,2 d4 g } >> |
notes in each bar it may be better to split out each voice
separately, like this:
-@lilypond[quote,verbatim,fragment,ragged-right,relative=2]
+@lilypond[quote,verbatim,ragged-right,relative=2]
\key d \minor
<< {
% Voice "1"
In each of these contexts, the vertical direction of slurs,
stems, ties, dynamics etc., is set appropriately.
-@lilypond[quote,verbatim,fragment]
+@lilypond[quote,verbatim]
\new Staff \relative c' {
% Main voice
c16 d e f
we have learnt, using the @code{<< \\ >>} construct to
enter the music of the first bar in three voices:
-@lilypond[quote,verbatim,fragment,ragged-right]
+@lilypond[quote,verbatim,ragged-right]
\new Staff \relative c'' {
\key aes \major
<<
and placing the music in voice four. This is done by simply
adding another pair of @code{\\}.
-@lilypond[quote,verbatim,fragment,ragged-right]
+@lilypond[quote,verbatim,ragged-right]
\new Staff \relative c'' {
\key aes \major
<< % Voice one
the lyrics to the notes with @code{\lyricsto@{@}}, using the
name assigned to the Voice.
-@lilypond[quote,verbatim,fragment]
+@lilypond[quote,verbatim]
<<
\new Voice = "one" {
\relative c'' {
output. For example, compare the input and output of the
following example:
-@lilypond[quote,verbatim,relative=2,fragment]
+@lilypond[quote,verbatim,relative=2]
cis4 cis2. | a4 a2. |
@end lilypond
other things) several times. The change is from the default
value, not the most recently set value.
-@lilypond[quote,verbatim,ragged-right,relative=1,fragment]
+@lilypond[quote,verbatim,ragged-right,relative=1]
c4 d
% make note heads smaller
\set fontSize = #-4
@code{\set} command in a @code{\context} block in the
same way.
-
@seealso
Notation Reference: @ruser{Modifying context plug-ins},
@ruser{Changing context default settings}.
+@knownissues
+The @code{Stem_engraver} and @code{Beam_engraver} attach their
+objects to note heads. If the @code{Note_heads_engraver} is removed
+no note heads are produced and therefore no stems or beams are created
+either.
+
@node Extending the templates
@section Extending the templates
In this case, we want to modify the @code{stretchability}
sub-property only. Again, for the curious, you can find the
default values for the staff-staff-spacing property
-in file @file{scm/@/define-grobs@/.scm} by looking up the definition
+in file @file{scm/define-grobs.scm} by looking up the definition
of the @code{VerticalAxisGroup} grob. The value for
@code{stretchability} is taken from the definition of the
-@code{PianoStaff} context (in file @file{ly/@/engraver-init@/.ly})
+@code{PianoStaff} context (in file @file{ly/engraver-init.ly})
so that the values are identical.
@example
you have a single definition (such as @code{\dolce}) for all your
input files (see @ref{Style sheets}), then if the syntax changes, you
only need to update your single @code{\dolce} definition,
-instead of making changes throughout every @code{.ly} file.
+instead of making changes throughout every @file{.ly} file.
@node Scores and parts