Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.25"
+@c \version "2.19.2"
@ignore
Tutorial guidelines: (different from policy.txt!)
* Advanced rhythmic commands::
@end menu
-
@node Bar lines and bar checks
@subsection Bar lines and bar checks
-@subheading Bar lines
+@menu
+* Bar lines::
+* Bar checks::
+@end menu
+
+@node Bar lines
+@unnumberedsubsubsec Bar lines
+
Single bar lines are automatically placed in the music so
there is no need to add them manually. Other types of bar
g1 e1 \bar "||" c2. c'4 \bar "|."
@end lilypond
-@subheading Bar checks
+@node Bar checks
+@unnumberedsubsubsec Bar checks
+
Though not strictly necessary, @emph{bar checks} should be
used in the input code to show where bar lines are expected
@node Accidentals and key signatures
@subsection Accidentals and key signatures
+@menu
+* Accidentals::
+* Key signatures::
+* Warning key signatures and pitches::
+@end menu
+
@warning{New users are often confused by these -- please read the
warning at the bottom of this page, especially if you are not
familiar with music theory!}
-@subheading Accidentals
+@node Accidentals
+@unnumberedsubsubsec Accidentals
+
@cindex accidentals
@cindex accidentals and key signatures
@end lilypond
@cindex key signature, setting
-@subheading Key signatures
+
+@node Key signatures
+@unnumberedsubsubsec Key signatures
+
@cindex key signature
@cindex major
@smallspace
-@subheading Warning: key signatures and pitches
+@node Warning key signatures and pitches
+@unnumberedsubsubsec Warning: key signatures and pitches
+
Music Glossary: @rglos{accidental}, @rglos{key signature},
@rglos{pitch}, @rglos{flat}, @rglos{natural}, @rglos{sharp},
@funindex ( ... )
@funindex \( ... \)
-@subheading Ties
+@menu
+* Ties::
+* Slurs::
+* Phrasing slurs::
+* Warnings slurs vs. ties::
+@end menu
+@node Ties
+@unnumberedsubsubsec Ties
Music Glossary: @rglos{tie}.
A @notation{tie} is created by appending a tilde @code{~} to the
-first note being tied.
+first of the two notes being tied.
@lilypond[verbatim,quote,relative=2]
g4~ g c2~ | c4~ c8 a~ a2 |
@end lilypond
-@subheading Slurs
+@cindex bare duration
+@cindex duration, bare
+
+When the pitch does not change, as is always the case with tied notes,
+subsequent pitches may be omitted, specifying just the bare duration:
+
+@lilypond[verbatim,quote,relative=2]
+g4~ 4 c2~ | 4~ 8 a~ 2 |
+@end lilypond
+
+This shorthand may be useful in other places where the rhythm changes
+with an unchanging pitch, but remember a bare duration will attach to
+the preceding pitch, making a single note, if only white space
+separates them.
+
+
+@node Slurs
+@unnumberedsubsubsec Slurs
Music Glossary: @rglos{slur}.
d4( c16) cis( d e c cis d) e( d4)
@end lilypond
-@subheading Phrasing slurs
+@node Phrasing slurs
+@unnumberedsubsubsec Phrasing slurs
+
Music Glossary: @rglos{slur}, @rglos{phrasing}.
@smallspace
@cindex slurs versus ties
-@subheading Warnings: slurs vs. ties
+
+@node Warnings slurs vs. ties
+@unnumberedsubsubsec Warnings: slurs vs. ties
+
Music Glossary: @rglos{articulation}, @rglos{slur}, @rglos{tie}.
larger groups of notes. Slurs and ties can be nested.
@lilypond[verbatim,quote,relative=2]
-c4~( c8 d~ d4 e)
+c4~( c8 d~ 4 e)
@end lilypond
@node Articulation and dynamics
@subsection Articulation and dynamics
+@menu
+* Articulations::
+* Fingerings::
+* Dynamics::
+@end menu
+
+@node Articulations
+@unnumberedsubsubsec Articulations
-@subheading Articulations
@cindex articulation
@cindex accent
c4-> c-. c2-_
@end lilypond
-@subheading Fingerings
+@node Fingerings
+@unnumberedsubsubsec Fingerings
+
@cindex fingering
c4_-^1 d^. f^4_2-> e^-_+
@end lilypond
-@subheading Dynamics
+@node Dynamics
+@unnumberedsubsubsec Dynamics
+
@cindex dynamics
@cindex decrescendo
@node Advanced rhythmic commands
@subsection Advanced rhythmic commands
-@subheading Partial measure
+@menu
+* Partial measure::
+* Tuplets::
+* Grace notes::
+@end menu
+
+@node Partial measure
+@unnumberedsubsubsec Partial measure
+
@cindex pickup
@cindex anacrusis
c2 d |
@end lilypond
-@subheading Tuplets
+@node Tuplets
+@unnumberedsubsubsec Tuplets
+
@cindex tuplets
@cindex triplets
\tuplet 3/2 { d4 a8 }
@end lilypond
-@subheading Grace notes
+@node Grace notes
+@unnumberedsubsubsec Grace notes
+
@cindex grace notes
@cindex acciaccatura
with the keyword @code{\appoggiatura} or @code{\acciaccatura}:
@lilypond[verbatim,quote,relative=2]
-c2 \grace { a32[ b] } c2 |
+c2 \grace { a32 b } c2 |
c2 \appoggiatura b16 c2 |
c2 \acciaccatura b16 c2 |
@end lilypond
@cindex compound music expression
@cindex music expression, compound
+@menu
+* Analogy mathematical expressions::
+* Simultaneous music expressions multiple staves::
+* Simultaneous music expressions single staff::
+@end menu
+
In LilyPond input files, music is represented by @emph{music
expressions}. A single note is a music expression:
{ { a4 g } f4 g }
@end lilypond
-@subheading Analogy: mathematical expressions
+@node Analogy mathematical expressions
+@unnumberedsubsubsec Analogy: mathematical expressions
+
This mechanism is similar to mathematical formulas: a big formula
is created by composing small formulas. Such formulas are called
polyphonic scores.
-@subheading Simultaneous music expressions: multiple staves
+@node Simultaneous music expressions multiple staves
+@unnumberedsubsubsec Simultaneous music expressions: multiple staves
+
@cindex multiple staves
@cindex staves, multiple
@code{@bs{}relative} command.}
-@subheading Simultaneous music expressions: single staff
+@node Simultaneous music expressions single staff
+@unnumberedsubsubsec Simultaneous music expressions: single staff
+
To determine the number of staves in a piece, LilyPond looks at
the beginning of the first expression. If there is a single note,
}
@end lilypond
-
-
-
@node Staff groups
@subsection Staff groups
\clef "bass"
\key c \major
\time 6/8
- c4.~ c8 d b | c8([ d]) b c d b | c8
+ c4.~ 8 d b | c8([ d]) b c d b | c8
}
\addlyrics {
Lar -- go_al fac -- | to -- tum del -- la cit -- | tà
\key f \major
\time 6/8
\partial 8
- c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ c4
+ c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ 4
}
\addlyrics {
Let | flee -- cy flocks the | hills a -- | dorn, __
projects / lilypond.git / blobdiff