Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.19.22"
@c Translators: Yoshiki Sawada
@item Scheme 表記要素を区切る空白。
@item @code{lyricmode} モードの @code{\override} と @code{\set} コマンドの@c
中にある単語を区切る空白。@c
-特に、@code{\override Score . LyricText #'font-size = #5} のように、@c
+特に、@code{\override Score.LyricText.font-size = #5} のように、@c
コマンドの中のドットとイコール記号の前後、コマンド全体の前後に@c
空白を挿入することを忘れないで下さい。
}
\score {
- \new Staff \relative g, {
+ \new Staff \relative {
\clef bass
\key g \major
- \repeat unfold 2 { g16( d' b') a b d, b' d, } |
+ \repeat unfold 2 { g,16( d' b') a b d, b' d, } |
\repeat unfold 2 { g,16( e' c') b c e, c' e, } |
}
\header {
}
\score {
- \new Staff \relative b {
+ \new Staff \relative {
\clef bass
\key g \major
\partial 16 b16 |
@lilypond[papersize=a8landscape]
\book {
\score {
- \relative c' {
- c4 d e f
+ \relative {
+ c'4 d e f
}
}
}
tagline = "... music notation for Everyone"
}
\score {
- \relative c' {
- c4 d e f
+ \relative {
+ c'4 d e f
}
}
}
@lilypond[verbatim,quote,ragged-right,papersize=a8]
\book {
\header { copyright = \markup { "Copyright 1970" } }
- \relative c' {
+ \relative {
a'4-\footnote #'(-3 . 0) \markup { \bold Forte } \f
-\footnote #'(0 . 1.5) \markup { スラー } (
b8)-\footnote #'(0 . -2) \markup { 連桁 } [ e]
\book {
\header { tagline = ##f }
\markup { \auto-footnote "A simple tune" \italic "By me" }
- \relative c' {
+ \relative {
a'4 b8 e c4 d
}
}
@lilypond[verbatim,quote,ragged-right,papersize=a8]
\book {
\header { tagline = ##f }
- \relative c' {
+ \relative {
a'4-\footnote
\markup { \teeny 1 } #'(-3 . 0)
\markup { 1. \bold フォルテ } \f
\book {
\header { tagline = ##f }
\markup { "A simple tune" \footnote "*" \italic "* By me" }
- \relative c' {
+ \relative {
a'4 b8 e c4 d4
}
}
}
tocAct =
-#(define-music-function (parser location text) (markup?)
+#(define-music-function (text) (markup?)
(add-toc-item! 'tocActMarkup text))
@end verbatim
}
tocAct =
-#(define-music-function (parser location text) (markup?)
+#(define-music-function (text) (markup?)
(add-toc-item! 'tocActMarkup text))
\book {
ここに例を挙げます:
@lilypond[verbatim,quote]
-sopranoMusic = \relative c'' { a4 b c b8( a) }
-altoMusic = \relative g' { e4 e e f }
-tenorMusic = \relative c' { c4 b e d8( c) }
-bassMusic = \relative c' { a4 gis a d, }
+sopranoMusic = \relative { a'4 b c b8( a) }
+altoMusic = \relative { e'4 e e f }
+tenorMusic = \relative { c'4 b e d8( c) }
+bassMusic = \relative { a4 gis a d, }
allLyrics = \lyricmode {King of glo -- ry }
<<
\new Staff = "Soprano" \sopranoMusic
もう 1 つはトリルを明示的に展開しています:
@lilypond[verbatim,quote]
-music = \relative g' {
- g8. c32 d
+music = \relative {
+ g'8. c32 d
\tag #'trills {d8.\trill }
\tag #'expand {\repeat unfold 3 {e32 d} }
c32 d
音楽セクションを排除する方が楽な場合もあります:
@lilypond[verbatim,quote]
-music = \relative g' {
- g8. c32 d
+music = \relative {
+ g'8. c32 d
\tag #'trills {d8.\trill }
\tag #'expand {\repeat unfold 3 {e32 d} }
c32 d
@c KEEP LY
@lilypond[quote]
%c No verbatim here as the code does not display correctly in PDF
+% Font settings for Cyrillic and Hebrew
+% Linux Libertine fonts contain Cyrillic and Hebrew glyphs.
+\paper {
+ #(define fonts
+ (set-global-fonts
+ #:roman "Linux Libertine O,serif"
+ #:sans "Linux Biolinum O,sans-serif"
+ #:typewriter "Linux Libertine Mono O,monospace"
+ ))
+}
+
% キリル文字
bulgarian = \lyricmode {
Жълтата дюля беше щастлива, че пухът, който цъфна, замръзна като гьон.
}
\relative {
- c2 d e f g f e
+ c'2 d e f g f e
}
\addlyrics { \bulgarian }
\addlyrics { \hebrew }
@lilypond[quote,verbatim]
\score {
- \relative c'' {
- c1 \mark \markup { \char ##x03EE }
+ \relative {
+ c''1 \mark \markup { \char ##x03EE }
c1_\markup { \tiny { \char ##x03B1 " to " \char ##x03C9 } }
}
\addlyrics { O \markup { \concat { Ph \char ##x0153 be! } } }
}
-\markup { "Copyright 2008--2012" \char ##x00A9 }
+\markup { "Copyright 2008--2015" \char ##x00A9 }
@end lilypond
@cindex copyright sign (著作権記号)
スキップするということに注意してください。@c
くれぐれも注意してください。
-@lilypond[quote,relative=2,ragged-right,verbatim]
-c8 d
-\set Score.skipTypesetting = ##t
-e8 e e e e e e e
-\set Score.skipTypesetting = ##f
-c8 d b bes a g c2
+@lilypond[quote,ragged-right,verbatim]
+\relative {
+ c''8 d
+ \set Score.skipTypesetting = ##t
+ e8 e e e e e e e
+ \set Score.skipTypesetting = ##f
+ c8 d b bes a g c2
+}
@end lilypond
多声の音楽では、@code{Score.skipTypesetting} はすべてのボイスと譜に@c
\set Staff.midiInstrument = #"cello"
\set Score.dynamicAbsoluteVolumeFunction = #myDynamics
\new Voice {
- \relative c'' {
- a4\pp b c-\rfz
+ \relative {
+ a'4\pp b c-\rfz
}
}
}
\key g \major
\time 2/2
\set Staff.midiInstrument = #"flute"
- \new Voice \relative c''' {
- r2 g\mp g fis~
- fis4 g8 fis e2~
- e4 d8 cis d2
+ \new Voice \relative {
+ r2 g''\mp g fis~
+ 4 g8 fis e2~
+ 4 d8 cis d2
}
}
\new Staff {
\key g \major
\set Staff.midiInstrument = #"clarinet"
- \new Voice \relative c'' {
- b1\p a2. b8 a
+ \new Voice \relative {
+ b'1\p a2. b8 a
g2. fis8 e
fis2 r
}
\set Staff.midiInstrument = #"flute"
\set Staff.midiMinimumVolume = #0.7
\set Staff.midiMaximumVolume = #0.9
- \new Voice \relative c''' {
- r2 g\mp g fis~
- fis4 g8 fis e2~
- e4 d8 cis d2
+ \new Voice \relative {
+ r2 g''\mp g fis~
+ 4 g8 fis e2~
+ 4 d8 cis d2
}
}
\new Staff {
\set Staff.midiInstrument = #"clarinet"
\set Staff.midiMinimumVolume = #0.3
\set Staff.midiMaximumVolume = #0.6
- \new Voice \relative c'' {
- b1\p a2. b8 a
+ \new Voice \relative {
+ b'1\p a2. b8 a
g2. fis8 e
fis2 r
}
\time 2/2
\set Score.instrumentEqualizer = #my-instrument-equalizer
\set Staff.midiInstrument = #"flute"
- \new Voice \relative c''' {
- r2 g\mp g fis ~
- fis4 g8 fis e2 ~
- e4 d8 cis d2
+ \new Voice \relative {
+ r2 g''\mp g fis ~
+ 4 g8 fis e2 ~
+ 4 d8 cis d2
}
}
\new Staff {
\key g \major
\set Staff.midiInstrument = #"clarinet"
- \new Voice \relative c'' {
- b1\p a2. b8 a
+ \new Voice \relative {
+ b'1\p a2. b8 a
g2. fis8 e
fis2 r
}
@lilypond[verbatim,quote]
\score {
- \relative c' {
- c cih cis cisih
+ \relative {
+ c' cih cis cisih
d dih ees eeh
e eih f fih
fis fisih g gih