Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.22"
@node Modifica dell'output
@chapter Modifica dell'output
@cindex colore, proprietà del
@cindex NoteHead, esempio di sovrascrittura
-@lilypond[quote,fragment,ragged-right,verbatim,relative=1]
-c4 d
-\override NoteHead.color = #red
-e4 f |
-\override NoteHead.color = #green
-g4 a b c |
+@lilypond[quote,ragged-right,verbatim]
+\relative {
+ c'4 d
+ \override NoteHead.color = #red
+ e4 f |
+ \override NoteHead.color = #green
+ g4 a b c |
+}
@end lilypond
@node Il comando revert
@cindex colore, proprietà del
@cindex NoteHead, esempio di sovrascrittura
-@lilypond[quote,fragment,ragged-right,verbatim,relative=1]
-c4 d
-\override NoteHead.color = #red
-e4 f |
-\override NoteHead.color = #green
-g4 a
-\revert NoteHead.color
-b4 c |
+@lilypond[quote,ragged-right,verbatim]
+\relative {
+ c'4 d
+ \override NoteHead.color = #red
+ e4 f |
+ \override NoteHead.color = #green
+ g4 a
+ \revert NoteHead.color
+ b4 c |
+}
@end lilypond
@node Il prefisso once
@cindex colore, proprietà del
@cindex NoteHead, esempio di sovrascrittura
-@lilypond[quote,verbatim,relative=1]
-c4 d
-\override NoteHead.color = #red
-e4 f |
-\once \override NoteHead.color = #green
-g4 a
-\revert NoteHead.color
-b c |
+@lilypond[quote,verbatim]
+\relative {
+ c'4 d
+ \override NoteHead.color = #red
+ e4 f |
+ \once \override NoteHead.color = #green
+ g4 a
+ \revert NoteHead.color
+ b c |
+}
@end lilypond
Il prefisso @code{\once} può essere usato anche di fronte a molti
@cindex font-size, esempio
@cindex NoteHead, esempio di sovrascrittura
-@lilypond[quote,fragment,ragged-right,verbatim,relative=1]
-<c e g>4
-\once \override NoteHead.font-size = #-3
-<c e g>4
-<c e g>4
+@lilypond[quote,ragged-right,verbatim]
+\relative {
+ <c' e g>4
+ \once \override NoteHead.font-size = #-3
+ <c e g>4
+ <c e g>4
+}
@end lilypond
Come si vede, la sovrascrittura riguarda @emph{tutte} le teste di nota
@cindex font-size, esempio
@cindex @code{\tweak}, esempio
-@lilypond[quote,fragment,ragged-right,verbatim,relative=1]
-<c e g>4
-<c \tweak font-size #-3 e g>4
+@lilypond[quote,ragged-right,verbatim]
+\relative {
+ <c' e g>4
+ <c \tweak font-size #-3 e g>4
+}
@end lilypond
Si noti che la sintassi di @code{\tweak} è diversa da quella di
@cindex colore, proprietà del
@cindex @code{\tweak}, esempio
-@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
-a4^"Black"
+@lilypond[quote,fragment,ragged-right,verbatim]
+a'4^"Black"
-\tweak color #red ^"Red"
-\tweak color #green _"Green"
@end lilypond
@cindex proprietà del colore, esempio
@cindex colore, esempio
-@lilypond[quote,ragged-right,verbatim,fragment,relative=2]
-\tweak direction #up
-\tuplet 3/4 {
- \tweak color #red
- \tuplet 3/2 { c8[ c c] }
- \tuplet 3/2 { c8[ c c] }
- \tuplet 3/2 { c8[ c c] }
+@lilypond[quote,ragged-right,verbatim]
+\relative c'' {
+ \tweak direction #up
+ \tuplet 3/4 {
+ \tweak color #red
+ \tuplet 3/2 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
+ }
}
@end lilypond
@c NOTE Tuplet brackets collide if notes are high on staff
@c See issue 509
-@lilypond[quote,ragged-right,verbatim,fragment,relative=1]
-\tuplet 3/2 { c8[ c c] }
-\once \override TupletNumber.text = #tuplet-number::calc-fraction-text
-\tuplet 3/2 {
- c8[ c]
- c8[ c]
- \once \override TupletNumber.transparent = ##t
- \tuplet 3/2 { c8[ c c] }
- \tuplet 3/2 { c8[ c c] }
+@lilypond[quote,ragged-right,verbatim]
+\relative {
+ \tuplet 3/2 { c'8[ c c] }
+ \once \override TupletNumber.text = #tuplet-number::calc-fraction-text
+ \tuplet 3/2 {
+ c8[ c]
+ c8[ c]
+ \once \override TupletNumber.transparent = ##t
+ \tuplet 3/2 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
+ }
}
@end lilypond
\override NoteHead.color = #red
\override NoteHead.font-size = 2
}
-\relative c'' {
- c4 a \once \emphNoteHead f d |
+\relative {
+ c''4 a \once \emphNoteHead f d |
}
@end lilypond
\override NoteHead.color = #red
\override NoteHead.font-size = 2
}
-\relative c'' {
- <c a \single \emphNoteHead f d>4
+\relative {
+ <c'' a \single \emphNoteHead f d>4
}
@end lilypond
@c Mozart, Die Zauberflöte Nr.7 Duett
-@lilypond[quote,verbatim,relative=2]
+@lilypond[quote,verbatim]
{
\key es \major
\time 6/8
- {
- r4 bes8 bes[( g]) g |
+ \relative {
+ r4 bes'8 bes[( g]) g |
g8[( es]) es d[( f]) as |
as8 g
}
@cindex proprietà thickness, esempio
@cindex thickness (spessore), esempio
-@lilypond[quote,verbatim,relative=2]
+@lilypond[quote,verbatim]
{
\key es \major
\time 6/8
- {
+ \relative {
% Increase thickness of all following slurs from 1.2 to 5.0
\override Slur.thickness = #5.0
- r4 bes8 bes[( g]) g |
+ r4 bes'8 bes[( g]) g |
g8[( es]) es d[( f]) as |
as8 g
}
@cindex LyricText, esempio di sovrascrittura
@cindex @code{\addlyrics}, esempio
-@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
+@lilypond[quote,ragged-right,verbatim]
{
\key es \major
\time 6/8
- {
- r4 bes8 bes[( g]) g |
+ \relative {
+ r4 bes'8 bes[( g]) g |
g8[( es]) es d[( f]) as |
as8 g
}
@cindex proprietà stencil, esempio
@cindex stencil, esempio
-@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
-{
+@lilypond[quote,ragged-right,verbatim]
+\relative {
\time 12/16
\override BarLine.stencil = ##f
- c4 b8 c d16 c d8 |
+ c''4 b8 c d16 c d8 |
g,8 a16 b8 c d4 e16 |
e8
}
@cindex proprietà stencil, esempio
@cindex stencil, esempio
-@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
-{
+@lilypond[quote,ragged-right,verbatim]
+\relative {
\time 12/16
\override Staff.BarLine.stencil = ##f
- c4 b8 c d16 c d8 |
+ c''4 b8 c d16 c d8 |
g,8 a16 b8 c d4 e16 |
e8
}
scorciatoia, @code{\omit}:
@funindex \omit
-@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
-{
+@lilypond[quote,ragged-right,verbatim]
+\relative {
\time 12/16
\omit Staff.BarLine
- c4 b8 c d16 c d8 |
+ c''4 b8 c d16 c d8 |
g,8 a16 b8 c d4 e16 |
e8
}
@code{point-stencil}, che trasforma lo stencil in un oggetto a dimensione
zero:
-@lilypond[quote,verbatim,relative=2]
-{
- c4 c
+@lilypond[quote,verbatim]
+\relative {
+ c''4 c
\once \override NoteHead.stencil = #point-stencil
c4 c
}
@cindex proprietà break-visibility, esempio
@cindex break-visibility, esempio
-@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
-{
+@lilypond[quote,ragged-right,verbatim]
+\relative {
\time 12/16
\override Staff.BarLine.break-visibility = ##(#f #f #f)
- c4 b8 c d16 c d8 |
+ c''4 b8 c d16 c d8 |
g,8 a16 b8 c d4 e16 |
e8
}
@cindex proprietà transparent, esempio
@cindex transparent, esempio
-@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
-{
+@lilypond[quote,ragged-right,verbatim]
+\relative {
\time 12/16
\override Staff.TimeSignature.transparent = ##t
- c4 b8 c d16 c d8 |
+ c''4 b8 c d16 c d8 |
g,8 a16 b8 c d4 e16 |
e8
}
frequente, perciò è stata creata la scorciatoia @code{\hide}:
@funindex \hide
-@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
-{
+@lilypond[quote,ragged-right,verbatim]
+\relative {
\time 12/16
\hide Staff.TimeSignature
- c4 b8 c d16 c d8 |
+ c''4 b8 c d16 c d8 |
g,8 a16 b8 c d4 e16 |
e8
}
@cindex proprietà stencil, esempio
@cindex stencil, esempio
-@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
-{
+@lilypond[quote,ragged-right,verbatim]
+\relative {
\time 12/16
\omit Staff.TimeSignature
- c4 b8 c d16 c d8 |
+ c''4 b8 c d16 c d8 |
g,8 a16 b8 c d4 e16 |
e8
}
@cindex proprietà color
@cindex color, proprietà
-@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
-{
+@lilypond[quote,ragged-right,verbatim]
+\relative {
\time 12/16
\override Staff.BarLine.color = #white
- c4 b8 c d16 c d8 |
+ c''4 b8 c d16 c d8 |
g,8 a16 b8 c d4 e16 |
e8
}
@cindex proprietà color, esempio
@cindex color, esempio
-@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
-{
+@lilypond[quote,ragged-right,verbatim]
+\relative {
\time 12/16
\override Staff.BarLine.color = #(x11-color 'white)
- c4 b8 c d16 c d8 |
+ c''4 b8 c d16 c d8 |
g,8 a16 b8 c d4 e16 |
e8
}
@cindex proprietà color, esempio
@cindex color, esempio
-@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
-{
+@lilypond[quote,ragged-right,verbatim]
+\relative {
\time 12/16
\override Staff.BarLine.color = #(rgb-color 1 1 1)
- c4 b8 c d16 c d8 |
+ c''4 b8 c d16 c d8 |
g,8 a16 b8 c d4 e16 |
e8
}
@cindex color, esempio
@cindex x11-color, esempio di utilizzo
-@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
-{
+@lilypond[quote,ragged-right,verbatim]
+\relative {
\time 12/16
\override Staff.StaffSymbol.color = #(x11-color 'grey30)
\override Staff.TimeSignature.color = #(x11-color 'grey60)
\override Voice.NoteHead.color = #(x11-color 'grey85)
\override Voice.Stem.color = #(x11-color 'grey85)
\override Staff.BarLine.color = #(x11-color 'grey10)
- c4 b8 c d16 c d8 |
+ c''4 b8 c d16 c d8 |
g,8 a16 b8 c d4 e16 |
e8
}
@cindex proprietà alignAboveContext, esempio
@cindex @code{\with}, esempio
-@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
+@lilypond[quote,ragged-right,verbatim]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@cindex Clef, esempio di sovrascrittura
@cindex TimeSignature, esempio di sovrascrittura
-@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
+@lilypond[quote,ragged-right,verbatim]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,ragged-right,verbatim]
<<
\new Staff {
- \relative c' { c4 a, }
+ \relative { c'4 a, }
}
\new Staff {
- \relative c'''' { c4 a, }
+ \relative { c''''4 a, }
}
>>
@end lilypond
@cindex proprietà direction, esempio
@cindex direction, esempio
-@lilypond[quote,verbatim,relative=2]
-c4-5 a-3 f-1 c'-5 |
-\override Fingering.direction = #DOWN
-c4-5 a-3 f-1 c'-5 |
-\override Fingering.direction = #UP
-c4-5 a-3 f-1 c'-5 |
+@lilypond[quote,verbatim]
+\relative {
+ c''4-5 a-3 f-1 c'-5 |
+ \override Fingering.direction = #DOWN
+ c4-5 a-3 f-1 c'-5 |
+ \override Fingering.direction = #UP
+ c4-5 a-3 f-1 c'-5 |
+}
@end lilypond
Tuttavia sovrascrivere la proprietà @code{direction} non è il modo
@cindex fingering, esempio
-@lilypond[quote,verbatim,relative=2]
-c4-5 a-3 f-1 c'-5 |
-c4_5 a_3 f_1 c'_5 |
-c4^5 a^3 f^1 c'^5 |
+@lilypond[quote,verbatim]
+\relative {
+ c''4-5 a-3 f-1 c'-5 |
+ c4_5 a_3 f_1 c'_5 |
+ c4^5 a^3 f^1 c'^5 |
+}
@end lilypond
La proprietà @code{direction} viene ignorata negli accordi, ma i
@cindex fingering, esempio
-@lilypond[quote,verbatim,relative=2]
-<c-5 g-3>4
-<c-5 g-3 e-2>4
-<c-5 g-3 e-2 c-1>4
+@lilypond[quote,verbatim]
+\relative {
+ <c''-5 g-3>4
+ <c-5 g-3 e-2>4
+ <c-5 g-3 e-2 c-1>4
+}
@end lilypond
@noindent
@cindex fingering, esempio
-@lilypond[quote,verbatim,relative=2]
-<c-5 g-3 e-2 c-1>4
-<c^5 g_3 e_2 c_1>4
-<c^5 g^3 e^2 c_1>4
+@lilypond[quote,verbatim]
+\relative {
+ <c''-5 g-3 e-2 c-1>4
+ <c^5 g_3 e_2 c_1>4
+ <c^5 g^3 e^2 c_1>4
+}
@end lilypond
È possibile avere un controllo ancora maggiore sulla disposizione della
@cindex @code{\set}, esempio di utilizzo
@cindex proprietà fingeringOrientations, esempio
-@lilypond[quote,fragment,ragged-right,verbatim,relative=1]
-\set fingeringOrientations = #'(left)
-<f-2>4
-<c-1 e-2 g-3 b-5>4
-\set fingeringOrientations = #'(left)
-<f-2>4
-<c-1 e-2 g-3 b-5>4 |
-\set fingeringOrientations = #'(up left down)
-<f-2>4
-<c-1 e-2 g-3 b-5>4
-\set fingeringOrientations = #'(up left)
-<f-2>4
-<c-1 e-2 g-3 b-5>4 |
-\set fingeringOrientations = #'(right)
-<f-2>4
-<c-1 e-2 g-3 b-5>4
+@lilypond[quote,ragged-right,verbatim]
+\relative {
+ \set fingeringOrientations = #'(left)
+ <f'-2>4
+ <c-1 e-2 g-3 b-5>4
+ \set fingeringOrientations = #'(left)
+ <f-2>4
+ <c-1 e-2 g-3 b-5>4 |
+ \set fingeringOrientations = #'(up left down)
+ <f-2>4
+ <c-1 e-2 g-3 b-5>4
+ \set fingeringOrientations = #'(up left)
+ <f-2>4
+ <c-1 e-2 g-3 b-5>4 |
+ \set fingeringOrientations = #'(right)
+ <f-2>4
+ <c-1 e-2 g-3 b-5>4
+}
@end lilypond
@noindent
valore predefinito di tale proprietà è @w{@code{-5}}, dunque proviamo
con @w{@code{-7}}:
-@lilypond[quote,fragment,ragged-right,verbatim,relative=1]
-\override Fingering.font-size = #-7
-\set fingeringOrientations = #'(left)
-<f-2>4
-<c-1 e-2 g-3 b-5>4
-\set fingeringOrientations = #'(left)
-<f-2>4
-<c-1 e-2 g-3 b-5>4 |
-\set fingeringOrientations = #'(up left down)
-<f-2>4
-<c-1 e-2 g-3 b-5>4
-\set fingeringOrientations = #'(up left)
-<f-2>4
-<c-1 e-2 g-3 b-5>4 |
-\set fingeringOrientations = #'(right)
-<f-2>4
-<c-1 e-2 g-3 b-5>4
+@lilypond[quote,ragged-right,verbatim]
+\relative {
+ \override Fingering.font-size = #-7
+ \set fingeringOrientations = #'(left)
+ <f'-2>4
+ <c-1 e-2 g-3 b-5>4
+ \set fingeringOrientations = #'(left)
+ <f-2>4
+ <c-1 e-2 g-3 b-5>4 |
+ \set fingeringOrientations = #'(up left down)
+ <f-2>4
+ <c-1 e-2 g-3 b-5>4
+ \set fingeringOrientations = #'(up left)
+ <f-2>4
+ <c-1 e-2 g-3 b-5>4 |
+ \set fingeringOrientations = #'(right)
+ <f-2>4
+ <c-1 e-2 g-3 b-5>4
+}
@end lilypond
@node Oggetti esterni al rigo
@cindex proprietà bound-details, esempio
@cindex bound-details, esempio
-@lilypond[quote,fragment,ragged-right,verbatim,relative=1]
+@lilypond[quote,fragment,ragged-right,verbatim]
% Set details for later Text Spanner
\override TextSpanner.bound-details.left.text
= \markup { \small \bold Slower }
\dynamicUp
% Start Ottava Bracket
\ottava #1
-c'4 \startTextSpan
+c''4 \startTextSpan
% Add Dynamic Text and hairpin
-c4\pp\<
-c4
+c''4\pp\<
+c''4
% Add Text Script
-c4^Text |
-c4 c
+c''4^Text |
+c''4 c''
% Add Dynamic Text and terminate hairpin
-c4\ff c \stopTextSpan |
+c''4\ff c'' \stopTextSpan |
% Stop Ottava Bracket
\ottava #0
-c,4 c c c |
+c'4 c' c' c' |
@end lilypond
Questo esempio mostra anche come creare gli estensori (spanner) del testo,
insieme ad altri oggetti esterni al rigo in base a quel valore. Ecco un
esempio che mostra l'effetto dei due metodi:
-@lilypond[quote,verbatim,relative=2]
-c4( c^\markup { \tiny \sharp } d4.) c8 |
-c4(
-\once \override TextScript.avoid-slur = #'inside
-\once \override TextScript.outside-staff-priority = ##f
-c4^\markup { \tiny \sharp } d4.) c8 |
-\once \override Slur.outside-staff-priority = #500
-c4( c^\markup { \tiny \sharp } d4.) c8 |
+@lilypond[quote,verbatim]
+\relative c'' {
+ c4( c^\markup { \tiny \sharp } d4.) c8 |
+ c4(
+ \once \override TextScript.avoid-slur = #'inside
+ \once \override TextScript.outside-staff-priority = ##f
+ c4^\markup { \tiny \sharp } d4.) c8 |
+ \once \override Slur.outside-staff-priority = #500
+ c4( c^\markup { \tiny \sharp } d4.) c8 |
+}
@end lilypond
Attraverso la proprietà @code{outside-staff-priority} si può
Si ottengono risultati abbastanza accettabili, come dimostra
questo esempio:
-@lilypond[quote,fragment,ragged-right,verbatim,relative=1]
-\clef "bass"
-\key aes \major
-\time 9/8
-\dynamicUp
-bes4.~\f\< \( bes4 bes8 des4\ff\> c16 bes\! |
-ees,2.~\)\mf ees4 r8 |
+@lilypond[quote,ragged-right,verbatim]
+\relative {
+ \clef "bass"
+ \key aes \major
+ \time 9/8
+ \dynamicUp
+ bes4.~\f\< \( bes4 bes8 des4\ff\> c16 bes\! |
+ ees,2.~\)\mf ees4 r8 |
+}
@end lilypond
Tuttavia, se le note e le loro dinamiche sono molto vicine,
potrebbe non essere però il posizionamento migliore, come mostra
questo esempio piuttosto improbabile:
-@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
+@lilypond[quote,ragged-right,verbatim,fragment]
\dynamicUp
-a4\f b\mf a\mp b\p
+\relative { a'4\f b\mf a\mp b\p }
@end lilypond
@noindent
@cindex proprietà padding, esempio
@cindex padding, esempio
-@lilypond[quote,fragment,relative=1,verbatim]
-c2\fermata
+@lilypond[quote,fragment,verbatim]
+c'2\fermata
\override Script.padding = #3
b2\fermata
@end lilypond
@lilypond[quote,ragged-right,verbatim]
sesquisharp = \markup { \sesquisharp }
-\relative c'' {
- c4
+\relative {
+ c''4
% Mostra un triesis (alterazione ascendente di tre quarti di tono) ma lo spazio è troppo stretto
\once \override Accidental.stencil = #ly:text-interface::print
\once \override Accidental.text = #sesquisharp
@cindex proprietà staff-padding, esempio
@cindex staff-padding, esempio
-@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
+@lilypond[quote,fragment,ragged-right,verbatim]
\override DynamicLineSpanner.staff-padding = #3
-a4\f b\mf a\p b\mp
+\relative { a'4\f b\mf a\p b\mp }
@end lilypond
@cindex proprietà self-alignment-X, esempio
@cindex self-alignment-X, esempio
-@lilypond[quote,fragment,ragged-right,verbatim,relative=3]
+@lilypond[quote,fragment,ragged-right,verbatim]
\voiceOne
-<a\2>
+<a''\2>
\once \override StringNumber.self-alignment-X = #RIGHT
-<a\2>
+<a''\2>
@end lilypond
le note e le pause simultanee. Ecco un esempio
di collisione di questo tipo:
-@lilypond[quote,verbatim,fragment,ragged-right, relative=1]
-<< { c4 c c c } \\ { R1 } >>
+@lilypond[quote,verbatim,ragged-right]
+<< \relative { c'4 c c c } \\ { R1 } >>
@end lilypond
In questo caso la soluzione migliore è spostare in basso la pausa d'intero, poiché
@cindex proprietà staff-position, esempio
@cindex staff-position, esempio
-@lilypond[quote,verbatim,fragment,ragged-right, relative=1]
+@lilypond[quote,verbatim,ragged-right]
<<
- { c4 c c c }
+ \relative { c'4 c c c }
\\
\override MultiMeasureRest.staff-position = #-8
{ R1 }
delle travature. Ecco un esempio in cui una legatura di frase
e una legatura di portamento collidono:
-@lilypond[quote,verbatim,fragment,ragged-right,relative=2]
-a8 \( ( a'16 ) a \)
+@lilypond[quote,verbatim,ragged-right]
+\relative { a'8 \( ( a'16 ) a \) }
@end lilypond
@cindex PhrasingSlur, esempio di sovrascrittura
sceglierà la legatura di frase tra quelle candidate che hanno le
estremità più vicine a queste:
-@lilypond[quote,verbatim,fragment,ragged-right,relative=2]
+@lilypond[quote,verbatim,fragment,ragged-right]
\once \override PhrasingSlur.positions = #'(2.5 . 4.5)
-a8 \( ( a'16 ) a \)
+a'8 \( ( a''16 ) a'' \)
@end lilypond
È migliorato, ma perché non abbassare un po' l'estremità destra
lasciato così:
@lilypond[quote,verbatim,fragment,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<<
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\
{ <ees, c>2 des }
\\
@cindex force-hshift, esempio
@lilypond[quote,verbatim,fragment,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<<
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\
{ <ees, c>2 \once \override NoteColumn.force-hshift =
0.5 des }
@c This example should not be indexed
@c line-width ensures no break
@lilypond[quote,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4. g8 |
+ r2 c''4. g8 |
bes1~ |
\time 6/4
bes2. r8
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2 |
+lhMusic = \relative {
+ r2 <c' g ees>2 |
<d g, d>1 |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
bes1~ |
\time 6/4
bes2. r8
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1) |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
stessa voce possono essere unite da una legatura di valore.
Se si usano due voci con le note legate in una voce
-@lilypond[quote,fragment,relative=2]
-<< { b8~ 8\noBeam } \\ { b8[ g] } >>
+@lilypond[quote]
+<< { b'8~ 8\noBeam } \\ { b'8[ g'] } >>
@end lilypond
@noindent
@cindex Flag, esempio di rimozione
@cindex @code{\omit}, esempio
-@lilypond[quote,fragment,relative=2,verbatim]
+@lilypond[quote,verbatim]
<<
{
\once \omit Stem
\once \omit Flag
- b8~ 8\noBeam
+ b'8~ 8\noBeam
}
\\
- { b8[ g] }
+ { b'8[ g'] }
>>
@end lilypond
@lilypond[quote,verbatim,ragged-right]
\score {
- \relative c'' {
+ \relative {
% Indicazione di tempo visibile
\tempo 4=120
- a4 a a
+ a'4 a a
\once \hide Score.MetronomeMark
% Indicazione di tempo invisibile per allungare la fermata nel MIDI
\tempo 4=80
@lilypond[quote,verbatim,ragged-right]
\score {
- \relative c'' {
+ \relative {
% Indicazione di tempo visibile
\tempo 4=120
- a4 a a
+ a'4 a a
\once \omit Score.MetronomeMark
% Indicazione di tempo invisibile per allungare la fermata nel MIDI
\tempo 4=80
global = { \key c \major \time 4/4 \partial 4 }
-SopranoMusic = \relative c' { c4 | e4. e8 g4 g | a4 a g }
-AltoMusic = \relative c' { c4 | c4. c8 e4 e | f4 f e }
-TenorMusic = \relative c { e4 | g4. g8 c4. b8 | a8 b c d e4 }
-BassMusic = \relative c { c4 | c4. c8 c4 c | f8 g a b c4 }
+SopranoMusic = \relative { c'4 | e4. e8 g4 g | a4 a g }
+AltoMusic = \relative { c'4 | c4. c8 e4 e | f4 f e }
+TenorMusic = \relative { e4 | g4. g8 c4. b8 | a8 b c d e4 }
+BassMusic = \relative { c4 | c4. c8 c4 c | f8 g a b c4 }
VerseOne = \lyrics {
E -- | ter -- nal \emphasize Fa -- ther, | \normal strong to save,
inst =
#(define-music-function
- (parser location string)
+ (string)
(string?)
#{ <>^\markup \bold \box #string #})
-\relative c'' {
+\relative {
\tempo 4=50
- a4.\mpdolce d8 cis4--\glissando a |
+ a'4.\mpdolce d8 cis4--\glissando a |
b4 bes a2 |
\inst "Clarinet"
cis4.\< d8 e4 fis |
inst =
#(define-music-function
- (parser location string)
+ (string)
(string?)
#@{ <>^\markup \bold \box #string #@})
@end example
@example
\include "definitions.ily"
-\relative c'' @{
+\relative @{
\tempo 4=50
- a4.\mpdolce d8 cis4--\glissando a |
+ a'4.\mpdolce d8 cis4--\glissando a |
b4 bes a2 |
\inst "Clarinet"
cis4.\< d8 e4 fis |
inst =
#(define-music-function
- (parser location string)
+ (string)
(string?)
#{ <>^\markup \bold \box #string #})
-\relative c'' {
+\relative {
\tempo 4=50
- a4.\mpdolce d8 cis4--\glissando a |
+ a'4.\mpdolce d8 cis4--\glissando a |
b4 bes a2 |
\inst "Clarinet"
cis4.\< d8 e4 fis |
inst =
#(define-music-function
- (parser location string)
+ (string)
(string?)
#@{ <>^\markup \bold \box #string #@})
inst =
#(define-music-function
- (parser location string)
+ (string)
(string?)
#{ <>^\markup \bold \box #string #})
}
}
-\relative c'' {
+\relative {
\tempo 4=50
- a4.\mpdolce d8 cis4--\glissando a |
+ a'4.\mpdolce d8 cis4--\glissando a |
b4 bes a2 |
\inst "Clarinet"
cis4.\< d8 e4 fis |
inst =
#(define-music-function
- (parser location string)
+ (string)
(string?)
#@{ <>^\markup \bold \box #string #@})
inst =
#(define-music-function
- (parser location string)
+ (string)
(string?)
#{ <>^\markup \bold \box #string #})
}
}
-\relative c'' {
+\relative {
\tempo 4=50
- a4.\mpdolce d8 cis4--\glissando a |
+ a'4.\mpdolce d8 cis4--\glissando a |
b4 bes a2 |
\inst "Clarinet"
cis4.\< d8 e4 fis |
((0) (x11-color 'violet )) ; for B
)))
-\relative c' {
+\relative {
% Fa sì che il colore sia preso dalla procedura color-notehead
\override NoteHead.color = #color-notehead
a2 b | c2 d | e2 f | g2 a |