-\version "2.12.0"
+\version "2.14.0"
\header {
texidoc = " Chord names are generated from a list pitches. The
-functions which construct these names can be customised. Here are shown
-Jazz chords, following Ignatzek (pp. 17-18, 1995) and
+functions which construct these names can be customised. Here are shown
+Jazz chords, following Ignatzek (pp. 17-18, 1995) and
an alternative Jazz chord notation.
Chords following Banter (1987) can also be printed from this file, but
}
-chs = \transpose c' c'
+chs = \transpose c' c'
{
- <c e g>1
- <c es g>% m = minor triad
- <c e gis>
- <c es ges> \break
- <c e g bes>
- <c es g bes>
- <c e g b> % triangle = maj
- <c es ges beses>
- <c es ges b> \break
- <c e gis bes>
- <c es g b>
- <c e gis b>
- <c es ges bes>\break
- <c e g a> % 6 = major triad with added sixth
- <c es g a> % m6 = minor triad with added sixth
- <c e g bes d'>
- <c es g bes d'> \break
- <c es g bes d' f' a' >
- <c es g bes d' f' >
- <c es ges bes d' >
- <c e g bes des' > \break
- <c e g bes dis'>
- <c e g bes d' f'>
- <c e g bes d' fis'>
- <c e g bes d' f' a'>\break
- <c e g bes d' fis' as'>
- <c e gis bes dis'>
- <c e g bes dis' fis'>
- <c e g bes d' f' as'>\break
- <c e g bes des' f' as'>
- <c e g bes d' fis'>
- <c e g b d'>
- <c e g bes d' f' as'>\break
- <c e g bes des' f' as'>
- <c e g bes des' f' a'>
- <c e g b d'>
- <c e g b d' f' a'>\break
- <c e g b d' fis'>
- <c e g bes des' f ' a'>
- <c f g>
- <c f g bes>\break
- <c f g bes d'>
- <c e g d'> % add9
- <c es g f'>
+ <c e g>1
+ <c es g>% m = minor triad
+ <c e gis>
+ <c es ges> \break
+ <c e g bes>
+ <c es g bes>
+ <c e g b> % triangle = maj
+ <c es ges beses>
+ <c es ges b> \break
+ <c e gis bes>
+ <c es g b>
+ <c e gis b>
+ <c es ges bes>\break
+ <c e g a> % 6 = major triad with added sixth
+ <c es g a> % m6 = minor triad with added sixth
+ <c e g bes d'>
+ <c es g bes d'> \break
+ <c es g bes d' f' a' >
+ <c es g bes d' f' >
+ <c es ges bes d' >
+ <c e g bes des' > \break
+ <c e g bes dis'>
+ <c e g bes d' f'>
+ <c e g bes d' fis'>
+ <c e g bes d' f' a'>\break
+ <c e g bes d' fis' as'>
+ <c e gis bes dis'>
+ <c e g bes dis' fis'>
+ <c e g bes d' f' as'>\break
+ <c e g bes des' f' as'>
+ <c e g bes d' fis'>
+ <c e g b d'>
+ <c e g bes d' f' as'>\break
+ <c e g bes des' f' as'>
+ <c e g bes des' f' a'>
+ <c e g b d'>
+ <c e g b d' f' a'>\break
+ <c e g b d' fis'>
+ <c e g bes des' f ' a'>
+ <c f g>
+ <c f g bes>\break
+ <c f g bes d'>
+ <c e g d'> % add9
+ <c es g f'>
+ <c e g b fis'> % Lydian
+ <c e g bes des' ees' fis' aes'> % altered chord
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
% alternate Jazz notation
-efullmusicJazzAlt =
+efullmusicJazzAlt =
{
<c e gis>1-\markup { "+" }
- <c e g b>-\markup { \normal-size-super
- % \override #'(font-family . math) "N" }
- \override #'(font-family . math) "M" }
+ <c e g b>-\markup {
+ \normal-size-super
+ % \override #'(font-family . math) "N"
+ \override #'(font-family . math) "M"
+ }
%%c:3.5.7 = \markup { \override #'(font-family . math) "M" }
%%c:3.5.7 = \markup { \normal-size-super "maj7" }
<c es>-\markup { "m" }
<c f>-\markup { \normal-size-super "sus4" }
<c g>-\markup { \normal-size-super "5" }
-
+
%% TODO, partial exceptions
<c es f>-\markup { "m" }-\markup { \normal-size-super "sus4" }
<c d es>-\markup { "m" }-\markup { \normal-size-super "sus2" }
epartialJazzAlt = #(sequential-music-to-chord-exceptions epartialmusicJazzAlt #f)
-jazzAltProperties = \sequential {
+jazzAltProperties = \sequential {
\set majorSevenSymbol = #whiteTriangleMarkup
\set chordNameSeparator = #(make-simple-markup "/")
\set chordNameExceptionsFull = #efullJazzAlt
\set chordNameFunction = #jazz-chord-names
}
-banterProperties = \sequential {
- \set chordNameFunction = #banter-chord-names
+banterProperties = \sequential {
+ \set chordNameFunction = #banter-chord-names
}
\score{
<<
- \new ChordNames {
- \set instrumentName = #"Ignatzek (default)"
- \set shortInstrumentName = #"Def"
- \chs
- }
-
- \new ChordNames {
- \jazzAltProperties
- \set instrumentName = #"Alternative"
- \set shortInstrumentName = #"Alt"
- \chs
- }
+ \new ChordNames {
+ \set instrumentName = #"Ignatzek (default)"
+ \set shortInstrumentName = #"Def"
+ \chs
+ }
+
+ \new ChordNames {
+ \jazzAltProperties
+ \set instrumentName = #"Alternative"
+ \set shortInstrumentName = #"Alt"
+ \chs
+ }
%{
- %% This is the Banter (1987) style. It gives exceedingly
- %% verbose (wide) names, making the output file take up to 4 pages.
- %% (FIXME: how big is is now?)
- %% Turned off by default.
-
- %% FIXME: use smaller font for Banter (or remove some esoteric
- %% chords).
-
- \new ChordNames {
- \banterProperties
- \set instrumentName = #"Banter"
- \set shortInstrumentName = #"Ban"
- \chs
- }
+ %% This is the Banter (1987) style. It gives exceedingly
+ %% verbose (wide) names, making the output file take up to 4 pages.
+ %% (TODO: how big is is now?)
+ %% Turned off by default.
+
+ %% TODO: use smaller font for Banter (or remove some esoteric
+ %% chords).
+
+ \new ChordNames {
+ \banterProperties
+ \set instrumentName = #"Banter"
+ \set shortInstrumentName = #"Ban"
+ \chs
+ }
%}
-
- \new Staff \transpose c c' { \chs }
+
+ \new Staff \transpose c c' { \chs }
>>
\layout {
- indent = 3.\cm
- \context {
- \ChordNames
- \consists Instrument_name_engraver
- }
+ \context {
+ \ChordNames
+ \consists Instrument_name_engraver
+ }
}
}
-
+
projects / lilypond.git / blobdiff