@c -*- coding: utf-8; mode: texinfo; documentlanguage: fr -*-
@ignore
- Translation of GIT committish: e8c4826ed3fca952984600bcce60b53e76aff5d2
+ Translation of GIT committish: 3ff93fbd01133506d14c929740bd26b34f59c5b4
- When revising a translation, copy the HEAD committish of the
- version that you are working on. For details, see the Contributors'
- Guide, node Updating translation committishes..
+ When revising a translation, copy the HEAD committish of the
+ version that you are working on. For details, see the Contributors'
+ Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.21"
+@c \version "2.19.24"
@c Translators: Jean-Charles Malahieude, John Mandereau, Gauvain Pocentek
musicales : c'est en combinant de petits fragments qu'une musique
plus complexe peut être représentée. Par exemple :
-@lilypond[quote,verbatim,fragment,relative=1]
-f4
+@lilypond[quote,verbatim,fragment]
+f'4
@end lilypond
@noindent
<d f g>4
\once \override NoteHead.style = #'cross
<d f g>4
- \applyOutput #'Voice #mc-squared
+ \applyOutput Voice #mc-squared
<d f g>4
<<
{ d8[ es-( fis^^ g] fis2-) }
- \repeat unfold 5 { \applyOutput #'Voice #mc-squared s8 }
+ \repeat unfold 5 { \applyOutput Voice #mc-squared s8 }
>>
}
@end lilypond