computer algorithms."}
}
-
@TechReport{Ornstein83,
author = {Ornstein, Severo M. and John Turner Maxwell III},
title = {Mockingbird: A Composer's Amanuensis},
institution = {Department of Computer and Information Science, The Ohio State University},
note = {Rules on formatting music formulated for use in
computers. Mainly distilled from [Ross] HWN},
-
}
-
@Article{byrd94,
author = {Donald Byrd},
title = {Music Notation Software and Intelligence},
exhibit intelligent behaviour. HWN}
}
-
@Article{field-richards93,
author = {H.S. Field-Richards},
title = {Cadenza: A Music Description Language},
year = 1993,
volume = 17,
number = 4,
-
note = {A description through examples of a music entry language.
Apparently it has no formal semantics. There is also no
implementation of notation convertor. HWN}
-
}
@Article{bielawa93,
year = {1993?},
note = {A raving review/tutorial of Sibelius 7 for Acorn. (And did
they seriously program a RISC chip in ... assembler ?!) HWN}
-
-
}
@Article{sloan93,
number = 4,
note = {An introduction into HyTime and its score description variant
SMDL. With a short example that is quite lengthy in SMDL}
-
}
@Article{wiggins93,
OO systems etc) splitted into high level and low level expressiveness.
The discussion of Charm and parallel processing for music
representation is rather vague. HWN}
-
}
@Article{dannenberg93,
}
@TechReport {hegazy87-breaking-tr,
-annote = {This generalizes \TeX's breaking algorithm to music. It also
+ annote = {This generalizes \TeX's breaking algorithm to music. It also
appeared in Document Manipulation and Typography, J.C. van Vliet (ed)
1988},
year = {1987},