@String{CitH = {Computing and the Humanities}}
@String{CMJ = {Computer Music Journal}}
-@Book {smith73,
+@Book{smith73,
year = {1973},
title = {Editing and Printing Music by Computer},
author = {Leland Smith},
music-printing system SCORE}
}
-@Article {byrd74,
+@Article{byrd74,
year = {1974},
title = {A System for Music Printing by Computer},
author = {Donald Byrd},
}
% Gomberg
-@PhdThesis {gomber75,
+@PhdThesis{gomberg75,
year = {1975},
title = {A Computer-Oriented System for Music Printing},
author = {David A. Gomberg},
school = {Washington University},
}
-@Book {gomberg,
+@Book{gomberg77,
title = {A Computer-oriented System for Music Printing},
author = {David A. Gomberg},
journal = CitH,
computer algorithms."}
}
-@TechReport{Ornstein83,
+@TechReport{ornstein83,
author = {Ornstein, Severo M. and John Turner Maxwell III},
title = {Mockingbird: A Composer's Amanuensis},
institution = {Xerox Palo Alto Research Center},
year = {1983}
}
-@Article{Ornstein84,
+@Article{ornstein84,
author = {Ornstein, Severo M. and John Turner Maxwell III},
title = {Mockingbird: A Composer's Amanuensis},
journal = {Byte},
}
% byrd
-@PhdThesis {byrd85,
+@PhdThesis{byrd85,
year = {1985},
title = {Music Notation by Computer},
author = {Donald Byrd},
volume = 17,
number = 3,
note = {A categorisation of music representation systems (languages,
-OO systems etc) splitted into high level and low level expressiveness.
+OO systems etc) split into high level and low level expressiveness.
The discussion of Charm and parallel processing for music
representation is rather vague. HWN}
}
editors = {Genevois \& Orlarey}
}
-@Book {CASR,
+@Book{casr,
note = {Annual editions since 1985, many containing surveys of music typesetting technology. SP},
title = {Directory of Computer Assisted Research in Musicology},
author = {Walter B Hewlett and Eleanor Selfridge-Field},
totalentry = {Menlo Park, CA: Center for Computer Assisted Research in the Humanities},
}
-@Book{selfridge-field97:_beyon_midi,
+@Book{selfridge-field97,
title = {Beyond MIDI: the handbook of musical codes},
editor = {Eleanor Selfridge-Field},
publisher = {MIT Press},
note = {A description of various music interchange formats.}
}
-@InProceedings{hoos98:_guido_music_notat_format,
- title = {The {GUIDO} Music Notation Format---A Novel Approach
+@InProceedings{hoos98,
+ title = {The GUIDO Music Notation Format---A Novel Approach
for Adequately Representing Score-level Music},
author = {H. H. Hoos and K. A. Hamel and K. Renz and J. Kilian},
booktitle = {Proceedings of International Computer Music Conference},
pages = {451--454},
}
-@Article {blostein91,
+@Article{blostein91,
note = {This paper provides a overview of the algorithm used in LIME
for spacing individual lines. HWN},
year = {1991},
pages = {88-99},
}
-@Article {haken93,
+@Article{haken93,
year = {1993},
title = {The Tilia Music Representation: Extensibility, Abstraction, and Notation Contexts for the Lime Music Editor},
author = {Lippold Haken and Dorothea Blostein},
adjacent columns.},
}
-@InProceedings{bouzaiene98:_une,
+@InProceedings{bouzaiene98,
author = {Nabil Bouzaiene and Loïc Le Gall and Emmanuel Saint-James},
title = {Une bibliothèque pour la notation musicale baroque},
booktitle = {EP '98},
%
% MusiCopy
%
-@TechReport {gourlay87-spacing,
+@TechReport{gourlay87-spacing,
annote = {Algorithm for generating spacing in one line of (polyphonic) music, tailored for use with MusiCopy. LilyPond uses a variant of it.},
year = {1987},
title = {Spacing a Line of Music,},
institution = {Department of Computer and Information Science, The Ohio State University},
}
-@TechReport {parish87,
- annote = {A brief overview of {MusiCopy}},
+@TechReport{parish87,
+ annote = {A brief overview of MusiCopy},
year = {1987},
- title = {{MusiCopy}: An automated Music Formatting System},
+ title = {MusiCopy: An automated Music Formatting System},
author = {Allen Parish and Wael A. Hegazy and John S. Gourlay and Dean K. Roush and F. Javier Sola},
totalentry = {OSU-CISRC-10/87-TR29},
institution = {Department of Computer and Information Science, The Ohio State University},
}
-@TechReport {gourlay87-formatting,
+@TechReport{gourlay87-formatting,
note = {This paper discusses the development of algorithms for the
formatting of musical scores (from abstract). It also appeared at
PROTEXT III, Ireland 1986},
The Ohio State University},
}
-@TechReport {hegazy87,
+@TechReport{hegazy87,
year = {1987},
- title = {On the Implementation of the {MusiCopy} Language Processor,},
+ title = {On the Implementation of the MusiCopy Language Processor,},
author = {Wael A. Hegazy},
number = {OSU-CISRC-10/87-TR34},
institution= {Department of Computer and Information Science, The Ohio State University},
objects.},
}
-@TechReport {hegazy87-breaking-tr,
+@TechReport{hegazy87-breaking-tr,
annote = {This generalizes \TeX's breaking algorithm to music. It also
appeared in Document Manipulation and Typography, J.C. van Vliet (ed)
1988},
institution= {Department of Computer and Information Science, The Ohio State University,},
}
-@InProceedings{hegazy88:_optim,
+@InProceedings{hegazy88,
author = {Wael A. Hegazy and John S. Gourlay},
booktitle = {Proceedings of the International Conference on
Electronic Publishing, Document Manipulation and Typography. Nice (France)},
title = {Optimal line breaking in music},
}
-@TechReport {roush87,
+@TechReport{roush87,
note = {User manual of MusiCopy.},
year = {1987},
- title = {Using {MusiCopy}},
+ title = {Using MusiCopy},
author = {Dean K. Roush},
number = {OSU-CISRC-18/87-TR31},
institution= {Department of Computer and Information Science, The Ohio State University},
}
-@TechReport {parrish87-simultaneities,
+@TechReport{parrish87-simultaneities,
note = {This note discusses
placement of balls, stems, dots which occur at the same moment
("Simultaneity")},
number = {OSU-CISRC-10/87-TR28},
}
-@TechReport {sola87,
+@TechReport{sola87,
note = {Overview of a procedure for generating slurs},
year = {1987},
title = {Computer Design of Musical Slurs, Ties and Phrase Marks,},
number = {OSU-CISRC-10/87-TR32},
}
-@Article {gourlay86,
+@Article{gourlay86,
note = {This paper describes the MusiCopy musicsetting system and an input language to go with it.},
year = {1986},
title = {A language for music printing},
pages = {388--401},
}
-@TechReport {sola87-beams,
+@TechReport{sola87-beams,
institution= {Department of Computer and Information Science, The Ohio
State University},
note = {Calculating beam slopes HWN},
number = {OSU-CISRC-10/87-TR30},
}
-@PhdThesis {page88,
+@PhdThesis{page88,
note = {Don't ask Stephen for a copy. Write to the Bodleian Library, Oxford, or to the British Library, instead. SP},
year = {1988},
title = {Computer Tools for Music Information Retrieval},
rules. Same remarks as for [grover89-twovoices] applies},
}
-@PhdThesis{mueller90:_inter_bearb_musik,
+@PhdThesis{mueller90,
author = {Giovanni Müller},
title = {Interaktive Bearbeitung konventioneller Musiknotation},
- school = {Eidgenössischen Technischen Hochschule Zürich},
+ school = {Eidgenössische Technische Hochschule Zürich},
year = 1990,
note = {This is about engraver-quality typesetting with computers. It
accepts the axiom that notation is too difficult to generate
translation = {``An automated system for printing music'' Master's Thesis Managerial Computer Science.},
}
-@Article {filgueiras93,
+@Article{filgueiras93,
year = {1993},
title = {Representation and manipulation of music documents in SceX},
author = {Miguel Filgueiras and José Paulo Leal},
url= {http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.17.1480},
}
-@Article {foxley87,
+@Article{foxley87,
note = {A paper on a simple TROFF preprocessor to typeset music.},
year = {1987},
title = {Music --- A language for typesetting music scores},
pages = {485-502},
}
-@Article {Langston90,
+@Article{langston90,
note = {This paper deals with some command-line
tools for music editing and playback.},
year = {1990},
pages = {47--61},
}
-@Book {filgueiras96,
+@Book{filgueiras96,
year = {1996},
title = {Implementing a Symbolic Music Processing System},
author = {Miguel Filgueiras},
totalentry = {LIACC, Universidade do Porto, 1996; submitted},
}
-@Book {filgueiras?,
+@Book{filgueiras,
title = {Some Music Typesetting Algorithms},
author = {Miguel Filgueiras},
totalentry = {Miguel Filgueiras. ``Some Music Typesetting Algorithms''. LIACC, Universidade do Porto, forthcoming},
}
-@Article {colorado-web,
+@Article{colorado-web,
author = {Alyssa Lamb},
note = {Webpages about engraving (designed with finale
users in mind) (sic) HWN},
institution = {The University of Colorado},
- title = {The University of Colorado Music Engraving page.},
+ title = {The University of Colorado Music Engraving page},
HTML= {http://www.cc.colorado.edu/Dept/MU/Musicpress/},
year = {1996}
}
-@Article {tablature-web,
+@Article{tablature-web,
note = {FAQ (with answers) about TAB, the ASCII variant of Tablature. HWN},
title = {how to read and write tab: a guide to tab notation},
author = {Howard Wright},
url= {http://www.guitartabs.cc/tabfaq.shtml},
}
-@Article {niff-web,
+@Article{niff-web,
note = {Specs for NIFF, a reasonably comprehensive but binary
format for notation HWN},
year = {1995},
ftp = {ftp://blackbox.cartah.washington.edu}
}
-@Article {smdl-web,
+@Article{smdl-web,
author = {International Organization for Standardization (ISO)},
title = {Information Technology - Document Description and Processing Languages - Standard Music Description Language (SMDL)},
pdf = {ftp://ftp.ornl.gov/pub/sgml/wg8/smdl/10743.pdf},
basically say: "You can embed a NIFF or MIDI file")},
}
-@Article {rader96,
+@Article{rader96,
note = {Describes a system called MusicEase, and explains that it
uses "constraints" (which go unexplained) to automatically position
various elements.},
pages = {61--69},
}
-@MastersThesis{gall97:_creat,
+@MastersThesis{gall97,
author = {Loïc Le Gall},
title = {Création d'une police adaptée à la notation musicale baroque},
school = {École Estienne},
year = 1997,
}
-@TechReport{droettboom00:_study_notat_descr_languag,
+@TechReport{droettboom00,
author = {Michael Droettboom},
title = {Study of music Notation Description Languages},
year = 2000,
implementation simplicity.},
}
-@PhdThesis{gieseking01:_code_gener_noten,
+@PhdThesis{gieseking01,
author = {Martin Gieseking},
title = {Code-basierte Generierung interaktiver Notengraphik},
school = {Universität Osnabrück},
isbn = {ISBN 3-923486-30-8}
}
-@Book{hewlett01:_virtual_score,
+@Book{hewlett01,
editor = {Walter B. Hewlett and Eleanor Selfridge-Field},
title = {The Virtual Score; representation, retrieval and restoration},
publisher = {MIT Press},
year = 2001
}
-@PhdThesis{renz02:_algor_guido,
+@PhdThesis{renz02,
author = {Kai Renz},
title = {Algorithms and data structures for a music notation system based on GUIDO music notation},
school = {Universität Darmstadt},
year = 2002
}
-@InBook{powell02:_music,
+@InBook{powell02,
author = {Steven Powell},
title = {Music engraving today},
publisher = {Brichtmark},
note = {A "How Steven uses Finale" manual.}
}
-@InProceedings{nienhuys03:_lilyp,
+@InProceedings{nienhuys03,
author = {Han-Wen Nienhuys and Jan Nieuwenhuizen},
title = {LilyPond, a system for automated music engraving},
booktitle = {XIV Colloquium on Musical Informatics},
projects / lilypond.git / blobdiff